1. - Online Dancefestival SideBySide-net, 1st Prize Audience Award
    (International Festival of Dance and Electronic Media Mexico)

    "Der Wahnsinn der Liebe lässt uns in eine Art Abhängigkeit geraten, welcher man machtlos ausgeliefert ist.
    Es beginnt ein Kampf gegen sich selbst und den Menschen, den man liebt.
    Ein Kampf um etwas, das nicht mehr existiert, aber dennoch nicht aufgegeben werden kann, aus Angst das Alte zu verlieren und dem Neuen nicht standhalten zu können.
    Lovecircle erzählt die Geschichte von dem, was einst jeder erfährt, nämlich das Liebe sterben kann."

    "The madness of love drives us into a dependency to which we are helplessly committed. We start a fight against ourselves and the one we love. The fight is over something that does not exist anymore but can not be given up, as we are afraid to lose the intimate and not able to bear up against the new. Lovecircle tells a story about something everybody may once experience: love dying."

    Idee/Konzept: Laura Keil
    Tanz: Laura Keil
    Kamera: Karoliina Paasonen
    Schnitt: Soheyla Mohajer
    Musik: Daniel Roth

    # vimeo.com/14737747 Uploaded 14.8K Plays 22 Comments
  2. Ella Condon is a Sydney based artist whose practice investigates the experience of presence within spaces that have been reinvented. Condon interacts with spaces through photography, sound, video and installation based practice.


    # vimeo.com/41542440 Uploaded 176 Plays 1 Comment
  3. In Australian cinemas from April 12

    Visit here for screening times: lifeinmovementfilm.com/screenings.htm

    Official theatrical trailer for Life in Movement, the award-winning feature documentary from Closer Productions.



    # vimeo.com/38345122 Uploaded 13.2K Plays 3 Comments
  4. Project by Daniel Franke & Cedric Kiefer

    produced by:


    Music: Machinefabriek "Kreukeltape"

    Text: Sandra Moskova

    The basic idea of the project is built upon the consideration of creating
    a moving sculpture from the recorded motion data of a real person. For
    our work we asked a dancer to visualize a musical piece (Kreukeltape by
    Machinenfabriek) as closely as possible by movements of her body. She was
    recorded by three depth cameras (Kinect), in which the intersection of the
    images was later put together to a three-dimensional volume (3d point cloud),
    so we were able to use the collected data throughout the further process.
    The three-dimensional image allowed us a completely free handling of the
    digital camera, without limitations of the perspective. The camera also reacts
    to the sound and supports the physical imitation of the musical piece by the
    performer. She moves to a noise field, where a simple modification of the
    random seed can consistently create new versions of the video, each offering
    a different composition of the recorded performance. The multi-dimensionality
    of the sound sculpture is already contained in every movement of the dancer,
    as the camera footage allows any imaginable perspective.

    The body – constant and indefinite at the same time – “bursts” the space
    already with its mere physicality, creating a first distinction between the self
    and its environment. Only the body movements create a reference to the
    otherwise invisible space, much like the dots bounce on the ground to give it
    a physical dimension. Thus, the sound-dance constellation in the video does
    not only simulate a purely virtual space. The complex dynamics of the body
    movements is also strongly self-referential. With the complex quasi-static,
    inconsistent forms the body is “painting”, a new reality space emerges whose
    simulated aesthetics goes far beyond numerical codes.

    Similar to painting, a single point appears to be still very abstract, but the
    more points are connected to each other, the more complex and concrete
    the image seems. The more perfect and complex the “alternative worlds” we
    project (Vilém Flusser) and the closer together their point elements, the more
    tangible they become. A digital body, consisting of 22 000 points, thus seems
    so real that it comes to life again.

    nominated for the for the MuVi Award:

    see video in full quallity:

    HQ Stills

    # vimeo.com/38840688 Uploaded 715K Plays 201 Comments
  5. Ella Condon is an artist working with photography, video and installation. Laura Ward is a dancer and choreographer from New York. This work was filmed at the abandoned Willowbrook State School located at Staten Island, NY. L’empreinte, meaning something that remains could reference a footprint, or a feeling, or something learned a long time ago. This work makes reflection upon the echoes and memories within this space.

    Dance video
    Collaboration with Laura Ward, Octavia Dance Company NY
    Screened at the New York Fringe Festival, 2011

    Dancer: Laura Ward
    Music: Michel Ayello
    Video: Ella Condon

    # vimeo.com/27892955 Uploaded 255 Plays 0 Comments

Dance Film

Ella Condon

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