Ebullition visualises and sonificates data pulled from one of the biggest news sites of Hungary, origo.hu. The work is part of the project SubMap, which deals with subjective mapping of cities and countries.
One frame is one day, and on one day many things can happen. Depending on how many times a day the name of a city or a village is mentioned on the site, the map of Hungary dynamically distorts according to that number. The sound follows and sonfies that visual outcome, creating a generative ever changing drone.
A visualisation of the northern European airspace returning to use after being closed due to volcanic ash. Due to varying ash density across Europe, the first flights can be seen in some areas on the 18th and by the 20th everywhere is open.
The flight data is courtesy of flightradar24.com and covers a large fraction of Europe. There are a few gaps (most noticeably France) and no coverage over the Atlantic, but the picture is still clear.
2008. 50 x 50 x 50 cm. Rubber, acrylic glass, motors, arduino microcontrollers, laptop, processing applications, Internet connection. pulse is a live visualisation of the recent emotional expressions written on the private weblogs of blogger.com. These are parsed according to a list of synonyms and transform a physical shapeshifting object, which was created analogous to Robert Plutchik's Psychoevolutionary Theory of Emotion. http://www.markuskison.de/pulse
Repositories of stories and its enriching emotions, the covers, that accomodate the existing panoply of musical genres, are the motto for this exibition. The focus is made on album covers that often conquer our memory even when music slightly reached our ears. Major graphic disasters or deified, unduly ignored or zeitgeists, covers provide listening with a touch and an image, with the act of collection and share. From cover to cover, going thru all the stories (and histories), we wrote a new one to the sound of a song that repeats: I need nothing, I’ve everything I need.
‘I need nothing’ is an original concept from Cãoceito + Burdman, shot by Moopie. Its premier happens as a tangential project of EXD’11.
‘Useless’ - the motto of biennial’s current edition - was the kick-off, and the thought on how album covers (vinyls, in this case) enable people to ‘listen with the eyes’ the main goal of the project. At a time where digital audio files dominate but where traditional mediums still seduce fans, the album covers, being useless for some, stay relevant for others.
In this odyssey we benefited from the help of a set of people which, directly or not, live by the rhythm of the music they buy, download, share or create. The Parenthetical Girls lent music (Doughnut) to the video; Moopie shot the video; Matéria Prima yielded the venue in Lisbon; designers/illustrators/artists - Ariana Couvinha, Carla Almeida, Daniel Marques, Diogo Carvalho, Júlio Dolbeth, Hugo Oliveira, Manuel F. Sousa, Mariana Fernandes, Miguel Feraso Cabral, Miguel Vale, Nuno Aguiar, Paulo Lourenço, Paulo Serra, Pedro Naves, Rodrigo Burdman, Rui Vitorino Santos e Samir Mesquita - provided the bulk of over 200 covers, which populate the video and embody the central element of the project, and yet all others who enriched the discussion with surprising texts.
Cãoceito - artwork and packging for musical projects
caoceito.ed [at] gmail [dot] com
Concept : Cãoceito + Burdman
Directed by : Moopie
Post Production : Moopie
Motion Design : Moopie
Place : Matéria Prima
Music : Parenthetical Girls - Doughnut