Beach House's "Lazuli" off of their 4th album Bloom.
Director: Allen Cordell
Production Company: Cause & [Effect], NY (causeffect.tv/)
Producers: Matthew Snetzko, Michelle Cuccuini
Post Producer: Jeff Wolfe
Executive Producers: Jason Zemlicka, Jamie Hubbard
Starring: Kira Blazek, Ronald Thomas, Peter Boustani and John Brodeur as the Man from
Director of Photography: Richard Kim
Editor: Allen Cordell
Visual Effects, Animation and Design: Justin Acree, Tim Lines, Pachy Sarmiento, Ishraque Nazmi
Production Designer: Sara K. White
Colorist: Tristan Kneschke, Exit Editorial
Color Facilities Provided by: Pleasant Post
Assistant Editor: Brock Bodell
1st Assistant Director: Vladimir Bourdeau de Fontenay
1st AC: Greg Pace
Wardrobe: Laurie Isabella
Hair & Makeup: Christy Diane Smith
1st Gaffer: Ivan Castillo
Key Grip: Ling Mai
Art Department: Nick Ducassi
Aerial Rigging: Grounded Aerial, Karen A. Fuhrman and Aaron Verdery (groundedaerial.com)
Rig Removal and Additional Compositing: Kris A.
Rotoscope: George Zeis
Production Assistants: Brad Trocki, John McCarten, Mary Howard Ade, Kavitha Surana
Special Thanks: Rob Schroeder, Georg Kallert & Lodger Films, The Call Box Lounge, Chuck
Stern & the Manhattan Neighborhood Network, Jacob Robinette & Embody Language Studio,
Brooklyn Fireproof/Nut Roaster Studios, Jason Foster, Hanna Furrey, Alfie Palao, Alan Lampert,
Leslie Yoon, Forrest Heidel, Tonianne Fleig, Barney Murray, John Vernon, Sean Patrick Kelly,
Allie Hess, Adam Dooling, Morgan Blair, Laura Leanne Wilson, Helen Elizabeth, Bob Dolan,
Sophia Peer, Erica Magrey, Jimmy Joe Roche
In early Fall 2011, I shot some footage with a pre-production model of the Canon EOS C300 for one week in NYC. I created an article and a video for Canon based on my experiences with the camera. The video is meant to poke fun at most camera test videos I've seen over the years. Canon, not thrilled with my sense of humor, does not credit or condone this video, but I think it shows a lot of the camera's strengths.
I believe that Canon made a beautiful camera that is sensible, reliable and portable in a way that I've always dreamed a camera could be. It prioritizes great skin tone and has higher ISO sensitivity than any other camera out there.
I know there's nothing I can say to change the minds of the RED fan club. For the rest of the skeptics, I think once you get your hands on it you'll understand how great this camera really is. Please buy this camera in January and go film some good skin tones in the dark. You'll love it.
Thanks go out to all my friends for helping me with this.