Dark Nights won the 'directors choice' award at the Cornwall Film Festival awards ceremony on Sunday 11th Nov 2012. The film was screened at the Lighthouse Cinema in Newquay as part of the 3 day annual event, now in its 10th year.
Filmed on location in Cornwall and Scilly, Dark Nights, captures cinematic images of arrestingly clear night skies over West Penwith and Scilly. Of the 450 entries received festival director Tiffany Holmes commented 'Graham's film really stood out and captures the true spirit of the festival'. cornwallfilmfestival.com/made-kernow-2-0
In the quiet dark of the night you can hear with alarming clarity. The cameras ability to record what I can faintly see is even more alarming, some of the things I hear are entirely made up. It's hard to distinguish what might be in the shadows or wether they hold any real definition. The night gradually takes on its own shape, soft and hard edges begin to reveal themselves.
Enhanced by the beautiful music from Agnes Obel, “Wallflower” agnesobel.com/
Finding Oregon is the compilation of six months of timelapse photography across the state of Oregon, punctuated by a 1600 mile road trip in September. We've filmed the Columbia River Gorge, Mt Hood, Mt Jefferson, the Southwestern Coast, the Alvord Desert, Leslie Gulch, Blue Mountains, Crater Lake, Eagle Cap Wilderness, Deschutes River, and more. We're proud to have touched all four corners of the state; however Oregon is the kind of place that the more you see, the more places there are to still discover.
The greatest challenge with this project was being in the right place at the right time. Night timelapse sequences particularly have an unexpected number of requirements to get the bright, stunning payoff. First, the moon should be around the New Moon phase (no moon) so as not to compete with outshining the stars, so that means we get about 5 days a month window. Next, weather must be cooperative with a dependable expectancy of cloudless skies. Here in Oregon, only the Summer months have good chance of clear skies, so only 1/4 of the year offers good chance of clear skies. So that means, we have three months in the year, with a 5 day window each month to plan with fingers crossed for epic star shooting conditions. That's only 15 days in a year. Then, you hope that something doesn't come up in regular life to pull you away to other obligations on those few days. It is a maddening challenge getting all the factors to line up to be in the right place at the right time. But, when it does happen- it is such a satisfying feeling!
On the 40th anniversary of the famous ‘Blue Marble’ photograph taken of Earth from space, Planetary Collective presents a short film documenting astronauts’ life-changing stories of seeing the Earth from the outside – a perspective-altering experience often described as the Overview Effect.
The Overview Effect, first described by author Frank White in 1987, is an experience that transforms astronauts’ perspective of the planet and mankind’s place upon it. Common features of the experience are a feeling of awe for the planet, a profound understanding of the interconnection of all life, and a renewed sense of responsibility for taking care of the environment.
‘Overview’ is a short film that explores this phenomenon through interviews with five astronauts who have experienced the Overview Effect. The film also features insights from commentators and thinkers on the wider implications and importance of this understanding for society, and our relationship to the environment.
• EDGAR MITCHELL – Apollo 14 astronaut and founder of the Institute of Noetic Sciences
• RON GARAN – ISS astronaut and founder of humanitarian organization Fragile Oasis
• NICOLE STOTT – Shuttle and ISS astronaut and member of Fragile Oasis
• JEFF HOFFMAN – Shuttle astronaut and senior lecturer at MIT
• SHANE KIMBROUGH – Shuttle/ISS astronaut and Lieutenant Colonel in the US Army
• FRANK WHITE – space theorist and author of the book ‘The Overview Effect’
• DAVID LOY- philosopher and author
• DAVID BEAVER – philosopher and co-founder of The Overview Institute
Producer: STEVE KENNEDY
Director: GUY REID
Editor: STEVE KENNEDY
Director of Photography: CHRISTOPHER FERSTAD
Original Score: HUMAN SUITS
Dubbing Mixer: PATCH MORRISON
Filmed with Canon 5D Mk ii.
Additional footage from NASA / ESA archives
Duration: 19 minutes
Update: Thank you so much to all of you. I am humbled and a little bit overwhelmed with all your comments. I am trying to answer all the questions (please keep 'em coming) but would like to thank each of you for taking the time to write a comment. I am reading them all. THANK YOU.
Almost 3/4 of a million views and 10k likes in one week, I am floored. It truly makes me happy that my little film is able to connect with you and hopefully evokes the same feeling of happiness that I felt while shooting it.
Thank you also so much to everybody that has left me tip. You are too kind!
It has been almost 3 years since I released "The Unseen Sea" and I'm excited and proud to share with you my latest project "Adrift".
"Adrift" is a love letter to the fog of the San Francisco Bay Area. I chased it for over two years to capture the magical interaction between the soft mist, the ridges of the California coast and the iconic Golden Gate Bridge. This is where “Adrift” was born.
The weather conditions have to be just right for the fog to glide over the hills and under the bridge. I developed a system for trying to guess when to make the drive out to shoot, which involved checking the weather forecast, satellite images and webcams multiple times a day. For about 2 years, if the weather looked promising, I would set my alarm to 5am, recheck the webcams, and then set off on the 45-minute drive to the Marin Headlands.
I spent many mornings hiking in the dark to only find that the fog was too high, too low, or already gone by the time I got there. Luckily, once in a while the conditions would be perfect and I was able to capture something really special. Adrift is a collection of my favorite shots from these excursions into the ridges of the Marin Headlands.
I hope with my short film I am able to convey the feeling of happiness I felt while I experienced those stunning scenes.
I am so grateful to Jimmy LaValle, from the band “The Album Leaf”, for composing a custom score for Adrift. Jimmy's music is fantastically beautiful and captures the mood perfectly. Please check out his website. Thanks again Jimmy for your hard work.
I hope you enjoy the film and thank you for watching.
If you like this short film, please consider using the Tip Jar below, proceeds will go towards the next project...
Licensing: Adrift is copyrighted. All of my work is available for licensing under a rights-managed agreement. If you are interested in using any of my images and/or time lapse footage, please visit my website or contact me directly. Most of my clips are available up to 4K resolution! All of them support 2.8K and standard HD resolutions of 1080p/720p. Some of my favorite scenes in the film are also available as high resolution prints.