Entry from July 27, 2009 "We are jet-lagged and exhausted. The alarm blared at 4:30 am. Without opening my eyes I hit the snooze. "Just five more minutes" I told myself… "Lets go dude" a groggy voice commanded from the background. I didn't move. Out of nowhere, a pillow slammed down on my head, the mattress is lifted out from under me, and I hit the hardwood floor just missing my camera bag. "Ugh not again" I thought, but I knew he was right, we needed to hustle across the city and get our cameras rolling before sunrise. "
We were in Paris with only a week to shoot. Armed with top of the line cameras, fresh batteries, memory card wallets, and our favorite glass. The game-plan was to shoot as much as possible and to motivate each other when we were exhausted from staring down the viewfinder. Time-lapses were just an afterthought. Seen a couple. Heard a bit on what it takes to get one done. But when we stepped off the plane in Paris, we had never seen the sky as beautiful as it was. Some twenty two hours later, we slept...at least tried to...
We had never shot a time-lapse before, we had never put one together. We were just two guys who came to Paris to photograph. To make beautiful images. And we did. And we didn't stop. It became a battle against our batteries. " Why take one when you can take one-thousand" we'd laugh. Sometimes staying at a spot all day. Biking or walking from place to place. Mispronouncing words we didn't know. Two more packs of Camel's gone. We shot and shot and uploaded wherever we were. Even ran through the terabyte we brought with us and had to buy another one at Rue Montgalet ( nightmare ). Fell asleep on the Alexander III bridge while the clicks of our camera shutters became an urban lullaby.
Wandering around the streets of Paris armed with $20,000 in gear, we took Paris head on.
Its a scary feeling when you burn through a 32 gigabyte card before the day is done. You don't see what you're shooting. You compose the first frame and let your subject do the rest. We would wait for that perfect set of clouds or that perfect flare or trail from a plane. And all the while we didn't know what the final product would look like. We were shooting blind. But we wouldn't have had it any other way. The unknown kept us moving. Kept us thinking about what could happen when we return. Kept us thinking about what all these different pieces might say in the end.
Changing glass as much as we did, we didn't factor in the amount of sensor dust that would build up. We could never just shoot something once, from one angle, without doing brackets and panoramic builds. It became an obsession. And our shutters paid the price. Back home, it took weeks to get organized. Then it took months working between all these side projects, our main gig at BorrowLenses.com, and the Paris project. Just beginning to think about what we would do with all the clips became overwhelming. There wasn't an obvious flow. There didn't seem to be a complete overall puzzle that could even be constructed with the pieces we had. And the pieces were in pieces.
We started building each clip in After Effects. Render. Smoke. Chill. Re-Render. Smoke. Chill. We built around 150 clips out of the time-lapses we shot in Paris. They were flickery, noisy, grainy, bandy but they were ours. And we spent more time trying to fix them than we ever imagined. They were the first of the series. And from a single Clint Mansell song from "The Wrestler" sparked a vision for the Volumes. And once we put the first ones on Vimeo, we knew we had something going. We built the second one with a Tycho song. The third from Flying Lotus. The fourth from Pelican City. And after the fourth volume was built, we saw all these comments about the sensor dust. And THAT ate away at us.
So we started from scratch; as if we had just hoped off the plane from Paris. Reorganize, re-edit, recolor, re-render. Days and days of work. Going through entire albums trying to find that one song that would go perfectly with all the clips strung together. But we didn't know how they would all hold together. There was no obvious order again. And we didn't think we could fill the twenty volume quota that we had promised to our fans. So we settled on doing a Director's Cut. A montage of all of the clips: Paris Volume 5.
