Music promo video, for Eggboy, shot entirely on Super 8 with a variety of cameras including the Canon 1014 XLS, Braun Nizo 2056 and Beaulieu 5008S. Films used: Kodak 100D, Kodak Vison 3 500T, Kodak Vision 2 200T and Pro 8 Fuji negative stocks
David Lynch, Good Day Today. Shot on Kodak 200T Super 8 negative stock, with a Braun Nizo 6080 Super 8 camera with cut aways to HD video footage in an aim to draw an obvious contrast between the two formats. Entered in a competition to become the official video for the song, through Genero TV. It didn't.
This is my method for transferring 8mm footage using the Canon 5Dmk2 in real time. The results are very good for such a fast method if you cannot afford the money or time for frame scanning.
00:42 - It very important to use a flat type LED's not the dome shaped ones. The dome shape LED's will give you lots of blooming and the focus will drift at the edges making you suspect the lens.
00:58 - I drilled 3 holes in the body of the projector for the LED flexible light strip, behind where the original bulb used to sit. I mask out light I don't want projected with putty. The position of the lights helps mask out some of the scratches. I need to add another couple of (horizontal) lights either side of the centre light.
01:29 - I modified the original projector lens to try and achieve a flat field image. Made from the rear element from a Carl Zeiss Flektogon 35mm and attached to the original lens tube with a bit a tape no less. You could use standard lens and there are some very nice ones out there.
03:08 - Utilising the body from the old 35mm lens, it proved a good way in shielding the projector from light pollution, I also added a 12mm extension tube. A lens cloth draped over the front further seals the light from entering, of course you could just film in very low light.
00:12 - I put 2 drive belts on the motor, this slowed the motor down just enough to reduce the shutter flicker. The Canon 5Dmk2 was set to 24p and 1/50 for our electrical phase.
ISO ranged from base up to 1000, depending on exposure of original film. The footage is fine at ISO 1000 but this could be reduced by using a more powerful flat lens LED.
03:30 - Focus and frame size changed by moving the projector or camera and adjusting the screw type lens. Try and focus on the film grain and not the scratches.
00:37 - I removed the internal mask for 8mm & S8mm aspects at the gate to project an unrestricted image into the camera. You gain areas that are hidden but they have the perfs though them and you see the top and bottom of the next and previous frame, but you can re-mask in post. If it's personal footage you want to see everything on the frame, some times it makes the difference.
You can use the crop sensor DSLR's but the lens would need changing or modifying unless you wanted a cropped image. On this lens and projector I can not bring the camera near enough without fouling on the body of the camera or projector body to get a full image captured.
I have tried to make this project as accessible as possible and apart from the camera, all the items are fairly cheap to pick up.
Projector used: Eumig Mark 501, I also use the Eumig 610D & the Eumig Mark DL
Camera: Canon 5Dmk2
***UPDATE*** Clips from this film have been used (by arrangement with me) in the official music promo video for Lana Del Rey 'Videogames'.
Super 8 'home movie' shot in San Francisco and Los Angeles. July/August 2008. I wanted to shoot some cine film again and bought this Nizo S800 camera the day before flying to the US for a 3 week family holiday. For the last few months also I've been working on a DIY telecine system to digitize cine film. This film is something of a camera test and first test of this transfer method also.
Shot on one roll of Kodak 64T film using Braun Nizo S800.
DIY telecine (frame by frame) using adapted Chinon 2000GL projector, condenser lens, Canon XM2 miniDV camera and Cinecap software.
Edited with Adobe After Effects.
'The Sword of Truth'
Justin Bianco / Magnatune Records.
Used under terms of Magnatune licence.
c. Chris Gavin / project 2008.
director Chris Gavin works for Tandem Films.