1. I've migrated all videos over to YouTube: https://www.youtube.com/watch?v=Q-JquK0ERqA

    In this 12-minute video, I describe what a Ph.D. in a STEM (Science, Technology, Engineering, Math) field involves, and present three practical reasons to pursue and not to pursue a Ph.D.

    To learn more, visit: http://pgbovine.net/phd.htm

    Also, Professor Ross Tate @ Cornell gave a good talk clarifying some misconceptions about STEM Ph.D. programs in the U.S.: https://www.youtube.com/watch?v=HkmlqeeBbZ0

    (The version of this talk that I deliver in person is a bit more nuanced, covering various caveats in more detail.)

    # vimeo.com/80236275 Uploaded 15.4K Plays 2 Comments
  2. Client: Ivory Tower
    Production: Ubisoft Production Internationale
    Director: Andy's
    Writing & Post-production: unit-Image.fr

    Making-of : vimeo.com/74111335

    Follow us on Facebook:
    facebook.com/pages/Unit-Image-3D-animation-films-Visual-effects/149019115168627

    # vimeo.com/68382468 Uploaded 234K Plays 77 Comments
  3. Explore the 5 crucial elements of capturing a great chromakey for your production from space, screen, lighting, camera and post and try your hand at chromakey with a Reporter on the Street Short film.

    Take the full Filmmaker IQ course on how to shoot chromakey with sauce and bonus material and submit your very own Greenscreen Reporter on the Street Lab Film at: filmmakeriq.com/courses/five-elements-great-chromakey/

    # vimeo.com/70299647 Uploaded 58.7K Plays 11 Comments
  4. These shots were filmed in close formation with the Vectorvision camera system installed in the highly modified Wolfe Air LearJet 25. Cameras used are the Red Epic and Arriflex Alexa.
    Wolfe Air Project Coordinator: Beth Miles
    Wolfe Air Pilots: Craig Hosking, Ace Beall, Kevin LaRosa, Kevin LaRosa Jr, Jeff Senior
    Camera: Doug Holgate, Roger Tonry, Scott Smith
    Edited by: Zak Marx / 3DF
    Colorist: Arnold Ramm / 3DF

    # vimeo.com/70994185 Uploaded 1.7M Plays 87 Comments
  5. Testing our new MōVI gimbal for helicopter aerials. We used our MōVI in both single and dual operator modes and tested with two different helicopters: the Bell 206 and Robinson R44. We ended up flying on a very windy day – see flapping flags at 1:12. Aerial footage was shot in 4K with a Canon 1D C and a Canon CN-E 24mm lens using a Freefly MōVI M10 stabilizer. We haven’t done any post-stabilization of the footage but because it’s 4K warp stabilizer has lots of potential.

    We learned a ton. Of course, after our flights I discovered the MoVI’s aerial setting – we shot in handheld. The safety line to the rig was crude, we need to work on that – appreciate any suggestions. We found that shooting aerials with the MōVI takes some practice but we’re excited about the potential. This rig makes it possible to get clean aerial footage at a fraction of the cost of other high-end setups.

    A big thanks to Sam, Tyler and Delmar.

    Camera + MōVI – Fritz Mueller
    Assistant Camera + MōVI – Tyler Kuhn, Sam Reimer and Teresa Earle
    Editor – Teresa Earle
    Music – ‘Here’ by Shadows on Stars under license from Audiosocket
    Pilot – Delmar Washington, Capital Helicopters

    Filmed in Whitehorse, Yukon. Produced by Sagafish Media. Copyright Fritz Mueller Visuals, 2013

    # vimeo.com/75709306 Uploaded 2,133 Plays 4 Comments

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