George Nakashima Woodworker is a custom furniture company located in Bucks County, Pennsylvania, owned by siblings Mira and Kevin Nakashima. Founded by their father, George Nakashima (1905-1990), in 1947, the nine-acre site served as a kind of laboratory for integrated living, testing George's concepts of "decentralization, intermediate technology and living off the land" while synthesizing his varied experiences in the Pacific Northwest, Japan, and India, among other places. Today, it continues as an active woodworking studio as well as a heritage center preserving George's legacy. It is, above all, an exceedingly serene place.
We were fortunate to visit on a day Mira was hosting a client and tagged along as they went through the careful process of selecting wood, a singular experience that probably best begins to distinguish the Nakashima studio. Divided among three buildings, the bulk of Nakashima's wood collection is stored in an enormous barn-like warehouse where lumber is horizontally stacked in the boule form of the log. Here, there are slabs and lumber that date back to George's early days in Bucks County, awaiting a project for which they'd be bested suited. Here, it's easy to remember the "soul of the tree," the elemental foundation that guides the studio's operation.
It's easy, too, to settle into the rhythm of the studio, especially shaded under the towering oaks from the late summer sun. Everywhere is the sound of work: the buzzing of saws, the sander's squeal, the percussive thump of tools and machines that signal things are being made. And in the moments when work pauses, crickets -- or are they cicadas? -- while Mira's young grandson swims in the pool at the forest's edge. A day at Nakashima's is a powerful testament to George's legacy, that the work we do and why we do it is inseparable from how we do it. It's a legacy worth preserving and one Mira both guards and extends by continuing to evolve the studio's work in the spirit her father laid out.
Watch this video on the building process of two chippendale corner chairs that are reproductions of an original chair made by John Goddard of Newport Rhode Island circa 1760. These chairs are completely hand shaped and hand carved. For more information on the custom and reproduction furniture we make visit our website
The extreme close-up may not be the first thing that comes to mind when you think of David Fincher's unique visual aesthetic. That's because Fincher's extreme close-ups don't call attention to themselves. The filmmaker stitches the shots into his pictures in a way that is subtle and fluid, yet impactful and abrasive. They often go unnoticed, sitting just under the surface and scratching at our eyes. In my previous two "Extreme Close-Up" videos, I looked at Quentin Tarantino and Paul Thomas Anderson, two masters of the ECU. If Tarantino and PTA use the ECU as explanation points, Fincher's are used as hyphens, semicolons, and parentheses. Here is a look at some of Fincher's best usages of the extreme close-up.
MUSIC: "Closer (Precursor) by Nine Inch Nails and "Where is My Mind?" by The Pixies
Alien 3 (1992)
The Game (1997)
Fight Club (1999)
Panic Room (2002)
The Curious Case of Benjamin Button (2008)
The Social Network (2010)
The Girl with the Dragon Tattoo (2011)
Gone Girl (2014)
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