1. A very quick grade of RAW DNG sequences shot and provided by John Brawley. I graded them in After Effects CS6 using ColorGHear (ColorGHear.com)

    Go here for comparison to raw DNG vimeo.com/48029531

    The files behave in much the same way as Raw R3D files in how AFX interprets them. There is a definite grain to the image. Not totally unpleasing. And, while it is a bit sluggish in AE CS6 (more so than 4k R3D) it grades VERY nicely.

    The first shot is a saturated bleach bypass type look that has GHrain Killer applied to her face only - via power window. But the other 2 shots are very simple, 2 and 3 GHear grades respectively.

    No totally happy with the skin tone in the sparkler shot. I think I may have to tweak the raw a bit more in the interpeter before grading. it just seems a bit muted to me. (I got better results on the tweaks I made for the comparison video linked above)

    # vimeo.com/47993612 Uploaded 46.1K Plays 4 Comments
  2. Work in progress. No sound. Documentation with handheld camera.

    Production: iACT (institut Arts Culture Technologies)
    Université de Montréal

    Jean Piché
    Patrick Saint-Denis
    Louis Bouchard

    # vimeo.com/48481663 Uploaded 64.7K Plays 1 Comment
  3. In this color correction / color grading tutorial I share with you how to import clips/projects into DaVinci Resolve to begin grading.

    - Denver Riddle, Colorist

    Learn more about a DaVinci Resolve training membership:

    Uploaded 27.6K Plays 8 Comments
  4. Head over to my blog for loads more info, photos, kit used etc... philipbloom.net/2012/09/05/bmd/

    This review was done on my own time for the readers of my blog and the vimeo community. If you feel it has been of use to you feel free to use the new tipjar feature on vimeo! No obigation! All money received goes into making future reviews as they take so much time and resources...for a more detailed explanation please visit my page here: philipbloom.net/2012/09/28/tipjar/

    Edit. I have just checked out the just announced micro four thirds version at IBC. Looks great but it's passive so no iris control through the camera. You need a manual lens like the Voigtlanders.

    The good news is with a M43 mount you can put on any lens with easily available adaptors for PL, M, Nikon, Canon. C mount (make sure they cover sensor). It's a much more flexible camera lens wise and makes more sense than the EF version here.

    This review was done in my own time and WAS not paid for by anyone. It was made for the readers of my blog and the community. For more on my ethics statement please read the top of the above linked blog post.

    # vimeo.com/48956550 Uploaded 197K Plays 249 Comments
  5. American Cantos is a compilation reel captured in 4K
    resolution from a work-in-progress production about the
    John Joe Glanton gang of Government hired
    scalp-hunters who drifted, sacked, and arbitrarily murdered along the Mexico/Texas Confederate border in the early 1860’s. The project is being photographed with the Red One Digital Cinema Camera fitted with traditional 35mm Zeiss and Angenieux cinema lenses with select segments captured with a set of 1930’s era Cooke cine lenses that have been modified and adapted to work with the Red One.

    # vimeo.com/8547635 Uploaded 1,865 Plays 9 Comments



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