LR031- THE YELLOWHEADS - INTENSE EP
Release Date 11.11.13
The YellowHeads are the protagonists of release no. 031 on Loose. Born in Spain TYH they move their first steps in music industry very soon collecting cooperation and productions with famous artists of international Techno circuit. This eclectic duo arrives at Loose with a product made of three original tracks plus a remix by Stephan Garett, better known as Fractious, Irish DJ/Producer famous for having published many tracks on labels such as: Harthouse, Trapez and many other more.
- The first track of the EP “Cuando Amenece, Apetece” is formed by two heavy and deep drum elements, the bass riff wraps the loop creating a fluid sound line. The main sonorities of the track are Dark Techno with hard and gloomy chords, an old underground club style;
- “Mas Vale Pajaro En Mano” has a right drum and a flat sonorities, deep bass riffs sign the tracks giving a Dub Techno touch;
- Tribal drums and aggressive vocal effects mixed with a powerful bass form, a perfect track for the hardest dance floor. Background tricks of noise mixed up with vaulting Synth hits give no rest to the running track, “This Is Not A House Song”;
- Fractious resumes the idea of “This Is Not A House Song” with more electro matrix. The drum elements are darker and the Synth sharp and intense. The showpiece is the vocal effect, which makes the track evil, a good Electronic Techno remix.
Young French DJ and producer [Wex 10], for first appearance on Unrilis, brings to the table, a collection of innovative tracks with his TV Room EP.
Influenced by New Beat and underground techno, this new talent has already gained the attention of Chris Liebing, who has featured [Wex 10]’s tracks on his CLR playlist.
The EP begins with “TV Room” an airy track that pleases the senses. It begins with a simple yet melodic bass beat for a mellow, groove out. Soon, soft and light tones infuse the track seamlessly. A faint crackle of static is incorporated into the beat as the song progresses and amplifies in volume. The song remains consistent, easily providing inspiration for remixes and mash ups. It’d be an enjoyable, mellow song to listen to over drinks with friends. It could also serve as amazing background for a documentary.
The “TV Room (Roberto Capuano Remix) is a prime example of how “TV Room” can be successfully used. Remixed by Naples-born Roberto Capuano, who has exploded on the scene with his techno and techno-house creations, the starts with a heavy tribal drum. It incorporates the same bass elements as the original by [Wex 10] however the approach is vastly different with its intent. Keeping the set foundation of the original, the Roberto Capuano Remix probes an intensity that would be welcome at any festival, club, or place where people can dance. Any fan of house music would welcome this track.
True to its title, [Wex 10]’s “Mixxed” is an experimental track that mixes a variety of styles to create an addictive and variable song. Opening with a fast and loud throbbing bass and high hat combo, it soon pulls the listener into a different world. A distorted vocal becomes a part of the rhythm as if it were part of a drum kit. The track progresses, sounding almost circular, before the snare picks up in a unique rhythm, emphasizing the pauses of silence to command attention. The sensation of passing time or a ticking clock is also utilized as part of [Wex 10]’s experimentation with sound to create addictive beats. This would be a particularly fun track to use at clubs to really get the listener into it.
Heavy Handed EP has been released on Unrilis in October 2014
listen to full EP here https://soundcloud.com/rilis-records/sets/unrilis015-heavy-handed-ep-hans-bouffmyhre-kyle-geiger-promo-cut
download for you DJ set here http://www.beatport.com/release/heavy-handed/1383355
Unrilis is pleased to introduce a new release. The “Heavy Handed EP” is created by young techno artists Hans Bouffmyhre and Kyle Geiger. Bouffmyhre’s career began in Glasgow, Scotland, and he currently has a large following in Germany. Geiger emerged from a farming town in Indiana, United States, and has taken over the international techno circuit with ease.
“Heavy Handed” true to its title, uses a lot of instrumentation associated with hands. The immediate percussion track is quick, combining a rattling and echoed sound with a snare kit. There is also blatant influence from steel drums and hand drums. The song evolves rapidly, building upon the original beat, and delighting the listener.
“Dispatch” begins with quiet tones, a little fuzzy as if there is a dispatch operator on the line. Soon, the static amplifies in volume, and with it emerges the drum track. The song miraculously manages to stay mellow even as sounds that are similar to that of an ambulance siren are fused into the melody. This calm serenity provides musical irony. This song would be ideal for any situation, particularly in groove lounges.
“Emote” uses high frequency sounds to create a circular track. It toys with using an off-beat drum track to contrast the synthesizer. Each note is used to fuse melody with its beat, building the stanza’s up. As the song progresses, the main track becomes infused with experimental sounds through a remixer. This song should be highlighted as it is ideal for any situation whether a large festival or a DJ to sample and remix.
“Emote (Beat Tool)” takes the wonderful aspects from its original song and provides a remix that’s heavier on bass and beat. It’s driven more by percussion than its original, providing a tantalizing track for any DJ to play with. The track is more mellow than its original, calming despite the heavy drums.