Temper Trap - Trembling Hands
Director: Tom Haines
Producer: Tiernan Hanby
Production Company: Colonel Blimp
Executive Producer: Tamsin Glasson
Cuba unit: Island Films/Nelson Navarro
DOP: Steve Annis
Editor: Julian Eguiguren @ Final Cut
Telecine: James Tillet @ MPC# vimeo.com/43384816 Uploaded 110K Plays 1,809 Likes 48 Comments
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This was filmed between 4th and 11th April 2011. I had the pleasure of visiting El Teide.
Spain´s highest mountain @(3718m) is one of the best places in the world to photograph the stars and is also the location of Teide Observatories, considered to be one of the world´s best observatories.
The goal was to capture the beautiful Milky Way galaxy along with one of the most amazing mountains I know El Teide. I have to say this was one of the most exhausting trips I have done. There was a lot of hiking at high altitudes and probably less than 10 hours of sleep in total for the whole week. Having been here 10-11 times before I had a long list of must-see locations I wanted to capture for this movie, but I am still not 100% used to carrying around so much gear required for time-lapse movies.
A large sandstorm hit the Sahara Desert on the 9th April (bit.ly/g3tsDW) and at approx 3am in the night the sandstorm hit me, making it nearly impossible to see the sky with my own eyes.
Interestingly enough my camera was set for a 5 hour sequence of the milky way during this time and I was sure my whole scene was ruined. To my surprise, my camera had managed to capture the sandstorm which was backlit by Grand Canary Island making it look like golden clouds. The Milky Way was shining through the clouds, making the stars sparkle in an interesting way. So if you ever wondered how the Milky Way would look through a Sahara sandstorm, look at 00:32.
Available in Digital Cinema 4k.
Press/licensing/projects contact: firstname.lastname@example.org
Music by my friend: Ludovico Einaudi - "Nuvole bianche" with permission.
Please support the artist here:
itunes.apple.com/us/album/una-mattina/id217799399# vimeo.com/22439234 Uploaded 72.7M Plays 100K Likes 2,851 Comments
Frey Wille – всемирно известный изготовитель украшений, для презентации новой коллекции украшений наша команда подготовила видео инсталляцию создающую атмосферу вечера.
Над проектом работали:
Александр Синица# vimeo.com/53791481 Uploaded 7,223 Plays 163 Likes 6 Comments
This is a video of our 3d projection mapping created for the fourth edition of Skyway International Light Festival 2012 in Torun, Poland. Our vision of the real stars of this wonderful city with amazing culture and history precisely created for the facade of the building called Collegium Maximum. We were invited for the second time to perform in this great festival and again enjoyed every minute of it. For more information about the project and our group of artists please visit: limelightprojection.com/
Music composed by Kostas Vatsos and ambmusic.net/# vimeo.com/48137248 Uploaded 5,525 Plays 116 Likes 5 Comments
"Slow" marine animals show their secret life under high magnification. Corals and sponges build coral reefs and play crucial roles in the biosphere, yet we know almost nothing about their daily lives. These animals are actually very mobile creatures. However their motion is only detectable at different time scales compared to ours and requires time lapses to be seen.
Make sure you watch the video on a large screen. This clip is displayed in Full HD, yet the source footage (or the whole clip), is available in UltraHD 4k resolution for media productions.
The answer to a common question: yes, colors are "real" and not exaggerated by digital enhancement. We have only applied basic white balance correction. However, we used specialized lights to mimic the underwater ambient spectrum. When photographers use white light (artificial spectrum) on corals, they simply miss the vast majority of colours. Corals have spectrum-sensitive colouration due to fluorescent pigments.
The duration of sequences varied from 20 minutes to 6+ hours.
=== Technical details ===
To make this little clip we took 150000 shots. Why so many? Because macro photography involves shallow depth of field. To extend it, we used focus stacking and deconvolution algorithms. Each frame of the video is actually a stack that consists of 3-12 shots.
Just the intro and the last scene are regular real-time footage. One frame required about 10 minutes of processing time (raw conversion + stacking + deconvolution in some scenes). Unfortunately, the success rate was very low due to copious technical challenges and we spent almost 9 long months to get it right.
Music: Atmostra III by Cedric Baravaglio, Jonathan Ochmann and Zdravko Djordjevic.
=== Sharing/Use ===
Inquiries/licensing/press: find our contact details bioqueststudios.com.au/
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Please support the Great Barrier Reef conservation efforts marineconservation.org.au/pages/donate.html# vimeo.com/88829079 Uploaded 3.8M Plays 15.6K Likes 425 Comments