1. Video commissioned by Turkish Airlines

    Official release versions of the video here:
    youtu.be/7A1q7v4btbk
    facebook.com/turkishairlines/videos/10153741011257760/?pnref=story

    Published on 12 Nov 2015
    From the top of the Galata Tower, where Hezarfen flew across the Bosphorus, to the Grand Bazaar that holds the secrets of Chinese silk clothes... Are you ready to witness the tale of Istanbul, through a magical and poetic story?



    Gavin Thurston/ Moving Picture Hire: gavinthurston.com/
    Kıvanç Kaçakgil: afi.com.tr/ or kivanc@afi.com.tr
    Edward Clark: Graphic Design
    Michael James Flexer: Writer

    Sound Design: Slava Pogorelsky
    Website: slavapogorelsky.com/
    Facebook: facebook.com/slavapogorelsky

    Rob Whitworth
    Website: robwhitworth.co.uk/
    Facebook: facebook.com/RobWhitworthPhotography
    Instagram: instagram.com/robwhitworthphotography

    # vimeo.com/147318819 Uploaded 65.6K Plays 46 Comments
  2. -----------------------------------------
    The music in this film was composed by Kerry Muzzey and is a track called The Secret History from the album The Architect. Please consider purchasing this album over on iTunes: http://bit.ly/PAT_MO

    I am forever in Kerry's debt for his kindness and generosity in donating this song for my film. I do not have enough words to thank him!

    If you'd like to purchase a digital download of the film for your iPhone or iPad, please visit mikeolbinski.com/theblog/2015/07/the-chase.

    Follow me: mikeolbinski.comtwitter.com/mikeolbinski / facebook.com/mikeolbinskiphotography / instagram.com/mikeolbinski

    ---------------------------------------

    This past spring I spent more time chasing storms on the plains than ever before. The most I had spent prior to this was seven total days and that was last year. What I came away with from that short time made me realize that if I could double that...the stuff I could capture would be amazing. Of course I long to be out there for a month or longer, but when you live in Phoenix and have a wife and three kids...you have to be realistic.

    I turned 40 years old this year and I told my wife all I wanted was 10 days chasing on the plains. She loves me though and it ended up being 14! Two days in April and then 12 straight days from May 23rd - June 3rd. Those 12 days were absolutely incredible. I'm friends with other chasers via social media, met them on the side of roads while chasing, even grabbed dinner together...but never have I felt more of a part of the chaser community than being out there for almost two weeks. Living the life...seeing the same amazing chasers over and over...it was overwhelming to me. I missed my family, it was hard at times, but it was one of the best experiences of my life.

    Both chases originated from where I live in Arizona. In April I drove out all night to Colorado, slept maybe an hour, chased all day, got a good night's sleep, chased the next day in the Texas panhandle and drove home that same night, stopping only for a quick nap in New Mexico. The second chase was the same. Left Phoenix late on the evening of May 22nd, never really slept and the chase was on the next day. All in all I drove well over 12,000 miles over the course of those two weeks, visited 10 total states (New Mexico, Texas, Kansas, Oklahoma, Colorado, Nebraska, South Dakota, Wyoming, Montana and North Dakota) and shot over 45,000 frames of footage for this film.

    I have many people to thank. Pat O'Brien for being my first private tour attendee this spring. Mike Mezeul II for one very big tip on a spot above Rapid City, SD. To James Langford who not only guided me to that spot over the phone, but "now-casted" for me many, many times. I may have missed out on four crucial clips in this film if it wasn't for him suggesting I punch the core in South Dakota. Thank you sir. And to my pal Andy Hoeland...who was with me for over a week of my time out there, driving, looking at forecasts, talking to weather experts and always helping us have a great target for that day. He's become my chase partner for most of these big plains trips and I wouldn't have it any other way.

    Also thanks to Cinetics (cinetics.com/axis360) for sending me their Axis 360 to play with. I used it one time in this film and wish I had used it more. I love that scene.

    Finally...above everyone else, of course...is my wife. To let me go for that long, to never complain, to never discourage me...but to only believe in me...how could I be so lucky to deserve a wife like that? We have three kids and that's tough on a parent to have her husband away that long. It will never cease to amaze me that I would not be here, doing this, if it wasn't for her support and encouragement.

    Technical details...everything was shot on Canon 5D3's, along with an array of Rokinon lenses. I got sick of lens-twisting (mostly of FORGETTING to lens twist) so I mainly used those manual lenses on this trip. Everything was processed using LR Timelapse, Lightroom, After Effects and Premiere Pro.

    I'm in absolute love with this film. The stuff I saw rivaled anything I've ever seen on the plains minus that insane Booker supercell in 2013. We saw four tornadoes (one of them appears in a deleted scene at the very end of the film), countless supercells, gorgeous shelf clouds, stunning mammatus and some awesome lightning shows. The song..well, the song for this film blew my mind. I loved it when I heard it, but then seeing how everything started coming together on the timeline, the pace, the slow build-up, the huge ending...I've said it before, but the song is 50% of the film. Thank you again Kerry for everything!

    All this movie does it fuel me to want to do better next year and this summer in Arizona. Stay tuned for Monsoon II and for The Chase II next spring!

    I sincerely hope you enjoy and share this film around. Thank you!

    # vimeo.com/134173961 Uploaded 547K Plays 288 Comments
  3. We are two filmmakers studying Audiovisual Media at the Stuttgart Media University in Germany.

