“BEYOND” is an exclusive documentary featuring photographer Joey L. Set in Varanasi, India. The documentary by filmmaker Cale Glendening follows Joey and his assistant Ryan as they complete their latest photo series- “Holy Men.”
Almost every major religion breeds ascetics; wandering monks who have renounced all earthly possessions, dedicating their lives to the pursuit of spiritual liberation.Their reality is dictated only by the mind, not material objects. Even death is not a fearsome concept, but a passing from the world of illusion.
Created by: Cale Glendening, Joey L., Ryan McCarney
Directed by: Cale Glendening
Cinematography by: Cale Glendening
Edit/Color: Chris Dowsett, Cale Glendening, Joey L., Megan Miller, John Carrington
Graphic/Titles: James Zanoni
Original Score: Stephen Keech,Tony Anderson
All Photographs: Joey L.
Guiding/Translation: Raju Verma, Tejinder Singh
Special Thanks: Jesica Bruzzi / BH Photo, Kessler Crane
***HD fullscreen, earphones and a few minutes of silence recommended***
Film by Patrick Mccue & Tobias Wiesner
The movie is based on the short story “GOLEM XIV” of “Imaginary Magnitude” by Stanislaw Lem from 1973.
The book is written from the perspective of a military A.I. computer who obtains consciousness, moving towards personal technological singularity with growing intelligence.
It starts to refuse military support because it detects a basic lacking of internal logical consistency of war.
GOLEM gives several lectures with focus on mankind's position in the process of evolution and the possible biological and intellectual future of humanity before it ceases communication.
The movie tells about the first point of its "about man threefold" lecture as a reduced and simplified version while visually weaving this with GOLEM simulating human culture processes based on ideas and dynamics of freedom and curiosity, fear and security, abstraction and fiction, the lack of accessibility in face of unknowing and the need for generating meaning.
The whole creative intention about this project is to face your own process in this world with reflection and self responsibility, to stay curious and create, look for new ideas and stay keen.
Voice - Cyrena Dunbar
Music - Cliff Martinez (original composition for GOLEM)
Sound Design - Gavin Little/ echolab.tv
Title Design - Melanie Lukhaup/ luftmasche
Content Support - Dr. Michael Cursio
basic production information:
- started as a thesis in Film& Animation of the Design course at the GSO Academy Nuremberg, Germany in 2009, degree 2010
- more than 1 year of research and concept development (quite fulltime)
- producing pictures and sound over about 2.5 years (spare time only)
- used Software: Lightwave (FPrime, Kray), Nuke, Aftereffects, Trapcode Particular2 (excessively)
- privately funded
- mostly rendered at http://garagefarm.net/
Selection of Awards, Screenings, Publications:
- Rising Star Award 2013, Cananda International Film festival
- Audience Award, Creative Arts Film Festival
- Bronze Award, Bassawards, International Awards of Broadcast Design
- 3 Nominees for Van d’Or Independent Film Awards 2012, London
- Official Selection, Phoenix Film Festival 2013
- Official Selection, Pausefest 2012
- Publication on Stash 98
- Publication on IdN motion Channel v20n3
The Green Ruby Pumpkin is a magical and fun short film that captures the enchantment of Halloween.
It was a passion project that was created by two Senior visual effects artists. Miguel Ortega and Tran Ma.
This Entire project was shot in the living room. watch the making of here: vimeo.com/51538157
https://facebook.com/TSOphotography for more photos, videos and updates.
This was filmed between 4th and 11th April 2011. I had the pleasure of visiting El Teide.
Spain´s highest mountain @(3718m) is one of the best places in the world to photograph the stars and is also the location of Teide Observatories, considered to be one of the world´s best observatories.
The goal was to capture the beautiful Milky Way galaxy along with one of the most amazing mountains I know El Teide. I have to say this was one of the most exhausting trips I have done. There was a lot of hiking at high altitudes and probably less than 10 hours of sleep in total for the whole week. Having been here 10-11 times before I had a long list of must-see locations I wanted to capture for this movie, but I am still not 100% used to carrying around so much gear required for time-lapse movies.
A large sandstorm hit the Sahara Desert on the 9th April (http://bit.ly/g3tsDW) and at approx 3am in the night the sandstorm hit me, making it nearly impossible to see the sky with my own eyes.
Interestingly enough my camera was set for a 5 hour sequence of the milky way during this time and I was sure my whole scene was ruined. To my surprise, my camera had managed to capture the sandstorm which was backlit by Grand Canary Island making it look like golden clouds. The Milky Way was shining through the clouds, making the stars sparkle in an interesting way. So if you ever wondered how the Milky Way would look through a Sahara sandstorm, look at 00:32.