This whole project has been an amazing experience. The two of us became friends through Vimeo and explored a shared interest in timelapsing Yosemite National Park over an extended period of time. We'd like to expand this idea to other locations and would appreciate any suggestions for a future project.
Our hearts go out to the families of Markus Praxmarer who lost his life while climbing Half Dome on September 19th, 2011 and Ranger Ryan Hiller, who was crushed by a tree January 22nd 2012. They will be missed. (A photo of Ranger Ryan Hiller can be found to the right, above the statistics counter)
As each of us has his own impression of Afghanistan that is predominantly marked with pictures of foreign forces, explosions and terror, we were privileged to have access to capture daily life and portrait some people of Afghanistan.
We hope the pictures you know will merge with the pictures you see and will enrich your view on the country in the Hindu Kush.
Kabul and Mazar-e Sharif
We wanted to go to other places as well but there were several incidents and security was too bad. Just one day after shooting at the blue mosque in Mazar-e Sharif a mob started from the very same place storming the UN building.
I have lived from 2006-2008 in Kabul doing my civil service for a humanitarian aid organization. This March I had the chance to go back with my fiancée to show her the place I love and to capture the beauty of this country with our cameras.
At the same time I made this as a tribute to a dear friend, who was shot in the streets of Kabul. Gayle inspired me in her love and dedication for the Afghans.
After a full summer with other work we had now the chance to do the editing.
Lisa-Maria Puy who composed the music for us was wonderful to work with. We met her on Zanzibar island and back in Germany she composed this wonderful soundtrack within just 3 days (and nights). She studied music at HfM Detmold in Germany and is a very talented artist and we hope to work with her again.
You can contact her on: puy-music[at]gmx.de
Last week the clip got published in the iPad edition of Süddeutsche-Zeitung Magazin.
I hope you enjoy and we are happy for your honest feedback.
Lukas and Salome Augustin
Canon 5D Mark II
Canon 24-105mm L IS 4f
Canon 16-35mm L
Canon 50mm 1.4f
Canon 85mm 1.8f
Handgrip Nighthawk and D|Focus V3 (shoulder mount)
2x Rode Videomic Pro
Manfrotto 501 HD and 701 HDV
LCW ND Filter Fader MK II
We edited and colour graded the entire clip on Final Cut Pro X
Hezarfen is a historical Turkish character.
The story takes place in 1632 in Istanbul, where he will attempt the first flight of the human being.
Hezarfen est un personnage historique Turque.
Il tenta d'effectuer le premier vol de l'homme du haut de la tour de Galata a Istanbul en 1632.
Music by : Yannis Dumoutiers
Sound Design by : Ozan Kurtulus
Finding Oregon is the compilation of six months of timelapse photography across the state of Oregon, punctuated by a 1600 mile road trip in September. We've filmed the Columbia River Gorge, Mt Hood, Mt Jefferson, the Southwestern Coast, the Alvord Desert, Leslie Gulch, Blue Mountains, Crater Lake, Eagle Cap Wilderness, Deschutes River, and more. We're proud to have touched all four corners of the state; however Oregon is the kind of place that the more you see, the more places there are to still discover.
The greatest challenge with this project was being in the right place at the right time. Night timelapse sequences particularly have an unexpected number of requirements to get the bright, stunning payoff. First, the moon should be around the New Moon phase (no moon) so as not to compete with outshining the stars, so that means we get about 5 days a month window. Next, weather must be cooperative with a dependable expectancy of cloudless skies. Here in Oregon, only the Summer months have good chance of clear skies, so only 1/4 of the year offers good chance of clear skies. So that means, we have three months in the year, with a 5 day window each month to plan with fingers crossed for epic star shooting conditions. That's only 15 days in a year. Then, you hope that something doesn't come up in regular life to pull you away to other obligations on those few days. It is a maddening challenge getting all the factors to line up to be in the right place at the right time. But, when it does happen- it is such a satisfying feeling!
Ok folks, this is it. Here is my first video project.
It is a video of the Northern Lights created using stills (stop motion). All sequences are shot in or close to Tromsø in Northern Norway.
I have spent over 6months collecting footage for this, I have shot approx 50.000 stills to choose from in making this video. A goal for me has been to try to preserve the real-time speed of the northern lights, or come as close as possible, and present it the way I experienced it, instead of the northern lights just flashing over the sky in the blink of an eye. It may work on other time-lapse videos with fast moving clouds and sunsets etc, but with the northern lights in focus, it should be presented in it's true speed to reflect her beauty, imo. In the video I have put together a collection of slow moving auroras in the woods, over the mounatins, in the city, in the foreshore, reflected in the sea, with some of the most spectacular and strongest auroral outbreaks seen in many years. Included here is a coronal outbreak, in which I am particularly happy to present, since it is very difficult to get on stills, even worse on "film".
I got a fantastic soundtrack made for the video by local musical talent in Tromsø; Per Wollen. A Huge thanks goes to you Per obviously! The audio track "Aurora in the sky" can be found on iTunes.
A huge thank goes to Jay and dynamicperception.com/ for making the most awesome timelapse gear available, and who made some of the sequences in this video possible!
The video shown here on Vimeo is 1280x720. It may be also available in 1920x1080 and Digital Cinema HD 4K. Contact me for higher resolution. Video may not be used commercially or public without permission.
Footage has been prepared for viewing in sRGB color space since this is the space most people use. Hence wide gamut displays may display colors wrong, especially green ones which the aurora mostly appears in, since the most clipping in color space when downscaling to sRGB is done in the green color area.
Gear used to put this together:
Canon EOS 5D Mark II
Canon EOS 7D
Canon EF 24 L 1.4 Mark II (My precious)
Canon EF 16-35 L 2.8 Mark II
Samyang 14mm 2.8
Nikon 14-24 2.8G AF S
Tokina 11-16 2.8
Meade DS-2000 w 497 Autostar
Dynamic Perception Stage Zero Dolly/Rail w MX2