1. BitCoinCloud ist eine interaktive Rauminstallation, die den (virtuellen) Wert von künstlerischen Produkten sowie alternative Ökonomien thematisiert. Das modulare Kunstwerk besteht aus einem "BitCoin Mining Rig" (modifizierte Computer zur Errechnung der virtuellen Währung "BitCoins") sowie einer LED-Cloud (Visualisierung). BitCoinCloud reagiert auf die aufmerksamkeitszentrierte heutige Zeit mit der direkten Abhängigkeit zwischen Beachtung und Wert des Kunstwerks: wenden sich mehr Besucher der Skulptur zu (Camera-Tracking), dann werden mehr virtuelle Währungseinheiten (BitCoins) errechnet, die wiederum den Gesamtwert der Installation erhöhen. (Damian Stewart, Max Gurresch, Matthias Tarasiewicz)


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  2. In a theatrical, multimedia- and installation-based, musical as well as performative action spanning over fifty hours the Expedithalle of the former Ankerbrotfabrik in the Viennese 10th district transforms into a vast garden. Therein Marie Müller starts an attempt of self-assertion, against a psychotic society forcing her to totally dissolve in the mud and hot air of collective hysteria, fear and porn. With the high ambition of global theatre the attempt to abolish the world as we know it is called for. Only to dare, after the recapture of pictures and sounds is done and the trial on these impotent little men in their giant bureaus is held, a recreation of the world out of human need and in accordance with what we commonly call ‚nature’, is possible. 
The Merz-World-New-Construction by Miasma.

    Every day the performative action intensifies in 4 hours, the rest of the time is dedicated to development, preparation and rehearsal for the ensuing vespertine climax.

    Fri, July 6th, 8 - 12pm CEST – THE-WHITE-OUT and the Media Putsch
    Sat, July 7th, 8 - 12pm CEST – The Slaughter of the Youth. It is PORN!
    Sun, July 8th, 6 - 10pm CEST – There is Life in the Dirt I am walking on

    During the whole time the performance will be transmitted with five cameras in cinematic resolution over the internet via the homepage http://miasma.is. The languages in use are German, English, Polish and Hungarian.


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  3. Tatiana Bazzichelli is a researcher, networker and curator, working in the field of hacktivism and net culture. She is part of the transmediale festival team in Berlin, where she develops the reSource for transmedial culture, an ongoing distributed project of networking and research within the transmediale festival. She received a Ph.D. in Information and Media Studies from Aarhus University (DK), conducting research on disruptive art practices in the business of social media (title: Networked Disruption: Rethinking Oppositions in Art, Hacktivism and the Business of Social Networking).

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Artistic Bokeh

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