'Gulp' is a short film created by Sumo Science at Aardman, depicting a fisherman going about his daily catch. Shot on location at Pendine Beach in South Wales, every frame of this stop-motion animation was shot using a Nokia N8, with its 12 megapixel camera and Carl Zeiss optics. The film has broken a world record for the 'largest stop-motion animation set', with the largest scene stretching over 11,000 square feet.
The animators: http://www.aardman.com
The sand artists: http://sandinyoureye.co.uk
The phone: http://www.nokia.com/n8
A stop motion short film shot with a stills camera in the ceiling pointing straight at the floor. There's tons of 'making of' stuff at the website sorry-im-late.com
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Official Clip for Hudson and Troop - Stop Motion Kaleidoscopic Fun.
The official music video for ‘Against The Grain’ from emerging Melbourne indie-folk artist Hudson sees him collaborate with film maker/animator/VJ Dropbear (aka Jonathan Chong), producing a vibrant and colourful clip based around a mainstay from our humble artistic efforts throughout childhood – coloured pencils.
Every cup of coffee contains its own soul, extracted from your feeling today.every cup of coffee is like a magic show containing different journey and bringing the unending imagination and surprises.With a sip of coffee, you not only taste your own story, but also change your perspective of the world.
it's my first time try to make a stop-motion animation.
I used to be a senior student majoring in commercial design who had no interest whatsoever in animation. However, last summer I saw a amazing work "SNASK" (vimeo.com/10435821) , which awakened in me a huge interest in Stop-Motion. This was also my very first encounter towards videos.
Indeed, "Coffee Time" was adapted from Mike Crozier's animation "SNASK", I used that as a template for my own first practice video made with stop-motion. I tried to recreate the effects from "SNASK" (vimeo.com/10435821) , and I learned so much from this process. At the end of the video, I mixed in an animation containing my personal favorite coffee elements.
It's not apply to any commercial act. It only served as my first practice of stop-motion, and I show great appreciation and respect for Mike Crozier. The original producer was notified prior to the publishing of the video. My initial intention was to humbly share my practicing result with relatives and friends. But now the consequence was totally out of my expectation. I am greatly honored by all the feedback and encouragement, which I am deeply appreciative of.
I hope that everyone can put more emphasis on the processing. For me, a heart-touching film is like a good mentor, exerting much influence. And "SNASK" is just like a mother to me, bearing the interests for stop-motion, and inspiring me with the motive of learning. All the praises and admiration the video has received undoubtedly belongs to Mike Crozier.
It took me one month for deliberation, production, prop preparation, almost two weeks of shooting, and 1,705 pieces of photos to finish the video.