1. In this tutorial, Mary Poplin shows you how to planar track a difficult whip-pan in a shot and drop 3D models into a composite in both After Effects and Cinema 4D.

    The process covers:

    • Tracking long shots
    • Tracking shots where you don't have good planar information for the entire length of the shot
    • Avoiding Reflections, Shadows, and other hiccups for the planar tracker
    • Using the 3D camera solver and it's settings
    • Exporting 3D cameras to After Effects and Cinema 4D
    • Setting up your shot in After Effects and Cinema 4D

    # vimeo.com/41714152 Uploaded 12K Plays 3 Comments
  2. # vimeo.com/41773148 Uploaded 972 Plays 2 Comments
  3. # vimeo.com/41773149 Uploaded 1,039 Plays 5 Comments
  4. Product Manager Martin Brennand takes you through how to use the camera solver to get the 3D data of a moving planar object. Also covers unlink tracking, 3D export to After Effects and attaching 3D particles from Trapcode Particular.

    With a camera solve you are normally solving from static areas in the scene (Walls, floors, rocks, etc), but when you want to capture anything moving, a little extra work is needed.

    Footage provided by Artbeats: artbeats.com/footage/search?utf8=%E2%9C%93&keywords=RP-FH111-33

    # vimeo.com/41775007 Uploaded 29.8K Plays 5 Comments
  5. daVinci DEMO, 1987.

    # vimeo.com/49614045 Uploaded 57.3K Plays 5 Comments

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