METROPOLIS

  1. This work is part of "YOELEUM" (Summer in Korean).
    KYOULBOMYOELEUMGAEUL is a day by day - ongoing project made in Korea.

    " KYOUL means Winter in Korean, BOM is Spring, YOELEUM is Summer and GAEUL is Autumn. It is Rafaël's 1 year - 4 seasons live-cinema exhibition and shorts films projects made in Korea, where he live curently. Every season composed by many sequences, divided by dates, and presented in chronological order as live-cinema performances, installations, screenings, etc... It is a day-by-day / on-going work and a kind of video-journal of his stay in Korea."
    (Visual Artbeat magazine #11 February-April 2013)

    GEOSTRATEGIC DRAMA AT THE 38 PARALLEL was shoot on the JULY 27 2012,
    on a island, near of the Korean demilitarized zone.


    Acting by
    HAN KYO SOH
    SAET BYEOL LEE
    YO HAN CHOI

    Naration by
    SUN YOUNG RYU

    Clothes by CRES E. DIM

    Assistant
    HOK YOUNG IM

    Make Up and Hair by
    GA YOUNG KIM

    Thank 2 fisher man

    Produced by THISISAWORKBYHAZARD
    thisisaworkbyhazard.com

    GEOSTRATEGIC DRAMA AT THE 38 PARALLEL // MAI 27 2012 // BOM // Rafaël
    Rafaël © 2012 all rights reserved

    leafar.be

    # vimeo.com/49667742 Uploaded 902 Plays / / 4 Comments Watch in Couch Mode
  2. recording session at 77 studios on 28 may 2013 with rob (drums), kim (bass), tim (keys), hervé (alto sax) and guest appearance of sean reading from his texts.
    more music from The quarTeT:
    soundcloud.com/perigaian

    # vimeo.com/73929860 Uploaded 4,168 Plays / / 0 Comments Watch in Couch Mode
  3. wave study no. 2 - trame linguistique pt1.

    images: hervé perez
    sounds: stephen chase (strings, objects), martin archer (violin, sopranino sax, laptop), hervé perez (soprano sax, shakuhachi, laptop)

    part 1 of a live improvisation recorded on 23 06 2012 at the showroom, sheffield

    this second video piece in the series is using wave patterns and movements again, but this time, the footage is cut and processed differently to fit the style of this new group.

    projected in the concert space, the visuals served as backdrop for an improvisation. however, musicians did not follow the visual work for their performance and played independently.

    the audio recording is now put together with the original film, with no desire to syncronise them, and we can observe how sounds and images interact.

    # vimeo.com/46940476 Uploaded 1,492 Plays / / 2 Comments Watch in Couch Mode
  4. Silvestrovský mapping v Martine.

    Dve animované postavičky Kamil a Klárka odpálili pár minút pred polnocou na prelome rokov 2013 a 2014 netradičný vizuálno-akustický "mappingový ohňostroj". Projekt Milléniový mapping zobrazil súčasné umenie nových médií vo verejnom priestore. Na divadelnom námestí v Martine zanechala na divákov zážitok táto audiovizuálna hra. Presklená budova Millénia (stavba roka 2003) bola zaujimavým filmovým plátnom, akváriom, technokratickou miestnosťou, ktorá sa miestami vizuálne zrútila.

    Videodocumentation by Štefan Oliš.

    # vimeo.com/83314643 Uploaded 238 Plays / / 0 Comments Watch in Couch Mode
  5. Year 2514 on planet Earth. A race of biologically engineered beings called Biogens are rising to power. They are grown to their own vision of perfection and the technology leaves no room for genetic mutation. All natural born humans are imprisoned to cease the procreation of their 'imperfect' race.

    Our concept is a dark tale of two lovers torn apart and shackled by homogeneity. These two halves each share a deep unshakable magnetism and despite the forces ranged against them, they must fight to overcome and finally reunite in the shadows of a changing world.

    'Nova', the heroine of our story is captured and risks being subjected to a transfusion process, effectively transforming her into a semi-biogen form. She is shackled with a hyper magnetic neodymium blade mask containing tubes of liquid made of nano-scale ferromagnetic particles that will alarm the Biogens if physical contact with another human occurs.

    Our hero 'Hal' gains entrance to the transfusion chamber in an desperate bid to free Nova before she is transformed. However, it seems he is too late. In the climactic scene they force their masks together, fighting against the repel. As a triggered alarm screams they reunite in each others arms for what may be their last moments together.
    
© 2013 Alex Wolfe

    A special thank you to Kyle 'K-Nano' Haines and czferro.com for providing us with the material on which we could build the design for our masks.

    # vimeo.com/83431233 Uploaded 2,935 Plays / / 2 Comments Watch in Couch Mode

METROPOLIS

Francesco Maria Cannella

Credo che la violenza sia diventata un punto fermo di una sceneggiatura, ed è presente per una ragione drammaturgica. Non penso che la gente pensa al diavolo con le corna e la coda biforcuta, e quindi non crede alla punizione dopo la morte. Allora mi


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Credo che la violenza sia diventata un punto fermo di una sceneggiatura, ed è presente per una ragione drammaturgica. Non penso che la gente pensa al diavolo con le corna e la coda biforcuta, e quindi non crede alla punizione dopo la morte. Allora mi sono chiesto a cosa crede la gente, o meglio di che cosa ha paura: del dolore fisico, e il dolore fisico si sprigiona dalla violenza, è questa credo l'unica cosa che la gente realmente teme al giorno d'oggi, e che quindi è diventata una parte ben definita della vita e ovviamente anche della sceneggiatura.

FRITZ LANG

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