Winner of the CNN Journalist Award 2013
As each of us has his own impression of Afghanistan that is predominantly marked with pictures of foreign forces, explosions and terror, we were privileged to have access to capture daily life and portrait some people of Afghanistan.
We hope the pictures you know will merge with the pictures you see and will enrich your view on the country in the Hindu Kush.
Kabul and Mazar-e Sharif
We wanted to go to other places as well but there were several incidents and security was too bad. Just one day after shooting at the blue mosque in Mazar-e Sharif a mob started from the very same place storming the UN building.
I have lived from 2006-2008 in Kabul doing my civil service for a humanitarian aid organization. This March I had the chance to go back with my fiancée to show her the place I love and to capture the beauty of this country with our cameras.
At the same time I made this as a tribute to a dear friend, who was shot in the streets of Kabul. Gayle inspired me in her love and dedication for the Afghans.
After a full summer with other work we had now the chance to do the editing.
Lisa-Maria Puy who composed the music for us was wonderful to work with. We met her on Zanzibar island and back in Germany she composed this wonderful soundtrack within just 3 days (and nights). She studied music at HfM Detmold in Germany and is a very talented artist and we hope to work with her again.
You can contact her on: puy-music[at]gmx.de
Last week the clip got published in the iPad edition of Süddeutsche-Zeitung Magazin.
I hope you enjoy and we are happy for your honest feedback.
Lukas and Salome Augustin
Canon 5D Mark II
Canon 24-105mm L IS 4f
Canon 16-35mm L
Canon 50mm 1.4f
Canon 85mm 1.8f
Handgrip Nighthawk and D|Focus V3 (shoulder mount)
2x Rode Videomic Pro
Manfrotto 501 HD and 701 HDV
LCW ND Filter Fader MK II
We edited and colour graded the entire clip on Final Cut Pro X
more information and production photos:
© by Lukas and Salome Augustin
All rights reserved
fell free to watch it on Vimeo, to share on Facebook, Twitter etc. but please ask for embed permission and please don't upload the video on Youtube or any other site. Thank you!# vimeo.com/31426899 Uploaded 833K Plays 9,411 Likes 608 Comments
Time lapse sequences of photographs taken by the crew of expeditions
28 & 29 onboard the International Space Station from August to October,
2011, who to my knowledge shot these pictures at an altitude of around 350 km.
All credit goes to them.
Full HD, refurbished, smoothed, retimed, denoised, deflickered, cut, etc.
All in all I tried to keep the looks of the material as original as possible,
avoided adjusting the colors and the like, since in my opinion the original
footage itself already has an almost surreal and aestethical visual nature.
Image Courtesy of the Image Science & Analysis Laboratory,
NASA Johnson Space Center, The Gateway to Astronaut Photography of Earth
Editing: Michael König | koenigm.com
Shooting locations in order of appearance:
1. Aurora Borealis Pass over the United States at Night
2. Aurora Borealis and eastern United States at Night
3. Aurora Australis from Madagascar to southwest of Australia
4. Aurora Australis south of Australia
5. Northwest coast of United States to Central South America at Night
6. Aurora Australis from the Southern to the Northern Pacific Ocean
7. Halfway around the World
8. Night Pass over Central Africa and the Middle East
9. Evening Pass over the Sahara Desert and the Middle East
10. Pass over Canada and Central United States at Night
11. Pass over Southern California to Hudson Bay
12. Islands in the Philippine Sea at Night
13. Pass over Eastern Asia to Philippine Sea and Guam
14. Views of the Mideast at Night
15. Night Pass over Mediterranean Sea
16. Aurora Borealis and the United States at Night
17. Aurora Australis over Indian Ocean
18. Eastern Europe to Southeastern Asia at Night# vimeo.com/32001208 Uploaded 11.2M Plays 47.4K Likes 924 Comments
Nikon D4 Release Video
It's here! The Nikon D4 has arrived and it is a freaking HOT camera! For the past months I have been working in silence with an amazingly talented crew and three of the best athletes on the planet producing my short D4 launch film "WHY". It was like Christmas morning when Nikon called and described the new camera and all of its incredible features. All I could think was that this is the camera we have been waiting for. Then the gift of all gifts... "Corey, dream up a film that you would like to shoot. You pick the topic. You pick the location. It's your film... only requirement is you show off the features of the new camera." My favorite quote from the call was "You have a blank white canvas and it's up to you to fill it". I had to pinch myself several times to confirm that the call was real. Everyone involved has been tight lipped about the project for months and today we can finally begin to share some of the assets and get fired up about the camera!!!
I have always been facinated by those people that are the best at what they do. Those that operate on the edge; scientists, artists, musicians, athletes, etc. Always the question that I find myself asking is "WHY"? What deep inside drives them? What does the world look like through their eyes? Those that live on the edge, push the envelope, redefine sports and industries operate in a space all to themselves. In my Nikon D4 launch film I wanted to visually portray the beauty and intensity of the athletes doing what they do best while also delving into their heads and answering the question "WHY"? There was a very simple list of criteria used when selecting the athletes for this film. 1. They needed to be the best in the world at what they do. 2. They needed to be true role modes / heros. (In short, no ego and just simply fantastic people). Dane, Rebecca and Alex fulfill the requirements in spades!
As it seems to be with many shoots, the schedule for WHY was INSANE! In just 13 days we went from Veracruz, Mexico to Moab, Utah to Joshua Tree, California. With a fantastic crew of eight amazingly talented people, three of the worlds best athletes, over 20 pieces of luggage, three D4 prototypes, an rc helicopter and enough RedBull and ClifBars to keep us awake and moving, the entire journey was epic! Huge days, little sleep, lost bags, crashed helicopter (the D4 lived), speeding tickets (talked our way out of both ;-), wicked mosquito bites, flu, and a trip to the urgent care - all the prerequisites for a great shoot. Just the way I like it!
Special thanks to everyone that helped on this production! Dane Henry, Shawn Corrigan, Rex Lint, Mike Hagadorn; you guys are studs! Blaine Deutsch and Marina Rich, thank you for keeping us all on track, organized, fed and looking good (and Marina, thanks for loving me and being the best wife in the world). Gen Umei, Soichi Hayashi, Jason Jenkins and Mike Corrado; thank you for the opportunity! Dane Jackson, Alex Honnold and Rebecca Rusch, you guys really made the film and answered the question WHY!!! Tommy Thompson and Chris McNamara; thanks for keeping us safe and getting me into the coolest camera positions possible! Amazing team and thank you everyone who helped!
When it is all said and done by far the most exciting part is the future. It's about the collective creativity and vision of the photo and video community and what we will all create when we get a D4 in our hands. One thing is for certain, WHY was just the tip of the iceberg!
Check out the link below for more production and technical info on the Corey Rich Productions blog:# vimeo.com/34666308 Uploaded 872K Plays 7,784 Likes 264 Comments