Cyberpunk 2077 - next, after The Witcher & The Witcher 2, project created jointly by CD Projekt Red and Platige Image.
This teaser is the first announcement of the game, based on the system of Cyberpunk 2020 - American RPG game written by Mike Pondsmith in the 90's.
Director: Tomek Bagiński
Story: Tomek Bagiński
CG Supervisor: Maciej Jackiewicz
Animation Director: Maciej Jackiewicz
Executive Producers: Marcin Kobylecki, Jarosław Sawko, Piotr Sikora
Producer: Marta Staniszewska
Production Coordinator: Paulina Machalica-Niemira , Monika Paćkowska
Senior Environment Artist: Marcin Stępień
Character Artists: Dani Garcia, Paweł Jaruga, Stanisław Marek, Tomasz Stefański , Tomasz Stryjewski
Environment Artists: Robert Kudera, Artur Szymczak, Marcin Więch
Concept Artists: Damian Bajowski, Jakub Jabłoński, Maciej Kuciara, Maciej Rębisz
Additional Concept Artists: Jakub Bogaczyński, Adam Trędowski , Rafał Wojtunik
Rendering Artist: Szlum Pinkumbaum
Compositing Artist: Szlum Pinkumbaum
Layout: Szlum Pinkumbaum
Animators: Michał Kaleniecki, Damian Nenow, Bartłomiej Kik
FX TD: Łukasz Sobisz
Character TD: Bartosz Opatowiecki, Mateusz Popławski
Additional 3D Artists: Jarosław Handrysik, Konrad Kiełczykowski, Bartłomiej Walendziak , Sebastian Ośka, Artur Owśnicki, Kamil Pohl, Piotr Tatar, Hubert Zegardło
IT: Jakub Dąbrowski, Piotr Getka, Tomasz Kruszona, Łukasz Olewniczak, Tomasz Zając
DI Support: Piotr Janisiewicz, Maciej Niemirski, Mariusz Seliga, Michał Własiuk, Maciej Żak
Music: "Bullets" written by Darius Keeler, Pollard Berrier, perform by Archive, published by Hangman Records , sub-published by Fintage Publishing B.V., published in Poland by Warner Music Poland Sp. z o.o.
Sound Design and Mix: Kuba Pietrzak (Box Postproduction)
3D Scanning Performers: Katarzyna Danysz-Żelewska, Tomek Bagiński, Maciej Jackiewicz, Piotr Prokop
Casting: Maciej Nawrotkiewicz
Make Up: Marta Domagała
Costumes: Magdalena Adamczyk, Anna Szumińska
3D Scanning Session: IR-Entertainment Ltd.
Special Thanks: Arkadiusz Dorynek
Art Directing: Michał Dwojak-Hara, Michał Misiński
3D Artists: Błażej Kowalski, Łukasz Dziedziński, Jarosław Handrysik, Przemysław Słabiak
CD PROJEKT RED:
Producer: Adam Badowski
Story Consulting: Sebastian Stępień
Concept Artist: Robert Adler
Character Modeler: Ovidiu Voica
PostPanic director Mischa Rozema's new short film, Stardust, is a story about Voyager 1 (the unmanned spacecraft launched in 1977 to explore the outer solar system). The probe is the furthest man-made object from the sun and witnesses unimaginable beauty and destruction. The film was triggered by the death of Dutch graphic designer Arjan Groot, who died aged 39 on 16th July 2011 from cancer.
The entire team at PostPanic (the Amsterdam-based creative company) pushed themselves in their own creative post techniques to produce a primarily CG short film crafted with love.
The film's story centers on the idea that in the grand scheme of the universe, nothing is ever wasted and it finds comfort in us all essentially being Stardust ourselves. Voyager represents the memories of our loved ones and lives that will never disappear.
From a creative standpoint, Rozema wanted to explore our preconceived perceptions of how the universe appears which are fed to us by existing imagery from sources such NASA or even sci-fi films. By creating a generated universe, Rozema was able to take his own 'camera' to other angles and places within the cosmos.
Objects and experiences we are visually familiar with are looked at from a different point of view. For example, standing on the surface of the sun looking upwards or witnessing the death and birth of a star - not at all scientifically correct but instead a purely artistic interpretation of such events.
Rozema says, 'I wanted to show the universe as a beautiful but also destructive place. It's somewhere we all have to find our place within. As a director, making Stardust was a very personal experience but it's not intended to be a personal film and I would want people to attach their own meanings to the film so that they can also find comfort based on their own histories and lives.'
Rozema turned to his regular audio partner, Guy Amitai, to create the music for the film. 'I approached Guy to make the music because I trust him and knew he would instinctively understand what I wanted to communicate with this film.' Their long-term collaboration over the years helped them explore different musical approaches before finally settling on a musical journey featuring analogue instruments. Amitai explains, 'Once we started working on this project and I told people about Stardust and what Arjan meant to us all, the offers started pouring in. Musician friends and friends-of-friends all wanting to join in and record even the smallest parts. It was an incredibly emotional and personal journey for us all - not something you can professionally detach yourself from.'
The track is now available for purchase, with all proceeds going to the KWF (Dutch Cancer Society)
Download the song here via iTunes: http://tinyurl.com/a6j2f34
A PostPanic Production
Written & directed by Mischa Rozema
Produced by Jules Tervoort
VFX Supervisor: Ivor Goldberg
Associate VFX Supervisor: Chris Staves
Senior digital artists: Matthijs Joor, Jeroen Aerts
Digital artists: Marti Pujol, Silke Finger, Mariusz Kolodziejczak, Dieuwer Feldbrugge, Cara To, Jurriën Boogert
Camera & edit: Mischa Rozema
Production: Ania Markham, Annejes van Liempd
Audio by Pivot Audio , Guy Amitai
Featuring "Helio" by Ruben Samama
Directed by Joe Sill
Written by Dag Shapshak
Produced by Brian White
Associate Produced by Adam Nusinow
First Assistant Director - Colin Lupe
Cinematography by Mishka Kornai
Production Design by Alex Lubow
Sound Design by Eric Hoehn
Composed by Mattan Cohen
Costume Design by Ryan Summersett
Starring Daniela Flynn, Jessica Gordon, Ava Cantrell, Davis Desmond, Jeffrey Moore, and Sam Basile
Female astro-miner Shona has been mining under dangerous conditions on the moon for the past two years in order to pay for expensive medical treatments in hopes of save her bed-ridden daughter Darla, and now that her tour is completed, a younger astronaut Paige has come to replace her. Shona is reluctant to return to the world she once knew, but in meeting Paige realizes that returning to Earth isn’t where she’ll find peace - she will have to return home.