1. This is a scene from "Spectacle of Punishment" which is an experimental docu-narrative by Mark DeValk.

    I was responsible for the montage & sound design.

    # vimeo.com/21910960 Uploaded
  2. This is a scene from "Spectacle of Punishment" which is an experimental docu-narrative by Mark DeValk.

    I was responsible for the montage & sound design.

    # vimeo.com/21914260 Uploaded
  3. This is a scene from "Spectacle of Punishment" which is an experimental docu-narrative by Mark DeValk.

    I was responsible for the montage & sound design.

    # vimeo.com/21914156 Uploaded
  4. This is a scene from "Spectacle of Punishment" which is an experimental docu-narrative by Mark DeValk.

    I was responsible for the montage & sound design.

    # vimeo.com/21913610 Uploaded
  5. This is a scene from "Spectacle of Punishment" which is an experimental docu-narrative by Mark DeValk.

    I was responsible for the montage & sound design.

    # vimeo.com/21913219 Uploaded

"The Body as Montage: A Spectacle of Punishment"

Jasmin B. Hirtl

---- The Plot Summary ----
‘Spectacle of Punishment’ is a mediation on French philosopher Michel Foucault’s consideration of state, military, and corporate subjugation, control, and punishment of the (female) body. Through a critique of Cartesian dualism,…


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---- The Plot Summary ----
‘Spectacle of Punishment’ is a mediation on French philosopher Michel Foucault’s consideration of state, military, and corporate subjugation, control, and punishment of the (female) body. Through a critique of Cartesian dualism, the (female) body (and gender construction) is examined as a means to a political outcome. This experimental docu-narrative ‘re-maps’ the interior and exterior (female) body and ‘re-imagines’ its corporeality and psyche drawn from Lacan’s notion of an inter-flowing three-dimensional Mobius strip. This model allows a way to consider the body’s surface and interior as representative of its true nature and strength, which arises from the torsion that exists between the two.
(written by Mark de Valk, director)

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