| HD RECOMMENDED |
A new art video about the beauty of the space. Just, relax, friends, and watch!
Inspiration: Space Odyssey 2001, Google pics, Star Wars, space photos.
CG: Vladislav Solovjov
Soft: Cinema 4D + AE
***UPDATE / SUBTITLES***
Malay, Greek, Russian, Turkish, Hungarian, Esperanto, Thai, Dutch, Latvian, Polish, Czech, Chinese, Bulgarian, French, German, Spanish, Portuguese, Italian and English subtitles on universalsubtitles.org http://bit.ly/WuZ4z2
You are welcome to add subtitles in your language, you will be credited for your help. Thanks!
***UPDATE / 100.000 Plays!***
After just a week, we reached the awesome goal of 100K plays. Thanks to everybody who shared, commented, liked and got inspired by watching Further Up Yonder. It has been an intense week, spent answering a ton of nice messages that people from all over the world sent to me. You made possible to have this video featured on blogs, forums and major media websites during this week. You helped this video crossing borders, as the astronauts asked us, reaching out to every continent. Thanks for your incredible support. Keep sharing!
***TO THE STARS!***
A timelapse message from ISS to all Humankind. - 2K version available on my blog: http://wp.me/p2fVm6-bv
I wanted to use pictures taken from the International Space Station to tell a story and share the message sent by the astronauts who worked on the station in the last 11 years.
They are working to open a Gateway to Space for all humankind, but people on Earth must understand that they have to get rid of the concept of borders on our planet if they want to follow the astronauts to new worlds in outer space. While the cosmonauts speak a day passes on Earth, from dawn to sunset, until the Gateway opens with a burst of light. The ISS then gains speed, the astronauts are leaving our planet which they see spinning faster and faster, merging earth, oceans and people together, ready to follow them, Further Up Yonder.
As a filmmaking student, this was my first attempt to craft a timelapse video. It has been a time consuming process, but it turned out as one of my most satisfying projects.
I focused my workflow on colours and harmony of movements, syncing every frame with the music and the voices of the astronauts. Every picture has been post processed individually before being imported in the NLE software, as I tried to take the most out of every image in terms of colours, contrast and neatiness.
Pictures were downloaded from the Image Science & Analysis Laboratory, NASA Johnson Space Center and edited with Photoshop CS6. Even if they were Hi-res images shot with Nikon D3S cameras, a lot of noise removal and color correction was needed, especially for those shots at ISO 3200, which was the highest ISO speed limit I've allowed myself to use, exception made for the last sequence of the spinning world, which comes from a sequenze of shots taken at ISO 12800. Daytime shots were taken at ISO 200. I've used Topaz Denoise 5 for noise removal, as it is very powerful and accurate when dealing with shadows and blacks.
Editing was made with Adobe Premiere CS6, with a 2K workflow, which allowed me to scale, rotate and pan image sequences whose native resolution is 4K. The video was downscaled to 1280x720 resolution for Vimeo. The original 2K version is available for download on my blog (link on top of this description).
Images courtesy of Image Science & Analysis Laboratory, NASA Johnson Space Center, downloadable for non-commerical use from http://eol.jsc.nasa.gov/
Music: Synthetic Truth, by digitalR3public - licensed under a Creative Commons - Attribution 3.0 License: http://soundcloud.com/digitalr3public/synthetic-truth
Audio messages courtesy of NASA: http://www.nasa.gov
***HD fullscreen, earphones and a few minutes of silence recommended***
Film by Patrick Mccue & Tobias Wiesner
The movie is based on the short story “GOLEM XIV” of “Imaginary Magnitude” by Stanislaw Lem from 1973.
The book is written from the perspective of a military A.I. computer who obtains consciousness, moving towards personal technological singularity with growing intelligence.
It starts to refuse military support because it detects a basic lacking of internal logical consistency of war.
GOLEM gives several lectures with focus on mankind's position in the process of evolution and the possible biological and intellectual future of humanity before it ceases communication.
The movie tells about the first point of its "about man threefold" lecture as a reduced and simplified version while visually weaving this with GOLEM simulating human culture processes based on ideas and dynamics of freedom and curiosity, fear and security, abstraction and fiction, the lack of accessibility in face of unknowing and the need for generating meaning.
The whole creative intention about this project is to face your own process in this world with reflection and self responsibility, to stay curious and create, look for new ideas and stay keen.
Voice - Cyrena Dunbar
Music - Cliff Martinez (original composition for GOLEM)
Sound Design - Gavin Little/ echolab.tv
Title Design - Melanie Lukhaup/ luftmasche
Content Support - Dr. Michael Cursio
basic production information:
- started as a thesis in Film& Animation of the Design course at the GSO Academy Nuremberg, Germany in 2009, degree 2010
- more than 1 year of research and concept development (quite fulltime)
- producing pictures and sound over about 2.5 years (spare time only)
- used Software: Lightwave (FPrime, Kray), Nuke, Aftereffects, Trapcode Particular2 (excessively)
- privately funded
- mostly rendered at http://garagefarm.net/
Selection of Awards, Screenings, Publications:
- Rising Star Award 2013, Cananda International Film festival
- Audience Award, Creative Arts Film Festival
- Bronze Award, Bassawards, International Awards of Broadcast Design
- 3 Nominees for Van d’Or Independent Film Awards 2012, London
- Official Selection, Phoenix Film Festival 2013
- Official Selection, Pausefest 2012
- Publication on Stash 98
- Publication on IdN motion Channel v20n3
Mariner 9, 2012
3-channel HD video installation with 5.1 surround sound
20 minute loop, 43' x 9'
Originally commissioned by Tyneside Cinema, UK
Mariner 9 presents a panoramic view of a Martian landscape set hundreds of years into the future, littered with the rusting remains from various missions to the planet. Despite its suggested abandoned state, several of the spacecraft continue to partially function, to do their intended jobs, to ultimately find signs of life, possibly transmitting the data back to no one.
Mariner 9 premiered at the Spanish City Dome in Whitley Bay in August, 2012, coinciding with the landing of NASA's Curiosity rover on the planet.
The Guardian - http://www.guardian.co.uk/artanddesign/2012/aug/07/artist-kelly-richardson-mars?utm_medium=twitter&utm_source=twitterfeed
Huffington Post - http://www.huffingtonpost.com/2012/08/06/artist-kelly-richardsons-_n_1747063.html?utm_hp_ref=arts
This is Tomorrow - http://www.thisistomorrow.info/viewArticle.aspx?artId=1433&Title=Kelly%20Richardson:%20Mariner%209%20and%20Legion
New Scientist Magazine - http://www.newscientist.com/blogs/culturelab/2012/08/a-desolate-vision-of-the-future-of-mars-exploration.html
The Journal - http://www.journallive.co.uk/culture-newcastle/arts-news//tm_headline=crowds-flock-to-mariner-9-exhibition-at-spanish-city-in-whitley-bay%26method=full%26objectid=31572798%26siteid=61634-name_page.html