1. The above video focuses on how you can get some high production value shots utilizing a green screen that doesn't have to be difficult or expensive. We dig into keying and compositing in After Effects as well as a stitched background with Photoshop.

    We have attempted to cover as much of the process as possible: from shooting, keying and compositing, through color correction. There are also some included tips on how to enhance a flat still to sell it as a motion background.

    Gear used:
    Zeiss CP.2 35mm
    Kessler Crane KC-12/8
    Adobe Production Premium CS 5.5

    And this green screen: digitaljuice.com/products/products.asp?pid=1158

    All these tools are highly accessible and you can get some killer shots with a little creativity to boost your overall production value.

    For more information - visit the post on this video:

    # vimeo.com/39086210 Uploaded 32.4K Plays 16 Comments
  2. This video is part one of (at least) two video's that I'll be doing on Adobe Premiere CS4. The second video which I hope to have finished by Monday will cover the video editing aspects of the software.

    # vimeo.com/4190457 Uploaded
  3. In the above video, Jon Carr, demonstrates the new 3D camera tracker in Adobe After Effects CS6. The tutorial covers two different uses of the camera tracker: incorporating 3D text and also basic visual effects.

    For more information visit blog.vincentlaforet.com/

    # vimeo.com/44056263 Uploaded 36.2K Plays 13 Comments
  4. My attempt to create a workflow using After Effects and Premiere to edit RAW HD files produced with the Ikonoskop DII camera. No external plug ins were used!

    # vimeo.com/17270633 Uploaded
  5. *NEW* Download the RAW clip and follow along! Visit the new DOWNLOADS section at my blog mattscottvisuals.com

    It's a long and boring tutorial, but should get you off to a good start if you're new to DaVinci and Color Grading, cheers!

    Here's the result: vimeo.com/67707427

    # vimeo.com/68340708 Uploaded 94.8K Plays 134 Comments

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