Time lapse sequences of photographs taken by the crew of expeditions
28 & 29 onboard the International Space Station from August to October,
2011, who to my knowledge shot these pictures at an altitude of around 350 km.
All credit goes to them.
Full HD, refurbished, smoothed, retimed, denoised, deflickered, cut, etc.
All in all I tried to keep the looks of the material as original as possible,
avoided adjusting the colors and the like, since in my opinion the original
footage itself already has an almost surreal and aestethical visual nature.
Music: Jan Jelinek | Do Dekor, faitiche back2001
w+p by Jan Jelinek, published by scape Publishing / Universal janjelinek.com | faitiche.de
Image Courtesy of the Image Science & Analysis Laboratory,
NASA Johnson Space Center, The Gateway to Astronaut Photography of Earth eol.jsc.nasa.gov
1. Aurora Borealis Pass over the United States at Night
2. Aurora Borealis and eastern United States at Night
3. Aurora Australis from Madagascar to southwest of Australia
4. Aurora Australis south of Australia
5. Northwest coast of United States to Central South America at Night
6. Aurora Australis from the Southern to the Northern Pacific Ocean
7. Halfway around the World
8. Night Pass over Central Africa and the Middle East
9. Evening Pass over the Sahara Desert and the Middle East
10. Pass over Canada and Central United States at Night
11. Pass over Southern California to Hudson Bay
12. Islands in the Philippine Sea at Night
13. Pass over Eastern Asia to Philippine Sea and Guam
14. Views of the Mideast at Night
15. Night Pass over Mediterranean Sea
16. Aurora Borealis and the United States at Night
17. Aurora Australis over Indian Ocean
18. Eastern Europe to Southeastern Asia at Night
As of today, it is estimated that there are more than 7 billion humans living on Earth.
Humans have only been a glimpse in the Earth’s timeline, yet in the last 200 years the evolution of mankind has skyrocketed as well as the need for Earth’s resources.
Skyscrapers are growing taller than the next, like huge trees battling for sunlight. At night, from a higher point of view, traffic evokes lava flowing down a volcano.
Like a giant ant colony, humans have made this planet their own. But what about the Earth? Can we continue to take without consequences? The City Limits tries to show that even though we are the dominant species on the planet, there is something bigger than us.
In Carl Sagan’s own words “Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves. It is up to us.”
Human progress and technology are developing at exponential rates but at what cost?
Where is the city’s limit?
/ Technical Info
Camera: Canon 5D Mark II
Lenses: Canon 14 II, Canon 24 II, Canon 70-200
https://facebook.com/TSOphotography for more photos, videos and updates.
This was filmed between 4th and 11th April 2011. I had the pleasure of visiting El Teide.
Spain´s highest mountain @(3718m) is one of the best places in the world to photograph the stars and is also the location of Teide Observatories, considered to be one of the world´s best observatories.
The goal was to capture the beautiful Milky Way galaxy along with one of the most amazing mountains I know El Teide. I have to say this was one of the most exhausting trips I have done. There was a lot of hiking at high altitudes and probably less than 10 hours of sleep in total for the whole week. Having been here 10-11 times before I had a long list of must-see locations I wanted to capture for this movie, but I am still not 100% used to carrying around so much gear required for time-lapse movies.
A large sandstorm hit the Sahara Desert on the 9th April (http://bit.ly/g3tsDW) and at approx 3am in the night the sandstorm hit me, making it nearly impossible to see the sky with my own eyes.
Interestingly enough my camera was set for a 5 hour sequence of the milky way during this time and I was sure my whole scene was ruined. To my surprise, my camera had managed to capture the sandstorm which was backlit by Grand Canary Island making it look like golden clouds. The Milky Way was shining through the clouds, making the stars sparkle in an interesting way. So if you ever wondered how the Milky Way would look through a Sahara sandstorm, look at 00:32.
For licensing footage and work inquires contact me at firstname.lastname@example.org.
This copyright protected video is a compilation of individually shot clips. Each clip is available on a rights managed license. No permission for footage use will be given without a license agreement.
Our company website: dfvc.com.
Follow me twitter.com/Dustin_Farrell and facebook.com/dustin.farrell.dfvc.
Landscapes: Volume 2 is the second of a 4 part series (so far). Every frame of this video is a raw still from a Canon 5D2 DSLR and processed with Adobe software. In Volume 2 I again show off my beautiful home state of Arizona and I also made several trips to Utah. This video has some iconic landmarks that we have seen before. I felt that showing them again with motion controlled HDR and/or night timelapse would be a new way to see old landmarks.
Most of the motion control for this video was done with the Stage Zero Dolly by Dynamic Perception. Once I got comfortable using the DP dolly I fell in love. I can set up shots now in much shorter times. More importantly for me, it is much smaller and much more portable than my homemade motion control. Without it, shots like the Delicate Arch shot in Utah would be nearly impossible due to the length of the hike. Buy the Stage Zero Dolly if you are looking for quality, inexpensive, easy-to-use motion control. dynamicperception.com/
So this is what I did over this past winter when I was not making people coffee.
It's all time-lapse footage shot in and around Anchorage, Alaska, with the emphasis on the nature around the city rather then on the people and buildings. This is a collection of the nicer stuff I shot of the northern lights, stars, sunset, and the tide. All of this was shot between October 2011 and April 2012.
The music is Aston's Classical Cover of the song You've Got The Love by Florence & The Machine. youtube.com/astonmusic
Music used with the bands permission. : )
Canon 5D Mark II
Canon Rebel xTi (modified to full spectrum)
Canon EF 24 - 105 mm
Sigma DC 18 - 200 mm
Sigma 8mm EX DG Fisheye (a thoroughly epic lens)
Dynamic Perception Stage Zero Dolly (kinda beyond epic)
Orion TeleTrack AZ-G Mount (really good for astrophotography)
Motorcycle and Car batteries from my locale battery store
And a lot of wires that connect everything together.
Adobe Bridge CS4 and CS5
Adobe Photoshop CS4
Adobe Lightroom 3
LRTimelapse (pretty much the most amazing software ever)
Hugin (for unwrapping the 8mm shots)
Final Cut Pro 5.1.4 (for making the stills move)
(Please note that the colours look different (like a lot) on different screens. The colours here look desaturated from the original file on my screen. But the colours look like the original on other screens, but not all, I'm not sure why.)