METROPOLIS

  1. Mashup of Shigeru Izumiya cult movie : Death Powder / Desu Pawuda. (1986)

    Free Music by Yoshiwaku from Instant Amok archive.org/details/INSTANT_AMOK_Yoshiwaku & Hendrix Stream (Left Hand Haze + Low Wah Wah) archive.org/details/Hendrix_Stream_Yoshiwaku + Thanatos Sticky Hymn

    # vimeo.com/70713699 Uploaded 218 Plays / / 0 Comments Watch in Couch Mode
  2. Music by Yoshiwaku free to download here archive.org/details/Greyphonics_Yoshiwaku
    Luc Besson's first work as a director was this short film about one man's struggle to survive in a post-apocalyptic world. After a global nuclear catastrophe, all trace of civilisation is reduced to ruins. Pollution in the atmosphere has robbed man of his power of speech, and mankind is reduced to eking out a pitiful existence amidst the debris. One man manages to escape from a band of marauders in a wasteland by patching up an aeroplane. He lands in what remains of a former city, where he encounters a homicidal brute. He is able to fend off the brute with help from a doctor, who lives alone in what was once a hospital. The doctor has a secret, however. He is keeping a woman prisoner in his cellar... Besson re-made this short a few years later as his first feature film "LE DERNIER COMBAT" (1983).

    # vimeo.com/70382983 Uploaded 355 Plays / / 0 Comments Watch in Couch Mode
  3. # vimeo.com/66408295 Uploaded 33 Plays / / 0 Comments Watch in Couch Mode
  4. A short showing how to make a healthy tea. Filmed on a Canon 60d with it's 18mm-55mm kit lens with image stabilizing.

    I do not own the rights to the music used, this is just for fun.

    # vimeo.com/84335464 Uploaded 192 Plays / / 1 Comment Watch in Couch Mode
  5. Make Up: Elizabeth Thibeault
    Director/Cinematographer: Aaron Thibeault
    Post Production: Premiere Pro CS5.5
    Camera: Panasonic GH2 Hacked w/ FlowMotion
    Lenses: Canon FD lens 28mm F2.8, Kit Lens 14-42mm

    # vimeo.com/79004812 Uploaded 2,097 Plays / / 12 Comments Watch in Couch Mode

METROPOLIS

Francesco Maria Cannella

Credo che la violenza sia diventata un punto fermo di una sceneggiatura, ed è presente per una ragione drammaturgica. Non penso che la gente pensa al diavolo con le corna e la coda biforcuta, e quindi non crede alla punizione dopo la morte. Allora mi


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Credo che la violenza sia diventata un punto fermo di una sceneggiatura, ed è presente per una ragione drammaturgica. Non penso che la gente pensa al diavolo con le corna e la coda biforcuta, e quindi non crede alla punizione dopo la morte. Allora mi sono chiesto a cosa crede la gente, o meglio di che cosa ha paura: del dolore fisico, e il dolore fisico si sprigiona dalla violenza, è questa credo l'unica cosa che la gente realmente teme al giorno d'oggi, e che quindi è diventata una parte ben definita della vita e ovviamente anche della sceneggiatura.

FRITZ LANG

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