Download an MP3 of Bear McCreary's Temporal Distortion on Amazon http://tinyurl.com/8955prd or on Itunes
What you see is real, but you can't see it this way with the naked eye. It is the result of thousands of 20-30 second exposures, edited together to produce the timelapse. This allows you to see the Milky Way, Aurora and other Phenonmena, in a way you wouldn't normally see them.
In the opening "Dakotalapse" title shot, you see bands of red and green moving across the sky. After asking several Astronomers, they are possible noctilucent clouds, airglow or faint Aurora. I never got a definite answer to what it is. You can also see the red and green bands in other shots.
At :53 and 2:17 seconds into the video you see a Meteor with a Persistent Train. Which is ionizing gases, which lasted over a half hour in the cameras frame. Phil Plait wrote an article about the phenomena here blogs.discovermagazine.com/badastronomy/2011/10/02/a-meteors-lingering-tale/
There is a second Meteor with a much shorter persistent train at 2:51 in the video. This one wasn't backlit by the moon like the first, and moves out of the frame quickly.
The Aurora were shot in central South Dakota in September 2011 and near Madison, Wisconsin on October 25, 2011.
Most of the video was shot near the White River in central South Dakota during September and October 2011, there are other shots from Arches National Park in Utah, and Canyon of the Ancients area of Colorado during June 2011.
Thanks to Dynamic Perception for their support and for making the Stage Zero Dolly. dynamicperception.com The best dolly made in many ways!
Canon 5D Mark II and Canon 60D
Canon 16-35, Tokina 11-16
Shot in RAW format. Manual mode, Exposure was 30 seconds on most Milky Way shots, 15-30 seconds on Aurora. ISO 1600 - 6400 F2.8. 3 second intervals between exposures
Production Assistants - River Halverson and Kelly McIlhone
Opening title by Gus Winkelman // Winkelmedia LLC // Contact Guswinkelman@gmail for creative solutions
BEST VIEWED IN HD AND FULLSCREEN (with scaling off)
Midnight Sun: A natural phenomenon occurring in the summer months north of the Arctic Circle and south of the Antarctic Circle where the sun never fully sets and remains visible 24 hours a day.
Shot entirely in Ultra HD 4K resolution, this short time lapse film was shot during the Icelandic Midnight Sun in June of 2011.
For 17 days I traveled solo around the entire island shooting almost 24 hours, sleeping in the car, and eating whenever I had the time. During my days shooting this film I shot 38,000 images, traveled some 2900 miles, and saw some of the most amazing, beautiful, and indescribable landscapes on the planet. Iceland is absolutely one of the most beautiful and unusual places you could ever imagine. Especially during the Midnight Sun when the quality of light hitting the landscape is very unusual, and very spectacular.
Iceland is a landscape photographers paradise and playground, and should be number 1 on every photographers must visit list. Iceland during the Midnight Sun is in sort of a permanent state of sunset. The sun never full sets and travels horizontally across the horizon throughout the night, as can be seen in the opening shot and at the :51 second mark in the video.
During the Arctic summer, sunset was at midnight and sunrise was at 3am. The Arctic summer sun provided 24 hours a day of light, with as much as 6 hours daily of "Golden light". Once the sun had set it wouldn't even get dark enough for the stars to come out, and they don't start to reappear until August.
My advice to everyone out there, photographer or not, is simple... You MUST visit Iceland sometime during your lifetime. You will never regret it.
Every frame in this video is a photograph taken by astronauts aboard the International Space Station (ISS).
I created this timelapse on a long weekend after discovering the image library online. I used Photoshop and Sony Vegas to edit and compile the footage.
The music is a track from one of my favorite sci-fi movies, Sunshine. I thought the music and imagery would fit well together.
*** Thank you all for likes,comments, shares and support this video has received. I'm truly glad so many have enjoyed it.***
A big thanks to Matthews MSE (msegrip.com) especially to Bob Kulesh, Tyler & Ed Phillips for their generous support and patience of this lengthy endeavor. Most of the linear motion control shots were captured using their FloatCam DC Slider, a wonderful piece of engineering for the time lapse world.
'Nightfall' is a three minute tour of light through the City of Angels.
I shot "Nightfall" in an attempt to capture Los Angeles as it transitioned from day to night. As you probably know, LA is an expansive city so shooting it from many different angles was critical. Usually I was able to capture just one shot per day with a lot of driving, exploring, and scouting in between but the times sitting in traffic or a "sketchy" neighborhood often lead to new adventures and interesting places.
Nightfall in particular is my favorite time to shoot time lapse. Capturing the transition from day to night while looking back at the city as the purple shadow of Earth envelopes the eastern skyline and the warm distant twinkling halogen lights spark to life and give the fading sun a run for her money- this will never grow old or boring to me.
In this piece, it was important to me for the shots to both capture and accentuate the movement of light through the day and night and the use of multiple motion control techniques allowed me to do so.
I hope you enjoy watching it as much as I enjoyed creating it.
An English translation of the lyrics-
"It is late. I am looking for my other home, taking an unfamiliar path: a small trail near the factories and the city, cutting through the forest. I can barely see nature when suddenly, night falls. I am engulfed by a world of silence, yet I am not afraid. I fall asleep for a few minutes at the most, and when I wake up, the sun is there and the forest is shining with a bright light.
I recognize this forest. It is not an ordinary forest, it is a forest of memories. My memories. The white and noisy river, my adolescence. The tall trees, the men I have loved. The birds in flight, and in the distance, my lost father.
My memories aren't memories anymore. They are there, with me, dancing and embracing, singing and smiling at me.
I look at my hands. I caress my face, and I am 20 years old. And I love like I have never loved before."