We started filming this documentary independently over one year ago with very little funding, which we obtained by throwing a party. The crew waived their salary and we received equipment free of charge. During this period we roamed through the communities of Vidigal, Vila Autódromo, Providência, the port region of Rio and the surroundings of the Maracanã stadium, collecting images, interviewing residents, participating in their meetings, debates and conflicts. These communities have been recognized as some of the most affected by real estate speculation, a phenomenon in which housing prices are increasing due to preparation for the major world events to be hosted in Rio: the World Cup in 2014 and Olympics in 2016. As a result of the rising prices, Rio residents, primarily the poorest residents are being forced to move to distant suburbs that lack infrastructure and services and are dominated by heavily armed militia.
We then began to investigate were these billions of Brazilian reais directed towards the 2014 World Cup and the 2016 Olympics are being directed. It is quite clear that a large sum of this money will come from tax payers’ pockets, only to be used for the financial gain of a small group of contractors, politicians, bank owners and businessmen involved in these events. The legacy left for the benefit of the majority of the population will be minimal. And worst of all, many communities are being removed illegally in areas of great real estate interest, and the residents are relocated to distant suburbs that lack infrastructure and are dominated by a heavily armed militia.
In addition, we have acquired images of UPP (Pacifying Police Unit) in Mangueira, and the Almeão Complex cable car, through our collaborators. We also interviewed professor Carlos Vainer of the Institute of Research and Urban and Regional Planning of the Federal University of Rio de Janeiro (IPPUR/UFRJ), an expert in the field of mega events and state and federal deputies Marcelo Freixo and Romario. In the case of the latter we were obliged to visit Brasilia and took the opportunity to film the nation’s capital and the construction being done at Mané Garrincha stadium.
Do you believe change is possible, but you’re not sure how to help? Collaborate with us! The script is not complete, but together we can rewrite the end of this story. Your donation will help us produce and share this information, helping society to decide its own future. We need 90,000 reais (approximately 45,000 USD), a minimal sum to film extensively and finalize our film, publicize on the internet, and to exhibit the film in the streets, parks and communities through Cine Ataque, translated as “Film Attack,” We believe our film can create world wide awareness to these deplorable acts being committed against the Brazilian people. Together we can change this reality. Participate!!!
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A partir de entrevistas com os xamãs nhanderu, e de registros dos seus cantos, danças e cerimônias, o filme aborda o universo dos cantos xamânicos por meio dos aspectos performáticos da palavra, da sonoridade, do gesto, da dimensão onírica e da vontade mobilizada pelo canto. Se a palavra pode ser história, mito e narrativa, entre os Guarani-Kaiowá ela também é poesia e profecia: um canto de esperança em um futuro melhor.
Produção: Anthares Multimeios
Realização: Edgar Teodoro da Cunha, Gianni Puzzo e Spensy Pimentel.