1. Patrick K.-H. / bestbefore - animation, 2017 ev
    Antonis Anissegos - piano,
    Daniel Schröteler - drums; music - 2015 ev

    http://enstase.com
    http://drawnsound.org
    http://bestbefore.gr

    # vimeo.com/226539807 Uploaded 145 Plays 2 Comments
  2. Andreas Karaoulanis (bestbefore) - animation // Patrick K.-H. - music, animation
    live @ Spektrum // Vorspiel / transmediale & CTM,
    Berlin, 10-02-17 ev.
    scopesessions.org/
    drawnsound.org/
    bestbefore.gr/

    # vimeo.com/205757188 Uploaded 75 Plays 0 Comments
  3. Patrick K.-H. - music, animation,
    bestbefore - animation
    live @ Scope Sessions // CTM Vorspiel // AV Exposure
    Panke, Berlin, 28-01-17 ev.

    Many thanx to the Scope team - Alex Corbi aka Axel Orbit, Aude François aka Auderose, Claire Fristot aka A-li-ce
    (camera), Dalibor Knapp, Peter A. Kolski aka BildPeter, Tobias Last aka Kiritan Flux, Mauritius Seeger aka dr. mo, Christian Sonntag aka chrs smthng, Jemma Woolmore aka Jem the Misfit.

    http://scopesessions.org/
    http://drawnsound.org/
    http://bestbefore.gr/

    # vimeo.com/202092965 Uploaded 179 Plays 3 Comments
  4. i!i live set @ SPEKTRUM art_technology_community, Berlin, 13.05.2016 ev.
    Antonis Anissegos: audio / laptop,
    Patrick K.-H.: audio – animation / laptop,
    Andreas Karaoulanis: animation / laptop.

    camera, organizer: Aude Françoise

    http://ili.klingt.org/
    http://www.spektrumberlin.de/

    # vimeo.com/197810510 Uploaded 69 Plays 0 Comments
  5. # vimeo.com/133182612 Uploaded 188 Plays 2 Comments

(UN)imation

Patrick K.-H.

http://drawnsound.org/unimation.html

“We aim at the total transformation of the mind and all that resembles it” (A.Breton).
Stop –motion is, first of all, a medium to discretize the process, to fix it at each desired moment: watching metamorphoses…


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http://drawnsound.org/unimation.html

“We aim at the total transformation of the mind and all that resembles it” (A.Breton).
Stop –motion is, first of all, a medium to discretize the process, to fix it at each desired moment: watching metamorphoses of material in frames of strictly provided system of axes, that is rotating as a wind vane, seeding around tensors of options and variants of occurrences, consequences, suggestions and probabilities. Daring weaving of meanings gives spectator a rope to climb up to the tower, free of anything rational, to try to puzzle out its tricky structure. And probably to keep staying in this tower forever – that would be a pure piece of art.

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