1. Resonance is a collaborative project with over 30 independent visual and audio designers/studios. The aim was to explore the relationship between geometry and audio in unique ways.

    Special thanks to Clear Cut Pictures who did a great job with the audio mastering and also RenderRocket who gave us access to their awesome renderfarm.

    SEE || Displace Studios and MoveMakeShake | Esteban Diacono | Heerko Groefsema | Jean-Paul Frenay | Jr.canest | KORB | Kultnation | Mate Steinforth | Matthias Müller | Momentary People | MRK | Murat Pak | Onur Senturk | Physalia studio | Polynoid | SR Partners | Thiago Maia | Tom Waterhouse | Tronic Studio | Spatial Harmonics Group

    HEAR || Audionerve | Combustion | CypherAudio | David Kamp | Echolab | Hecq | Michael Fakesch | Mutant Jukebox | Radium Audio | Box Of Toys Audio | Studio Takt | World Gang

    resonance-film.com for more details and opportunities to get one of the limited edition Blu-Ray and DVD versions of the full film.

    Resonance was initiated and produced by SR Partners.

    # vimeo.com/25186640 Uploaded 350K Plays / / 184 Comments Watch in Couch Mode
  2. Client: a2zing
    Role: Design, Direction and Animation
    Music and Sound Design: Mert Kizilay

    Uploaded 21.2K Plays / / 15 Comments Watch in Couch Mode
  3. Volvo, Vattenfall and A-hus joined forces to demonstrate how they can reduce the carbon dioxid emission by applying today's expertise and technology. In this campaign the visitor is able to interact with the house, be inspired by the design and find information about all the involved suppliers. Architecture: Wingårdhs

    # vimeo.com/15278521 Uploaded 4,546 Plays / / 1 Comment Watch in Couch Mode
  4. "Sometimes the Stars" is a gorgeous new song from Adelaide, Australia band The Audreys, taken from their 2010 album of the same name. The accompanying short animated film, produced by Luke Jurevicius and directed by Ari Gibson & Jason Pamment, is about a lost girl's journey through a surreal landscape, and her yearning to make a connection in this distant yet strangely familiar world.

    Produced by Luke Jurevicius

    Directed by Ari Gibson & Jason Pamment

    Production Designers: Luke Jurevicius, Shane Devries, Jason Pamment, Ari Gibson

    Story by Luke Jurevicius, Ari Gibson & Jason Pamment

    2D Animation: Ari Gibson

    Background Art: Jason Pamment

    Compositing: Ryan Kirby & Jason Pamment

    Colouring: Jarrod Prince & Joshua Bowman

    Executive Producers: Stu McCullough, Taasha Coates, Tristan Goodall

    Special Thanks: Sarah Macdonald, Makoto Koji, Jeremy Hill-Brooks

    # vimeo.com/20823980 Uploaded 285K Plays / / 167 Comments Watch in Couch Mode
  5. Info on "Flying Monsters" from Blacklist’s DVEIN:

    In creating “Flying Monsters” for Terminix we wanted to develop a 3D creature unlike the typical blockbuster, high-budget movies. We wanted it to be unique an atypical to make the commercial grab the viewers attention off the top.

    We decided to work with real land animal characteristics – large animals that would move in a massive stampede, like buffalos and elephants, but which also had the ability to fly. The idea was building a collage of attributes, forms and textures that were also in line with a termite's modus operandi. At the same time, our ideas had to go in the same direction as the client's, but without losing the organic forms, Dvein's signature.

    Once every monster was finished, we got into the animation process. Our main aim was to translate truthfully every detail of the monster into movement, transmitting the fast and action-packed rhythm of the commercial. The destruction feeling was also very important, not only in the way that the monsters destroyed the houses but in the way the houses rupture. Dynamics simulation tools were used as well as manual animation were required to achieve this purpose. We also payed attention to the rhythm changes, this helps to the animation also, and so in creating sensations. We also were very accurate in choosing the framing. We wanted to amplify the sensation of weight and clearly appreciate the anatomy of the monsters so we had to locate the cameras in strategic points to give the whole scene a deeper realism.

    Tools and software: 3D Studio Max, Maya, After Effects, Photoshop and Nuke.




    Executive Producers: Adina Sales, Andrew Linsk
    Producer: Michael Neithardt
    Associate Producer: Patrick Gantert


    Publicis Dallas

    EVP , ECD: Shon Rathbone
    SVP, Group Creative Director: Julia Melle
    VP, Creative Director- ART: Pete Voehringer
    VP, Creative Director- COPY: Steve Grimes
    EVP, Group Account Director: Rick Rogers
    VP, Management Supervisor : Molly Mann
    SVP Director of Integrated production – Producer: Jaime Roderer


    Direction and Art Direction: DVEIN
    Design and Character Development: DVEIN
    Producer: Esther de Udaeta
    Post Production: DVEIN
    Post Production/VFX team: Vando


    Music and Sound Design: HECQ, Ben Lukas Boysen
    Sound Mix Company Infinia, Marc Gonell and HECQ, Ben Lukas Boysen

    # vimeo.com/21312900 Uploaded 10.5K Plays / / 7 Comments Watch in Couch Mode



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