Enter Pigeon Point. We had been shooting a new series called the California Coastline. And we went to Pigeon Point down in Santa Cruz with our friend Matt. At first it didn't seem like a prime spot for time-lapses. But Matt didn't tell us the most amazing thing about Pigeon Point. They installed a new temporary 6-beam setup while the main lighthouse wasn't operational. We shot through the night, edited the next day, and posted on Monday. While we were editing, Mogwai popped into the playlist. To be honest we never sat down and listened to Mogwai with our work but it turned out that Friend of the Night fit that piece like a glove. And so we chose 2 Rights Make 1 Wrong for the first part of Volume 5. And we chose Explosions in the Sky, First Breath After Coma for the last part of the volume. It was perfect.
We knew what we did best….Own a spot. Literally shoot the shit out of it. We learned a lot since Paris and shot a ton of other projects since we returned. The constant was a pattern. A style, a flow, a complete piece each in its own right. And we laid down the tracks, and then each clip, piece by piece. We cut and recut and re-rendered and fill gaps and cut tighter and sharper. We began to complete the puzzle. And it became what you see before you.
Enjoy it. Its been a long time coming but we think the wait is well worth it.
Thom & Vin
Mogwai - 2 Rights Make 1 Wrong
Explosions in the Sky - First Breath After Coma
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web: seventhmovement.com# vimeo.com/15110823 Uploaded 310K Plays 4,150 Likes 126 Comments
Watch my latest work : vimeo.com/gioacchinopetronicce/hands
Say CHEESE ! Made only with pictures and Love.
Screened in Museum, Festival, exhibitions and School in Roma, New York, Berlin, Paris, San fransico, etc.
Official Selection of the Disposable Film Festival 2014.
"Pictures" Speaks about photography and photographer. Here, the photographer is moving in the space to discover a particular event. When he find it he just push the button and... click !
I tried on this experiment to describe my vision about "how can I make a photography ?" This is like a game with the time, acceleration, break and restart.
"Pictures" has been created from 80 000 pictures shot this last 3 years in various city (Paris, Barcelona, Hossegor, Venezia, Toulouse, Martinique, New York City, Montpellier, etc.)
Edited with Lightroom 4, Quick Time pro 7, Final Cut Pro 7 and Pro tools 9.
Camera : 5D mark III and 7D (Jpeg and raw)
Lenses : Tokina 11-16mm, Canon 35mm L, Zeiss 50mm 1.4, Canon 50mm 1.4, Canon 100mm 2.8, Samyang 85mm 1.4, Lens baby, Canon 15-85mm.
Music : Claude Debussy - Clair de lune.
Some pictures : flickr.com/photos/gioacchinopetronicce/
2013# vimeo.com/74453170 Uploaded 348K Plays 5,445 Likes 200 Comments
A collection of time-lapses shot from my apartment in Shanghai, China over the course of 2 years.
Music is Bonobo - Cirrus.
itunes.apple.com/us/album/cirrus-single/id595368828# vimeo.com/78041505 Uploaded 481K Plays 1,139 Likes 69 Comments
One handwritten postcard is never enough, so I made a few hundred of my own. Shot over three weeks in Thailand and handwritten (edited) in two jet-lagged days.
Special thanks to Brendan, Annie, Jenny, Ann, Kristy, Katrina, Ryan, Hoffman, and especially my Dad. A very special "Khob Khun Krup" to the people of Bangkok, Chiang Mai, Ao Nang, Railay, Ko Phi Phi Don, Phuket (Panwa, Rawai, and Nai Harn beaches).
Song - "Lakehouse" by Of Monsters and Men
Camera - Canon 7D
Sawat dee khrap!# vimeo.com/61828875 Uploaded 20.7K Plays 189 Likes 20 Comments
Instagram is an incredible resource for all kinds of images. I wanted to create structure out of this chaos. The result is a crowd source short-film that shows the endless possibilities of social media.
The video consists of 852 different pictures, from 852 different instagram users. If you are one of them, shout and I will add you to the credits.
music: The black Keys - Gold on the ceiling
Special thanks to Amadeus Henhapl, Pieter van den Heuvel and Silje Lian who pushed me to finnish this short.
Credits from instagram
@siddharthaalam# vimeo.com/79207239 Uploaded 2.3M Plays 8,410 Likes 291 Comments