1. This abstract audio spectrum is driving by Trapcode “Sound Keys” and “Newton” physics engine coupled with “Plexus”, "Particular" and "Form"

    This is the second part of personal experiments
    All is done in AE
    Music : Datasette | Box

    Download the AE project: ge.tt/2jG5Q9P/v/0

    # vimeo.com/31833824 Uploaded 5,198 Plays 4 Comments
  2. Artificial Paradise, Inc is an experimental film anticipating a future where a major corporation has developed a unique software, based on organic virtual reality, which holds all the lost memories of humankind. A user connects to this database of the forgotten…what is he searching for?

    Production : Condor & Jean-Paul Frenay
    Director / editor / compositing : Jean-Paul Frenay
    Main 3D artist / compositing : Sandro Paoli
    3D artists : Sylvain Jorget and Sébastien Desmet
    Additional 3D operators : Otto Heinen and Okke Voerman
    Sound Design : Seal Phüric feat. Neptunian8

    Distributed by Autour de Minuit and Onedotzero
    Facebook : facebook.com/jpfrenay

    Awards & Recognitions//
    • Second Place of the Non Narrative Category @ Cutout Festival, EM
    • Honorable mention for Artificial Paradise, Inc @ Fargo Film Festival 2010, USA
    • Nominated for Best technical Realisation @ Animago Award 2010, DE

    Full Publications and Festivals list : frenayjp.be/#/artificial-paradise-inc/

    Interview on Artificial Paradise, Inc made for Canal+ France : vimeo.com/25642156

    # vimeo.com/6132324 Uploaded
  3. O (Omicron)
    A permanent installation directed by Romain Tardy & Thomas Vaquié
    Hala Stulecia, Wroclaw, Poland.

    -> Be sure to watch the making of the piece here: vimeo.com/41475403

    _________________________

    When opened, Hala Stulecia was the largest reinforced concrete structure in the world. With a diameter of 65m it was home to the largest dome built since the Pantheon in Rome eighteen centuries earlier.

    The piece proposed for the Centennial Hall of Wroclaw is based around the notion of timelessness in architecture, and the idea of what future has meant throughout the 20th century.

    Taking the 1910’s as a starting point (the dome was erected in 1913), historical and artistic references were used to reveal the architecture of the space.
    By using references such as Fritz Lang’s Metropolis or the utopian projects of Archigram to confront the different visions of the future at different times, Romain Tardy and Thomas Vaquié were interested in trying to create a vision of a future with no precise time reference. A timeless future.

    Read more about the project on the ANTIVJ BLOG: blog.antivj.com/2012/o/

    ________________________________________________

    DIRECTED by Romain Tardy & Thomas Vaquié
    ARCHITECTURE by Max Berg (1913)
    VISUALS by Romain Tardy, Guillaume Cottet
    MUSIC composed by Thomas Vaquié
    2D / 3D MAPPING by Joanie Lemercier, Romain Tardy
    MANAGEMENT & PRODUCTION Nicolas Boritch
    ________________________________________________

    Filmed by Jerome Monnot, Joanie Lemercier, Romain Tardy
    Edited by Jerome Monnot

    ________________________________________________

    WWW.ANTIVJ.COM
    romaintardy.com

    # vimeo.com/41486619 Uploaded 595K Plays 121 Comments
  4. I think that ICE has brilliant potential as a compositor. I dont think there is anything the FX tree does that you can't potentially do in ICE.
    (Apart from write to clips. You have to write to an image sequence, but thats not so bad.)

    # vimeo.com/45195703 Uploaded 837 Plays 7 Comments
  5. From an informal Softimage ICE workshop hosted at Psyop NY, May 25 2012

    # vimeo.com/44950069 Uploaded 9,887 Plays 2 Comments

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