1. Alessio Bertotti - Showreel 2015 of VFX, Compositing, 3D and Motion Graphics works.
    Feature films
    - Avengers: Age of Ultron (Trixter): 00:03 compositing and prep, creation of motion graphics for the holograms.
    - Pixels (Trixter): 00:33 compositing of CG elements and comp look dev of Mario character.
    - The Expendables 3 (Worldwide FX): 00:41 deep compositing of 3D elements, set extension, tracking, keying and cleanup;look dev for the heat/night visor and hud; tracking and compositing of 2D and 3D elements; face replacement using 3D model with projected animated textures.
    - After Earth (Pixomondo): 00:55 sequence compositing and keying of foreground and background people, gizmo creation (to create custom zdepth and shadows passess of people projected on cards, using the default Nuke scanline render)
    - Only Lovers Left Alive (Pixomondo): 01:01 dead man replace through 1300 frames using projection tecniques and 3D tracking; sequence compositing with screen replacements in various devices.
    - One Thousand And One Nights (Toboga): 01:07 sequences compositing, set extension, tracking, keying and cleanup.
    TV Series
    - Constantine (Important Looking Pirates) 01:10 smoke compositing and tracking from 2D elements, CG heads integration; bugs and swarm compositing and integration adding warping and shadows on the skin.
    - Lorenzo negli Stadi: Introduction (iMasterArt): 01:26 VFX supervisor from the bidding to the final product, coordinating a team of artists. Compositing look dev and 3D modeling and animation.
    Commercials
    - Vision Express (Fieldtrip): 01:36 opening shot compositing, look development, modelling and camera animation, created using multiple footages projected on geometry.
    - Bet365 (Absolute Post): 01:42 backgrounds compositing and hologram head look development and animation through 3D and 2D processes.
    - Direct Line (Fieldtrip): 01:49 sequences compositing through tracking, cleanup and CG integration; headphones modeling, texturing, rendering and compositing; inside chimeny look development.
    - Check24 (Trixter): 02:02 compositing and keying of multiple footages made with motion controls.
    - Mercedes Benz Assist (Pixomondo): 02:07 2D and 3D supervision, modeling, shading and compositing.
    - BMW 5 Series (Pixomondo): 02:14 camera animations and cars rig, to use in the pipeline for automated render of all the configurations of the cars.
    - The Land of Plenti (Fieldtrip): 02:24 tracking and compositing various footages shot with motion control in slow motion, with the addition of 3D elements.
    - Gillette FC (Rumblefish): 02:30 compositing, set extension, keying, rotoscoping, tracking and cleanup; modeling, texturing, shading and rig of various stadium elements.
    - Signal (Toboga): 02:38 rotoscoping and keying.
    - Go Ahead (Fieldtrip): 02:41 packaging replacement using 2D techniques.
    - Smyths (Unit Media): 02:43 compositing, tracking, wire removal/cleanup and sky replacements.
    - Mr Green (Smoke & Mirrors): 02:50 tracking and cleanup setup for the footages done with motion control.
    - Bubbles (Virtual Reality & Multi Media Park): 02:53 lead 2D and 3D artist, dynamics and compositing.
    - Canary Warf (Escape Studios): 02:58 foreground modeling, texturing, shading and lighting using Atomkraft, Mari and Nuke; background done with camera projections; compositing and grading.
    Music Video
    - Something Really Bad (Partizan): 03:01 compositing of the elements that were projected on set. On set VFX assistance and advisor; compositor in the post production process.
    Motion Graphics
    - Around (PoliMi): 03:11 motion graphics animations setup and opening scene look dev.

    Programs used: Nuke, Maya, After Effects, Mudbox, MatchMover, PFTrack, Mari, Atomkraft, Photoshop, UVLayout, Mocha, Premiere Pro

    Music: Rocket From The Crypt - Bring Us Bullets

    http://alessiobertotti.it

    # vimeo.com/150614258 Uploaded 6,289 Plays 2 Comments
  2. 2184 - Film Intro del tuor "Lorenzo Negli Stadi 2015" di Lorenzo "Jovanotti" Cherubini

    Production: YouNuts! & Lebonski
    Regia: Antonio Usbergo & Niccolò Celaia

    Executive Producer: Sebastiano Pisciottu
    Producer: Andrea Vetralla
    Special Thanks to: Ornella Muti & Salmo

    # vimeo.com/148929324 Uploaded 3,399 Plays 0 Comments
  3. Alessio Bertotti - Showreel Fall 2014 of VFX, Compositing, 3D and Motion Graphics works.

    Actually working at Important Looking Pirates on the feature film "Everest" and the TV series "Constantine".
    Available from the 1st of December in Munich, Germany.

