Production Co:Red Bull Media House & Brain Farm Digital Cinema
Directed By: Curt Morgan
Executive Producers: Scott Bradfield, Circe Wallace, Charlie Rosene, Ryan Runke, Curt Morgan, Travis Rice, and Joe Sorge
Produced By: Chad Jackson & Curt Morgan
Principle Cinematography: Curt Morgan, Jared Slater, Gabe Langlois, Greg Wheeler
Aerial Cinematography: Curt Morgan
Art Direction & Design: Christopher Murphy
Motion Graphics Animation & Compositing: Zach Johaneson, Jim Menkol, Christopher Murphy
3D Tracking: Zach Johaneson, Jim Menkol
Music: M83 "Outro"
(this isn't the final cut or color corrected version)
A few months ago we did a piece on dynamic linking between Adobe Premiere and AfterEffects. In the above video, Jon Carr, gives a more practical breakdown of how these features were used on our latest film, "Mobius" – vimeo.com/31525127 notably in terms of rotoscoping. During a particular scene in the film our protagonist (David Lyons) is taking pictures of a Cartel execution from an outcropping of rocks. Unfortunately, the rocks that we used on location were covered with graffiti (the location is usually a well trafficked off-roading recreation area).
However, in the film, this location needed to sell as the middle of nowhere, not to mention Mexico – so the graffiti had to go. The above video walks you through the workflow of this: linking the footage out of Premiere and into After Effects, from there exporting a still from the footage into Photoshop, and then using the photoshopped version of that still in After Effects with the rotoscoping and tracking tools. The end effect is unnoticeable – but that’s the goal – as it sells the scene as being in a remote location. This workflow will work for you no matter what effects you are trying to achieve, and shows just how seamless the Adobe workflow is across the multiple application in their Production Premium suite.