1. A DUOSEGNO Visual Design PROJECT duosegno.it

    DIRECTED by Valentina Rocco



    More info on duosegno.it/portfolio-item/fabrizio-carola

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    Twitter: twitter.com/duosegno

    MUSIC ( with permission of the composers )

    "Le terre del fuoco" / LE TERRE DEL FUOCO / Vito Mercurio / 2005 Note Di Merito vitomercurio.com/

    “Free guys by the sea” / DREAM ISLAND LAUGHING / Lucky Dragons / 2008 Marriage Recordshttp://www.luckydragons.org/

    “Mirror Friends” / DREAM ISLAND LAUGHING / Lucky Dragons / 2008 Marriage Records

    “Pelle” / BURATTINI / Vito Mercurio / 2011 Note Di Merito

    PHOTOS (please take care of all the different colors references in the video)

    © Aga Khan Award for Architecture/Kamran Adle facebook.com/kamranadlepage?fref=ts

    © Aga Khan Award for Architecture akdn.org/

    © Aga Khan Visual Archive, Aga Khan Documentetion Center dome.mit.edu/handle/1721.3/45936

    © Dome_Cantiere didattico sperimentale 2011 University of Catania / Faculty of Architecture in Syracuse / Arch. Luigi Alini

    ENGLISH TRANSLATOR Annamaria Rocco

    # vimeo.com/92640687 Uploaded 10.2K Plays / / 0 Comments Watch in Couch Mode
  2. Les quarante-quatre premières productions de la série No Legend de la Demeure du Chaos sur T.L.M. (première télévision lyonnaise historique - canal 220 sur Free, canal 254 Orange, canal 370 Neuf box, canal 96 Numericable, canal 30 TNT ), chaque jour sur 1 an avant et après le journal télévisé. Les horaires de diffusion sont 18:28, 18:37, 19:28, 20:29 et 21:28.

    Scénario de Thierry Ehrmann
    Réalisation de Laurent Courau, Sydney Ehrmann et Kurt Ehrmann

    Production : Musée L'Organe / La Demeure du Chaos - 2013
    Organ Museum / Abode of Chaos / Server Group - 2013

    # vimeo.com/71836177 Uploaded 2,241 Plays / / 2 Comments Watch in Couch Mode
  3. Tsunami económico - en progreso. 2012.13 / a hundrich project.
    Tsunami económico II./3 - Breaking News 2013 / One Thought
    camera 2012 - Robert Lopez Hinton / music composed by linford. projects / edited by Pelai de la Frontera
    in cooperation with Can Monroig, Inca / Incart · Mallorca. Islas Baleares, España

    Tsunami económico. en progreso - a hundrich.project 2012.13 / hundrich.com

    # vimeo.com/66957223 Uploaded 91 Plays / / 0 Comments Watch in Couch Mode
  4. Resumen del video proyectado en Can Monroig para el Tsunami Económico en la jornada de IncArt 2013.

    "No quieren escucharnos" es el grito desesperanzado que más escucho cuando la gente habla de la politica actual. Cada día más comercios cerrados, más conocidos y familiares en el paro, o en situaciones más dificiles. Cada día más gente rebuscando en los contenedores o haciendo colas interminables en comedores sociales. Casi todos coinciden en lo mismo, los políticos no nos escuchan, no quieren escucharnos. Todo esto ha servido de inspiración, así como la prensa, la televisión... en definitiva, el día a día.

    Tras la propuesta de Robert y Marie-Noëlle de participar su proyecto "Tsunami Económico II" para IncArt 2013, continuando el trabajo que comenzaron en la pasada edición donde, además de las instalaciones de Can Monroig, este año tenemos la posibilidad de utilizar varios escaparates de locales que, debido a la crisis, han ido cerrando estos últimos años. La serie fotográfica es un mensaje en silencio, los gritos ahogados de la desesperación de la gente corriente. De la rabia de unos y la tristeza de otros por las situaciones que viven: la falta de empleo, la pérdida del hogar, las serias dificultades para llegar a fin de mes, la preocupación por un futuro incierto, la coartación de la libertad de expresión... En definitiva, gente que cree que no se están haciendo bien las cosas, gente que te mira directamente a los ojos y tiene mucho que decir.

    Poder exponer estas fotografías en la calle, con gente de la calle, gente real con problemas reales, que a veces vemos demasiado cercanos, es una manera de poner de manifiesto que no estamos solos y mostrar el sentimiento generalizado de malestar. El mensaje positivo que quiere dejar esta obra es que, entre todos, si aunamos fuerzas, conseguiremos que se nos escuche.

    # vimeo.com/67235584 Uploaded 130 Plays / / 0 Comments Watch in Couch Mode
  5. Alessandro Bavari: Camera Tremula 1, Noise Melange, XYZ Ocula Depth
    Fulvio Sturniolo: Camera Tremula 2
    Jeff Ensign aka Evolution Noise Slave: Sonic Harmonium

    Format: Pal Widescreen 1050x576
    Duration: 8:27 mins

    - Golden Nica at Prix Ars Electronica 2011.
    - Special Award IED at Skepto International Film Festival.
    - Best Experimental Film at the 2nd Stortford Film Festival.
    - Best Direction Prize at the Cinemavvenire Video Festival.
    - 1° Prize Art Lab at the Festival Internazionale del Cinema d'Arte.
    - 1° Prize ex aequo at the Corto Dorico Short Film Festival + a Special Mention Prize.
    - Best Design Prize at the 13th Animation Film Festival Animated Dreams.
    - Finalist as Best Direction at the Animago Award.
    - Finalist at the Bolzano Short Film Festival.

