After 3 months shooting on location with the bullet time rig around China, it's great tobe back in the studio experimenting.
NEW WORK 3 MONTHS ON LOCATIONS WITH 96 CAMS vimeo.com/56893274
LIKE US facebook.com/SpliceBoys
Splice Boys: Tom Brandon, Richard Kendall and Crew :
- 96 camera rig, 30s sequential exposure.
- A lot of running around with lights.
- Also combining manual and pulsing strobe flash.
- All real in camera imaging.
- Shoot Location: Central Studios (Shanghai)
- Music: James Mackay (jimmy) at loopholerecordings.com/ and soundcloud.com/jimmylemac
“I was walking along a path with two friends – the sun was setting – suddenly the sky turned blood red – I paused, feeling exhausted, and leaned on the fence – there was blood and tongues of fire above the blue-black fjord and the city – my friends walked on, and I stood there trembling with anxiety – and I sensed an infinite scream passing through nature.”
Edvard Munch, 1893
This is the director's cut of the The Real Bears, a film I directed and animated for a campaign to reduce the consumption of soda and other sugary drinks.
The music and sound design were done by Nikolai von Sallwitz.
Director/Designer/Animator: Lucas Zanotto
Executive Creative Director: Alex Bogusky
Client: CSPI - Center for Science in the Public Interest
Agency: Common (Boulder, CO) and The Butler Bros. (Austin, TX)
Executive Producers: Marty & Adam Butler
Writers: Ronny Northrop & Ryan Kutscher
Art Director: Stefanie Hermsdorf
Account Director: Mark Ekhardt
Producer: Amanda Fox
Music: Jason Mraz
Guitar and mix: Bill Bell
Horn parts: Grooveline Horns
Offline/Online Editor: Travis Wurges
Sound Design: Nikolai von Sallwitz
Mix: Travis Wurges
The BBC came to Weare17 with a brief full of interesting facts and circles, for a series of brand vignettes for BBC Knowledge.
I was really pleased to be involved from the start right through to final delivery, illustrating and designing motifs and concepts about the earths history and how far we have come as inventors and as the human race in general.
The animation was really fun to do. Fast paced, snappy, fluid & rhythmic.
It was selected to be part of this years PromaxBDA State of Design session, an international showcase of "the most inspiring motion work from the past year"