1. It was shot for fun. Enjoy!
    Shot on a Canon 5D
    Music by “Wolfmother - Woman"

    PS.: Thank you for your comments. I'm working on next project and already finished storyboard. It will be done by April. Hope you'll enjoy it too :)

    PPS.: My camera and camera equipment was stolen with documents and bank cards. Need a time to resolve all problems before shooting :(

    # vimeo.com/12852832 Uploaded 5.3M Plays 223 Comments
  2. 60p to 24p super slow motion in After Effects CS3. This tutorial is so easy it's ridiculous.

    Please bestow a ♥ like or leave a ✉ comment if you have questions!

    Transform your 60p footage from your 7D, HVX200, Panasonic GH-1 (or what have you), and create a 120FPS effect! This is accomplished using Frame Blending and Motion Blur inside of After Effects. Keep in mind this will likely cause aliasing and artifacts in your footage since AE will be 'guessing' every other frame.

    Super Slow Motion from a 7D:
    vimeo.com/11296764

    ★Other Slow Motion Tutorials:★

    After Effects & Premiere Tutorials from devowe.com

    60p to 24p TRUE slow motion in Premiere (POPULAR): vimeo.com/8478419
    30p to 24p OVERCRANKED slow motion in After Effects: vimeo.com/11281642
    ☞ Example: vimeo.com/11296318
    24p to 24p slow motion in After Effects! vimeo.com/11280739
    ☞ Example: vimeo.com/11284811

    To calculate the "Stretch Factor" for After Effects (as in this tutorial), just multiply the ORIGINAL footage times 2, divided by your OUTPUT frame rate. For example:

    ORIGINAL frame rate * 2 / OUTPUT * 100 = percentage of stretch. In this tutorial example,

    59.94
    times
    2
    divided by
    23.976
    equals
    5

    The quotient (5) is your stretch factor multiplied by 100 (two decimal places): 500% stretch factor.

    Play around with different stretch factors such as 250%, 400%, or maybe even 600%, depending on your footage. It is best to use whole numbers as mentioned. This way, After Effects can guess every other frame - not every 3 1/2 frames. The output tends to look better.

    ~----------------------------------------------------------------~
    NTSC Scenario:
    Project: 24p (23.976 fps)
    Unedited footage: 60p (59.94 fps)
    Desired output: 24p overcranked SUPER SLOW MOTION
    Method: The method in the tutorial explains this scenario. (23.976 timeline, drop 60p footage in, set time stretch to 500%, export as 23.976 [24p])
    ~----------------------------------------------------------------~

    Note: When I say 'forward slash for good quality' in the tutorial, I actually mean it will change the Frame Blending mode to Pixel Motion. Sorry for the confusion there.

    Audio: Zoom H4n + Redhead Windscreen
    devowe.com

    # vimeo.com/11280015 Uploaded 24K Plays 17 Comments
  3. model : Britt Ryan facebook.com/ModelBrittanyRyan

    Make up by : Desiree Footé
    wardrobe stylist : Jacqueline Sapigao
    Hair Stylist : Sophia

    song by : Nikisha Reyes "so cold"

    Uploaded 216K Plays 26 Comments

Model

Peter Chu Plus

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