"Slow" marine animals show their secret life under high magnification. Corals and sponges build coral reefs and play crucial roles in the biosphere, yet we know almost nothing about their daily lives. These animals are actually very mobile creatures. However their motion is only detectable at different time scales compared to ours and requires time lapses to be seen.
Make sure you watch the video on a large screen. This clip is displayed in Full HD, yet the source footage (or the whole clip), is available in UltraHD 4k resolution for media productions.
The answer to a common question: yes, colors are "real" and not exaggerated by digital enhancement. We have only applied basic white balance correction. However, we used specialized lights to mimic the underwater ambient spectrum. When photographers use white light (artificial spectrum) on corals, they simply miss the vast majority of colours. Corals have spectrum-sensitive colouration due to fluorescent pigments.
The duration of sequences varied from 20 minutes to 6+ hours.
=== Technical details ===
To make this little clip we took 150000 shots. Why so many? Because macro photography involves shallow depth of field. To extend it, we used focus stacking and deconvolution algorithms. Each frame of the video is actually a stack that consists of 3-12 shots.
Just the intro and the last scene are regular real-time footage. One frame required about 10 minutes of processing time (raw conversion + stacking + deconvolution in some scenes). Unfortunately, the success rate was very low due to copious technical challenges and we spent almost 9 long months to get it right.
Music: Atmostra III by Cedric Baravaglio, Jonathan Ochmann and Zdravko Djordjevic.
=== Sharing/Use ===
Inquiries/licensing/press: find our contact details bioqueststudios.com.au/
More information about using our videos:
Please support the Great Barrier Reef conservation efforts marineconservation.org.au/pages/donate.html# vimeo.com/88829079 Uploaded 3.9M Plays 16.2K Likes 428 Comments
Update II: Check out my latest time lapse project: vimeo.com/simonchristen/timelapsecollection
Update: Thank you so much to all of you. I am humbled and a little bit overwhelmed with all your comments. I am trying to answer all the questions (please keep 'em coming) but would like to thank each of you for taking the time to write a comment. I am reading them all. THANK YOU.
Almost 3/4 of a million views and 10k likes in one week, I am floored. It truly makes me happy that my little film is able to connect with you and hopefully evokes the same feeling of happiness that I felt while shooting it.
Thank you also so much to everybody that has left me tip. You are too kind!
It has been almost 3 years since I released "The Unseen Sea" and I'm excited and proud to share with you my latest project "Adrift".
"Adrift" is a love letter to the fog of the San Francisco Bay Area. I chased it for over two years to capture the magical interaction between the soft mist, the ridges of the California coast and the iconic Golden Gate Bridge. This is where “Adrift” was born.
The weather conditions have to be just right for the fog to glide over the hills and under the bridge. I developed a system for trying to guess when to make the drive out to shoot, which involved checking the weather forecast, satellite images and webcams multiple times a day. For about 2 years, if the weather looked promising, I would set my alarm to 5am, recheck the webcams, and then set off on the 45-minute drive to the Marin Headlands.
I spent many mornings hiking in the dark to only find that the fog was too high, too low, or already gone by the time I got there. Luckily, once in a while the conditions would be perfect and I was able to capture something really special. Adrift is a collection of my favorite shots from these excursions into the ridges of the Marin Headlands.
I hope with my short film I am able to convey the feeling of happiness I felt while I experienced those stunning scenes.
I am so grateful to Jimmy LaValle, from the band “The Album Leaf”, for composing a custom score for Adrift. Jimmy's music is fantastically beautiful and captures the mood perfectly. Please check out his website. Thanks again Jimmy for your hard work.
I hope you enjoy the film and thank you for watching.
If you like this short film, please consider using the Tip Jar below, proceeds will go towards the next project...
Licensing: Adrift is copyrighted. All of my work is available for licensing under a rights-managed agreement. If you are interested in using any of my images and/or time lapse footage, please visit my website or contact me directly. Most of my clips are available up to 4K resolution! All of them support 2.8K and standard HD resolutions of 1080p/720p. Some of my favorite scenes in the film are also available as high resolution prints.
You can follow Jimmy LaValle's work here and get a free copy of the song: on.fb.me/1b6c6gy# vimeo.com/69445362 Uploaded 4M Plays 22.3K Likes 1,195 Comments
First Rulers made of Ivory were in use by the Indus Valley Civilization period around 1500 BC. While the digital technology has evolved a lot in past 100 years, Not much has changed in their design since past 3000 years. Glassified is one such attempt, to 'augment' such a ubiquitous tool.
Glassified is a modified ruler with a transparent display to supplement physical strokes made on paper with virtual graphics. Because the display is transparent, both the physical strokes and the virtual graphics are visible in the same plane. A digitizer captures the pen strokes in order to update the graphical overlay, fusing the traditional function of a ruler with the added advantages of a digital, display-based system. We describe use-cases of Glassified in the areas of math and physics and discuss its advantages over traditional systems.
Anirudh Sharma, Lirong Liu, Pattie Maes
The Ruler is embedded with -> TOLED display, Digitizer to track pen input.
How to build DIY instructions on -> anirudh.me/2013/07/glassified-augmenting-a-traditional-ruler-with-digital-functionality/ (Coming soon)# vimeo.com/71064267 Uploaded 178K Plays 577 Likes 17 Comments
This BTS film was commissioned by Blackmagic Design to be shown in conjunction with the film A Night At Nine Lems made by James Tonkinhttps://vimeo.com/55217018 for the 2012 European roadshow tour. The brief was to test the Blackmagic Cinema camera in a real world shoot, with minimal lens, grip and shot over a single night on location at New Covent Garden market. All shot in ProRes FILM to demonstration workflow with FCPX. I was charged with shooting the BTS documenting how the shoot came together.
I challenged myself to shoot largely with Prime Lenes and all hand held- this was to see if you can use the BMCC as a valid hand held documentary rig. Also we used no additional lighting, again to test the camera entirely using available light.
Camera: Blackmagic Cinema Camera (EF Version)
Lens: 11-16 Tokina, Zeiss ZF.2 18mm f3.5 , 25 f2, 35mm f1.4, 50mm f1.4, 85mm f1.4
Grip: Zacuto BMCC Rig
Post: FCPX & Resolve.
Den Lennie - Shoot, edit, grade
Alan Witts - Music
Paul Moss - Trader
Mohan Randhawa - Shopper# vimeo.com/56082897 Uploaded