    Feature films
    - The Expendables 3 (Worldwide FX): 00:01 deep compositing of 3D elements, set extension, tracking, keying and cleanup;look dev for the heat/night visor and hud; tracking and compositing of 2D and 3D elements; face replacement using 3D model with projected animated textures.
    - Only Lovers Left Alive (Pixomondo): 00:21 dead man replace through 1300 frames using projection tecniques and 3D tracking; sequence compositing with screen replacements in various devices.
    - After Earth (Pixomondo): 00:28 sequence compositing and keying of foreground and background people, gizmo creation (to create custom zdepth and shadows passess of people projected on cards, using the default Nuke scanline render)
    - One Thousand And One Nights (Toboga): 00:38 sequences compositing, set extension, tracking, keying and cleanup.

    Commercials
    - Vision Express (Fieldtrip): 00:43 opening shot compositing, look development, modelling and camera animation, created using multiple footages projected on geometry.
    - Bet365 (Absolute Post): 00:49 backgrounds compositing and hologram head look development and animation through 3D and 2D processes.
    - Direct Line (Fieldtrip): 00:56 sequences compositing through tracking, cleanup and CG integration; headphones modeling, texturing, rendering and compositing; inside chimeny look development.
    - Mercedes Benz Assist (Pixomondo): 01:11 2D and 3D supervision, modeling, shading and compositing.
    - BMW 5 Series (Pixomondo): 01:19 camera animations and cars rig, to use in the pipeline for automated render of all the configurations of the cars.
    - Gillette FC (Rumblefish): 01:29 compositing, set extension, keying, rotoscoping, tracking and cleanup; modeling, texturing, shading and rig of various stadium elements.
    - Signal (Toboga): 01:38 rotoscoping and keying.
    - Go Ahead (Fieldtrip): 01:41 packaging replacement using 2D techniques.
    - Smyths (Unit Media): 01:43 compositing, tracking, wire removal/cleanup and sky replacements.
    - Mr Green (Smoke & Mirrors): 01:51 tracking and cleanup setup for the footages done with motion control.
    - Bubbles (Virtual Reality & Multi Media Park): 01:54 lead 2D and 3D artist, dynamics and compositing.
    - Canary Warf (Escape Studios): 01:58 foreground modeling, texturing, shading and lighting using Atomkraft, Mari and Nuke; background done with camera projections; compositing and grading.

    Music Video
    - Something Really Bad (Partizan): 02:01 compositing of the elements that were projected on set. On set VFX assistance and advisor; compositor in the post production process.

    Motion Graphics
    - diQua (IUAV): 02:12 motion graphics animations look dev and realization, tracking, editing and final grade.
    - Around (PoliMi): 02:19 motion graphics animations setup and opening scene look dev.
    - Climate Changes (PoliMi): 02:26 motion graphics animations.
    - Lycia (Rumblefish): 02:31 motion graphics and camera animations, graphics creation and look dev.
    - Tiger (Boumaka): 02:35 motion graphics animations and particles in Maya.

    Programs used: Nuke, Maya, After Effects, Mudbox, MatchMover, PFTrack, Mari, Atomkraft, Photoshop, UVLayout, Mocha, Premiere Pro

    Music: The Riverboat Song, Ocean Colour Scene

    http://alessiobertotti.it

    # vimeo.com/109341644 Uploaded 2,539 Plays 3 Comments
  4. Showreel dei lavori realizzati durante il Master in Motion Graphics & Design 2013/2014.

    iMasterArt è un’Accademia di Arti Digitali nata nel 2011 con sedi a Torino, Milano e Genova, che offre Master in diversi ambiti di specializzazione.
    I nostri Master sono tenuti da Artisti e Professionisti affermati e seguono programmi tecnicamente avanzati e sempre al passo con le richieste del mercato dell’Entertainment, insegnando l’utilizzo di softwares all’avanguardia quali la suite di Adobe, ZBrush, Nuke, Mari, Unreal, Autodesk Maya, Houdini.
    Per avere maggiori informazioni o contattarci visita il nostro sito: imasterart.com.

    Master in Motion Graphics & Design: imasterart.com/master-moduli/motion-graphics-design

    Seguici su Twitter: twitter.com/iMasterArt
    Visita la nostra pagina Facebook: facebook.com/imasterart

    # vimeo.com/105547704 Uploaded 742 Plays 0 Comments
  5. Breakdown dei lavori realizzati durante il Master in Motion Graphics & Design 2013/2014.

    iMasterArt è un’Accademia di Arti Digitali nata nel 2011 con sedi a Torino, Milano e Genova, che offre Master in diversi ambiti di specializzazione.
    I nostri Master sono tenuti da Artisti e Professionisti affermati e seguono programmi tecnicamente avanzati e sempre al passo con le richieste del mercato dell’Entertainment, insegnando l’utilizzo di softwares all’avanguardia quali la suite di Adobe, ZBrush, Nuke, Mari, Unreal, Autodesk Maya, Houdini.
    Per avere maggiori informazioni o contattarci visita il nostro sito: imasterart.com.

    Master in Motion Graphics & Design: imasterart.com/master-moduli/motion-graphics-design

    Seguici su Twitter: twitter.com/iMasterArt
    Visita la nostra pagina Facebook: facebook.com/imasterart

    # vimeo.com/105532091 Uploaded 481 Plays 0 Comments

Computer Graphics

Alessio Bertotti

Video projects done in computer graphic and visual effects

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