As Rod Serling would say, "Submitted for your approval...", here's my old Visual Effects Demo Reel from December 2004...mostly work for Full Moon Pictures (I was VFX Director there) and for Unified Film Org (I was VFX Coordinator)...encompasses only digital FX I did between 1998 and 2004...lots of traditional work came before and some traditional and mostly digital has come since...one of these days I should put a new one together.
This is about 4 dozen shots out of thousands I did that up to that point were interesting enough to include...an awful lot of the others were just "fixing it in Post". Note also that all CGI creature animated elements were done by other artists...and be WARNED there are nasty huge snake guts spilling in one shot. Heh.
Music is "Never There" by Cake
Ant animated by Bradley Mullinex
Scorpions animated by Brad Wallace
Python by many animators at UFO
Guts are foam rubber bits and stage blood shot in the UFO parking lot (with Mike Mcgee's help)
Yes that's William Shatner, Martin Lawrence, Steve Zahn, Paris Hilton, etc.
The water was shot on big black miniature sets (built by Ernie Sheldon and your's truly) to match actual full size sets...I know, "huh?".
Yes, many of these films stink...hopefully you won't blame me ;-)
Inspired by a childhood spent on the beaches of Cornwall building castles, boats and tunnels in the sand, I decided to return to my favourite beach at Caerhays on the south coast of Cornwall to produce a stool using a primitive form of sand-casting. Molten pewter was poured into a sand mould sculpted directly into the beach by hand, and once cooled the sand was dug away to reveal a pewter stool.
In an abandoned beach house, a solitary girl finds a mysterious camera that reveals something unexpected.
"Perfect in its simplicity, beautiful and haunting in its visuals, The Camera is a reminder that a great film is in everyone’s grasp, as long as he/she has the creative capacity and appropriate willpower to drop pretension, and quite simply, make something." —Short of the Week
"From its delicate shot composition to an emotionally stirring score, Peter Lewis‘s The Camera is a crash course in great filmmaking." —Film School Rejects Short Film of the Day
"A compelling example of what’s possible when perseverance and resourcefulness meet." —DirectorsNotes.com
"Awesome ... 'The Camera' proves that beautiful movies can be made simply and makes you want to get out and make your own!" —Mitch Aunger, planet5D
Follow me on twitter: @thispeterlewis
Listen to the original score here: https://soundcloud.com/peterlewismusic/the-camera-original-score-1
Aside from a few unfinished running-around-in-the-woods-with-guns experiments from my early teens, this is my first film. I made it because I love all the different aspects of filmmaking, because I was tired of my fear of failure, and because I wanted to see what would happen if I just finished one. Maybe this will lead to bigger and better films; maybe not. Either way I learned something.
The story was largely born from its constraints. It had to be doable in my free time, and I had to be able to shoot it during my vacation in Nags Head, NC—with a budget of only $50, to cover the props (I'd previously owned the Canon T2i, lenses, and Logic Pro, and used the free 30-day trial of FCPX). I wanted it to be a simple story with a mysterious twist or two.
I got lots of advice from fellow filmmakers—Andrew, Mitchell, Kyle, Brian, Shepherd, Drew, David, and others. If you like the film, thank you Andrew, Mitchell, Kyle, Brian, Shepherd, Drew, and David. If you thought it was rubbish, they only tried to make it better than it was. And thanks again to Abbie and Gabe, without whose talents I couldn't have made it.
Some have asked about Emily; the film wasn't written about her (she passed away while it was in post-production), but she was a dear friend of my family and many others, and it was an honor to dedicate it to her memory.
Many of you know far more about filmmaking than I do, so please feel free to offer any critique.
The Lights Film School blog interviewed me about the making of the film and overcoming fear of failure: http://www.lightsfilmschool.com/blog/short-film-canon-t2i-low-budget/1780/
- DC Shorts
- Beloit International Film Festival
- Fire Reel Film Festival
- Blue Lab Creative Industries Symposium
- Juggernaut Film Festival
- Shortcutz International Short Film Exhibition
- Rochester Museum of Fine Arts Short Film Series
- Filmbooth International Short Film Screening (Gurgaon, India)
- Surrey International Film Festival
- Winner, Best of Fest, Fandana Film Festival
- Festival du Film de Vacances
- Low Country Indie Shorts
- Choice Cuts (London)
- Shortlisted for the Forster Film Festival
- ClujShorts International Short Film Festival
- Love Fest
- PBS Digital Studios Top 5 No Budget Short Films
- Short of the Week
- Digital Convergence podcast (http://tinyurl.com/l3a5jxml)
- Impossible Project
- Film School Rejects
- Directors Notes
- Making the Movie
- Charlotte Viewpoint
- The Veda House
- Movie Playoffs Favorite Shorts
- New American Storytellers Screening Room
- Independent Filmmakers Channel
- 01SHORTFILM Channel
- 200+ additional blogs
Also used in Basic Cinematography and Reflexive Film classes at universities including Syracuse.
Director / DP / Editor / Composer / Colorist / Sound Designer / Foley: PETER LEWIS
Girl: ABBIE LEWIS
Boy: GABE LEWIS
Camera: Canon Rebel EOS 550D T2i
Lenses: Canon 50mm 1.4, Tamron 28-200mm
Editing / Color Grading: Final Cut Pro X
Sound Design / Foley / Original Score: Logic Pro 9
Polaroid film: The Impossible Project
I was not paid to create this video, I did this out of my passion to create and inspire. If your footage was used in this film and you were not contacted, please reach out to me with any concerns or extra credit requests.