1. Shot in SoHo, New York, on a random Saturday afternoon in the Spring.

    Canon 5D Mark III
    Zeiss 35mm f/1.4
    Canon 14mm f/2.8 II

    Color grading with Magic Bullet Looks

    Music: "Loud Pipes" by Ratatat

    # vimeo.com/39535129 Uploaded 11K Plays 9 Comments
  2. No Average Joe took the new MK III out for a spin (a few weeks before the 2nd March 2012 announcement mind you), and discovered how much better it performs in low light conditions than its predecessor, which was already a beast in this area.

    NB: This was shot at ISO 5000 in natural light, and has been compressed for the web. Notice the low noise levels, as well as the absence of moire and aliasing.

    Production Company: No Average Joe
    Director: Joe Peter
    Director of Photography: Tham Weimin
    Producers: Loh Whye Keat & Nur Qamariah Hamzah
    Editor: Eugene Seah
    Music: AudioMicro
    Special thanks to: Jatt Amat, Lion City Rollers & Roll or Die Clothing

    Shot on Canon EOS 5D Mark III with EF 16-35 f/2.8L, EF 70-200 f/2.8L IS lenses and the Kessler Philip Bloom Signature Series Pocket Dolly.


    # vimeo.com/37838697 Uploaded
  3. We've been out'n'about and testing our brand spanking new Canon 5D Mark III.

    Here's a compilation of different shots of the harbor in Odense, Denmark, at different ISO's to compare noise performance.

    Also notice the much improved aliasing in certain shots.

    This is of course shot in the high bit-rate ALL-I mode.

    The footage is ungraded and edited directly in Premiere Pro CS 5.5, and exported to a very heigh bit rate h.264 file. The actual raw files show considerably less noise than the compressed version.

    Unfortunately Vimeo does not support the "real" raw files themselves, so cannot upload those here.

    Our verdict - we love it even more than the MK II and the low light quality is mind blowing.

    # vimeo.com/38978254 Uploaded 18.4K Plays 20 Comments
  4. Shot on the Canon 5D Mark III. 3200 iso.
    Minimal color correction with FCP 7 3-way color corrector.
    No sharpening added. SHot on Standard picture profile.
    Shot on All-i codec. Transcoded to ProRes(LT) for editing.

    By Red Shoe Film

    # vimeo.com/39153996 Uploaded 3,840 Plays 11 Comments
  5. Walking around the agency testing the 5D Mark III @ 60fps. Glass is an EF mount 50mm f1.4

    # vimeo.com/39377780 Uploaded 9,541 Plays 13 Comments

Canon 5d Mark III

Tim Roper

To see what others are doing with their new 5DMK3.

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