( Sittin' On ) The Dock of the Bay - Otis Redding
Lights - Journey
Frisco Blues - John Lee Hooker
San Francisco ( Be Sure to Wear Flowers in Your Hair ) - Scott McKenzie
I Left My Heart in San Francisco - Tony Bennett
If you didn't understand what was happening, you should probably watch it again.
This has been a Seventh Movement effort.
The incredible night photos and time-lapse movies NASA has been sharing with us provoke questions about our planet. That thin-yellow atmospheric line separating earth from space, for example, that we see in all of the night shots provokes two questions: (1) how thick is this line? and (2) why is this line colored the way it is?
The visible yellow and green/blue capped line represents atmosphere reaching ~100km above the surface of the earth. The colors are not reflected light, and not pollution, but rather are light generated from the components in the atmosphere itself. Yes, the atmosphere gives off its own light, in a chemiluminescent process called "airglow" or "night glow."
I have written a blog to accompany this video that explains the various colors of "Night Glow" and discusses the Aurora as well. I hope you find this blog a useful companion to understanding what you are seeing.
In particular, NASA astronaut Don Pettit has filmed and provided the majority of the available time-lapses. He is one of the explorers that truly understands how important it is for explorers to share the wonder of their experiences through both art and science. May all future explorers follow his lead.
These images were imported into Adobe Lightroom, cropped, rotated, and slightly tweaked. I had two main goals with the edits done in the manner I did them. My first goal was to bring the viewer's attention to the atmospheric line by focusing the cropping to prominently feature the atmospheric line and the "Airglow." Secondly, most of the images we see of earth show the planet at the bottom of the frame and space at the top of the frame. To remind the viewer that, in space, the orientation by which you chose to view planets is up to the viewer, I took artistic license with these images to present different ways to view our planet's movement in space.
COPYWRITE: CAMERON MICHAEL PRODUCTIONS
This time-lapse production has been a wild and exhilarating ride, with a lot of physical work lugging my 120-130 pounds of gear around all of Manhattan. I bent (broke) some laws and made a ton of friends. Thank you all for your support and please feel free to help out a starving artist and share this video with the world.
Music Provided by: BLACKMILL
Licensing and purchase of "The Manhattan Project " is available
IIn October 2011 I started documenting people in the city of Amsterdam, approaching them in the street and asking them to say their age in front of the camera. My aim was to 'collect' a group of 100 people, from age 0 to 100. At first my collection grew fast but slowed down when it got down to the very young and very old. The young because of sensivity around filming or photographing children and the very old because they don't get out of the house much. I found my very old 'models' in care homes and it was a privilege to document these -often vulnerable- people for this project. I had particular problems finding a 99 year-old. (Apparently 100 year-olds enjoy notoriety, but a 99 year-old is a rare species...) And when I finally did find one, she refused to state her age. She simply denied being 99 years old! But finally, some 4 months after I recorded my first 'age', I was able to capture the 'missing link' and conclude this project. Enjoy.
(By the way: together these people have lived 5050 years...)
Shot on a Panasonic GH2
Lenses: mostly a Cosmicar 25mm 1.4 and a Panasonic 20mm 1.7