    Metachaos, from Greek Meta (beyond) and Chaos (the abyss where the eternally-formless state of the universe hides), indicates a primordial shape of ameba, which lacks in precise morphology, and it is characterized by mutation and mitosis.
    In fact the bodies represented in METACHAOS, even though they are characterized by an apparently anthropomorphous appearance, in reality they are without identity and conscience. They exist confined in a spaceless and timeless state, an hostile and decadent hyperuranium where a fortress, in perpetual movement, dominates the landscape in defense of a supercelestial, harmonic but fragile parallel dimension. In its destructive instinct of violating the dimensional limbo, the mutant horde penetrates the intimacy of the fortress, laying siege like a virus. Similar to the balance of a philological continuum in human species, bringing the status of things back to the primordial broth.

    METACHAOS is a multidisciplinary audio-visual project, articulated in a short film, a set of photography (alessandrobavari.com/english/Metachaos-photographies/gallery_Metachaos-photographic_series.htm) and mix-technique paintings. The purpose of the project is to represent the most tragic aspects of the human nature and of its motion, such as war, madness, social change and hate. An accretion of feelings that are metaphorically represented by specific visual forms, which are abstract conceptually, but concrete and tangible formally. The application of acid and monochromatic tints, besides the strong contrasts, makes everything intentionally more oppressive and tragic.

    In order to obtain a more immersive and plausible version, the shot was taken adopting the camera live technique. The extreme and frenetic motion of the shoulder camera, similar to the subjective one, becomes a main constant, so that, along with the persisting cuts used to edit the video, create a bigger sense of instability and danger. In fact, thanks to the dissemination of Technology, it is possible to notice that the unconscious-esthetic potential of the shots available on Youtube, characterized by a pseudo-documentary and amateur approach, often offer an unexpected emotional involvement, which trigger an exhibitionistic-voyeuristic interchange between the author and the consumer.

    The irrational gesture and action of the bodies, as if a collective form of madness controlled them, are inspired by artists like Bosch and Bruegel who, between the ‘400 and ‘500, produced an iconography where irrational images show sickly madness and pain.

    The project has been realized using different techniques: live shots taken in discharged industrial sites, CGI animations, tracking and motion captures, besides various other analogical ones.

    American Jeff Ensign, aka Evolution Noise Slave composed the original sound track, which has been progressively updated during the video production. The musical score was inspired by 6 separate pieces Jeff had previously created that were then combined into a hybrid. The composition was also based in part from a sonic interpretation of the ideas presented in Antonin Artaud’s the Theater and Cruelty overlaid on Bavari’s images.


    Alessandro Bavari’s “Metachaos” is an impressive display of the amazing graphics that can be produced with leading-edge hardware and software. The 8-minute clip begins with a sequence of clear, geometric forms that suggest a serene world. But it doesn’t take long until it’s apparent that this was just the calm before the storm. Shadowy creatures and shockingly grotesque figures intrude into this domain rendered in black & white and sepia tones and rip it to pieces. Using the interplay of light and shadow, intentionally shaky camera movements and quick cuts, Bavari takes us on a tour de force through an unsettling imaginary cosmos that grips viewers and doesn’t let them loose. In addition to its extraordinary visuals, “Metachaos” features an impressive composed soundscape of incredibly concentrated intensity—noise elements paired with driving beats, panic-stricken screams, the rattling of bones and gale-force winds.

    While some of as did not necessarily share the apocalyptic view of this film, we found that it left the most indelible impression. Narrowly passing through the first round, it grew on us, so that on repeated viewing it miraculously made its way to the top.
    What starts as a cinematic, kinetik, yet clean field of geometry and bodies, gradually evolves, or devolves, into the artist’s vision of a nightmarish black-and-white world created by a continual collision of the human and the architectural form. It finally culminates in a screaming dance among the ruins. In a impressive virtuoso tour de force, Alessandro Bavari creates a constant mêlée of grime, projectile muck and dust among collapsing spaces at the stage for metamorphosing human bodies with branching limbs that seem constantly to break the architectural environment apart. Zombies with missing limb sand decaying skin and faces sometimes stand around listlessly and other times appear to engage in orgasmic sex. The human forms become insect-like and multiply in hordes across the building forms. Dust particles and snakes of turbolent, ferrous liquid finally explode into an apocalyptic ocean of flotsam and sludge.
    Bavari’s few collaborators helped shape what the credit call “camera tremula” (shaky, documentary-style camera) and sound design. We commend his dedication to a singular artistic vision that is grounded in his practice as a photographer. This is a representation of a caustic end of the world, a world of a audible pain and hopeless destruction rendered with a disturbing reference to 80s-style computer-generated animation as well as 60s “actionism”.

    # vimeo.com/16056709 Uploaded 283K Plays / / 171 Comments Watch in Couch Mode

Can Monroig

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