Award-winning short film directed by Phillip Van
Written by Simon Biggs
Produced by Cordula Kablitz-Post
DP Felix Novo D'Oliveira
Editor Dorothee Brockelman
Jane: Nicolette Krebitz
Paul: Wanja Mues
Summary: Jane is unhappy with her dull husband and monotonous marriage. Thankfully, in the near-future satisfaction is guaranteed and upgrades are always available.
*Winner of over a dozen awards, including a Student Academy Award, Berlin International Film Festival Talent Campus Award, HBO US Comedy Arts Best Short Award, Delta's Fly-In Movies Competition at Sundance, Florida & Seattle Int'l FF Audience Awards, and a BAFTA/LA award.
directed and produced by ATHINA RACHEL TSANGARI (haosfilm.com)
chief editor MATT JOHNSON
video ATHINA RACHEL TSANGARI, ISAAC MATHES, MARGARITA MANDA, ATHENS 2004 AUDIOVISUAL ARCHIVE, JACK MORTON WORLDWIDE
editing SANDRINE CHEYROL, MARINA GIOTI, MARIA HATZAKOU
ceremony tv broadcast ATHENS OLYMPIC BROADCASTING
This documentary video was first presented at the exhibition “A Greek Ceremony: Exhibition of Costumes and Objects from the Opening Ceremony of the Athens 2004 Olympic Games” at the Beijing Capital Museum, between 20 May and 6 July 2008, as part of the Cultural Year of Greece in China. The exhibition, curated and designed by Lili Pezanou, was then transferred to the National Glyptotheque in Athens, Greece between 8 and 20 December 2009.
A short piece to promote the book Pincel de Zorro, now in its second edition, published by Ediciones Ondina. An illustrated tale from the Spanish author Sergio A. Sierra, Pincel de Zorro is a whimsical story set in Japan, full of tenderness, magic and sadness. The story is complemented by unique illustrations, all of which are hand drawn by Meritxell Ribas using a complex technique called grattage, in which paint is scraped off the canvas with a pointed tool.
Pincel de Zorro tells the tale of Shiori, a little girl whose life changes the same night her father brings home a dead fox from a hunting trip. Mysteriously when her parents decide to sell the precious skin of the animal, they receive a visit from a magical woman.
This project has been an amazing collaboration between my friends, Sergio and Meritxell, authors of the book, Albert Alay, the music composer, and me, taking the role of creative director. This has been a passion project of ours, done with no budget, and we hope that someday we can bring these wonderful characters to life in a feature film.
For more information visit pinceldezorro.es
Direction, Design and Animation: Hug Codinach
Illustrations: Meritxell Ribas
Text: Sergio Sierra
Music: Albert Alay
All illustrations were camera projected in C4D and composited in After Effects. The ink was generated with Turbulence 2D from Jawset. I used a Canon 5D MrkII to shoot the brush footage.
Special thanks to Rick Gledhill at King & Country and Gabriela Effron.
PeopleForBikes.Org first approached Rabbit Content with the concept of a stationary bicycle that would sit alone on the street. A curious passerby would then take the initiative and jump on, starting to pedal. Massive art murals would descend from rooftops and cover buildings as the wheels began to spin - painting scenes of natural life coupled with urban renewal.
Rabbit Content and Black Swan immediately saw an element that needed adjustment. Biking is a celebration of movement, freedom, exploration and exercise. Immediately the process shifted to a biker in motion. Stationary murals transformed to moving pieces of art that would manifest as the bike passed locations. With a spark of brilliance an idea was born: live light projection as the art.
To show the diversity of bike riding culture the single rider became three riders: a daily commuter, a casual rider and BMX riders. Peopleforbikes.org was pleasantly surprised at this iteration of their ideal and the proverbial wheels starting moving for Black Swan director Nick Losq and Rabbit Content co-director Trevor McMahan.
Animation that bordered on whimsical, innocent and fun became a foundation that the final product was built on. Brian Gossett, an artist whose touch meshed well with Nick and Trevor's vision, was brought in to illustrate the elements. Under the guidance of design director Bradley Munkowitz, the unique characters began to fit into the theme of renewal: flora and fauna that would provide a stark and bright contrast to the dark and empty concrete jungle.
By building on bicycle elements (gears, pedals, handlebars, etc…) the natural elements began to take a unique shape that personified the mission. Black Swan then began the process of breathing life into these elements through animation. Landscapes were created that would serve to show a lasting and immediate change in the urban environment, as well as the generation of a convergence point where all the varied elements would coalesce into a livable space.
Keeping with the theme of nature, a park seemed to be the obvious choice as it combined the elements of lighting and concrete of an urban environment with hills, grass, blooming sunlight and a calm stream. Key to the process of execution was live testing on tech scouts. Black Swan hit the streets to scout the perfect locations in downtown Los Angeles. With some test animation the projection height, width and brightness were measured and adjusted per the initial animation tests.
In order to manifest one of the most important aspects of peopleforbikes.org, COMMUNITY, Rabbit and Black Swan set up a celebration at the point of convergence for the hero bike riders. Armed with a cadre of DJs and L.A.'s famous Koji BBQ truck, the team managed to swing a sizable crowd to witness, live, the projections that had been painstakingly put together to meet the expectations of the client.
Two long nights of shoots followed. With the collaboration of DPs Jackson+Karinja (another part of the Rabbit team), Nick and Trevor took over the streets of downtown. Fluidly moving with the bikers, they captured the fun and free spirit of the ride from the backs of vans, skateboards and free-hand Segways.
"The altruistic aspect of this job really motivated us to do great work above and beyond. Additionally, exercising our post muscles in the pre-production stage for live animation projections on shoot day was an exciting experience that, we feel, turned out to be a great success. Seeing the reactions of the gathered crowd during the shoot and watching the final project really makes me proud to be a part of this." - Nick Losq.