    For our semester filmproject we have been fortunate enough to spend 14 days filming in Iceland. Our desire was to capture that stunning landscape and wildlife to take you on a journey through this magical island.

    This film wouldn´t exist without the magnificent help and support of our sponsors, our university and a lot of other people who took part and helped us in any kind of way. Thank you, guys!

    4K Streaming:
    youtube.com/watch?v=U3r62Np_pxY

    Sponsored by:
    ARRI ( arri.de )
    Island ProTravel GmbH ( islandprotravel.de )
    RM-Reiseteam GmbH ( rm-motorradreisen.de )
    LRTimelapse ( lrtimelapse.com )
    Biwakschachtel Tübingen ( biwakschachtel-tuebingen.de )
    bergzeit.de ( bergzeit.de )

    Shot on:
    ARRI AMIRA
    Canon 5D Mark III

    The footage is available for licensing. For professional inquiries feel free to contact us.

    # vimeo.com/132602913 Uploaded 215K Plays 147 Comments
  4. BARCELONA in Flow Motion - A fast moving short film....
    Gold prize winner at Timelapse Showfest 2014

    In few other cities is it possible to walk from spectacular location to spectacular location. I had a fantastic time adventuring around Barcelona's winding streets making this film.

    Special thanks to Ferran Macià Edo and his colleagues from Agència Catalana de Turisme (Catalan Tourism Board) for helping me get access to shoot at numerous stunning locations including:

    Museu Nacional d'Art de Catalunya
    Gran Teater del Liceu
    Sagrada Familia
    Museu D'Historia De Barcelona
    Palau de la Música
    Santa Maria del Pi

    And an extra special thanks to Marta Garriga Bardalet for patiently modelling during an uncharacteristically cold and rainy day.

    My time in numbers:
    363 hours work
    75 Hours Logistics and Travel
    31 Hours Scouting and Location Finding
    78 Hours Shooting
    179 Hours Post Production

    26014 Camera Raw Files
    817gb of data

    Kit List
    Nikon D800 DSLR
    Nikon D7100 DSLR
    Nikon D7100 DSLR
    Nikon D3200 DSLR
    Nikon 10.5mm f/2.8G ED AF DX Fisheye
    NIkon 10-24mm f/3.5-4.5G ED AF-S DX
    Nikon 16-35 f/4G AF-S VR Zoom Nikkor
    Nikon 28mm AF f/2.8D
    Nikon 50mm f/1.4G AF-S
    Nikon 70-200mm f/2.8G ED AF-S VR II
    Promote Control

    Barcelona GO! was part of a project commissioned by the Catalan Tourism Board. Five video artists created five videos using different techniques. All of the videos can be seen on their YouTube channel:

    youtube.com/playlist?list=PLA30l_dRpFOtiVHXwnnZTv-b9gfAzyyeN

    Sound Design and Music: Slava Pogorelsky
    Website: slavapogorelsky.com/
    Facebook: facebook.com/slavapogorelsky

    Rob Whitworth
    Website: robwhitworth.co.uk/
    Email: rob@robwhitworth.com.hk
    Facebook: facebook.com/RobWhitworthPhotography
    instagram.com/robwhitworthphotography

    # vimeo.com/98123388 Uploaded 2.4M Plays 368 Comments
  5. Winner of "Best Time-Lapse" at Los Angeles Independent Film Festival Awards - laiffawards.com/may-winner.html

    The sun rises and covers the landscape in a soft pink light. The rugged cliffs cast a long shadow. Winter has the island under control. The snowy mountains tower above the frozen fjords. The streets are empty and just a few tourists are en route. The sun is shining. The turquoise water is glittering in the sun. The day is marked by unpredictable weather changes. Quick rages the snow and the sea is stirred up by the storm. The fishing boats cross the rough sea to catch some codfish, while the already gutted fish hanging to dry on the stockfish racks and wrap the island into a fishy smell. In the evening the island comes to rest. The fishing boats return to the port. The small towns, with the famous red Rorbuers are brightly lit and tranquility settles in. The sun sets and the sky turns into a dark blue. As night falls in Lofoten, the sky comes to life and you will experience an exceptional spectacle of nature that is hard to put into words. The Northern Lights flicker across the sky and cover the landscape in a green light. For hours they dance in the sky before the sun finds its way over the horizon. A new winter day starts in Lofoten.

    In March this year I spent a week in Lofoten. I knew the islands already from a previous visit in the summer, however, I wanted to go on Aurora hunting this time. The weather and solar activity play a decisive role, so that a reliable forecast isn’t possible. Everything was more than uncertain and the unpredictable weather changes were the biggest challenge but I was lucky during my visit. In addition to the breathtaking scenery, I was able to experience one of the most impressive natural phenomena.
    Thanks Lofoten, I'll be back!

    Equipment
    Nikon D7100
    Nikon D610
    Nikkor 14-24 mm 1:2,8
    Sigma 18-35mm 1:1,8
    Nikkor 16–85 mm 1:3,5–5,6G
    Walimex Pro 14mm 1:2,8
    Nikkor 50mm 1:2,8
    DIY Slider
    Emotimo TB-3 Black
    Lee filters

    Background information and behind the scenes: maiocchi.de/en/portfolio/winter-in-lofoten-timelapse/

    The footage can be licensed up to 4K resolution: tm@maiocchi.de
    Please visit me on facebook: facebook.com/tmaiocchi.photo
    Website: maiocchi.de
    Music by premiumbeat.com

    # vimeo.com/126845728 Uploaded

Time-Lapse

Thomas Hadinger

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