This movie is a record / residue / re-creation of a performance created for the Advancing Feminist Poetics conference (2009) and performed again at UNLV, ULL, and the &Now festival. Footage is mostly from the Paris 2012 and New York 2009 performances.
"Is [the film] a form of re-performance ... that shows that it's not about the original, but about its absence, the silhouette washed out to sea?" (Diana Taylor)
The destroyed building and a certain gesture I'm familiar with: "looking for love in all the wrong places"? Seeking something of understood value in a dismissed landscape. Why the bride there--because she shouldn't be.