METROPOLIS

  1. Calm composition using a graphic element

    # vimeo.com/2575571 Uploaded 117 Plays 0 Comments
  2. robertseidel.com/futures.28.0.html

    For the first time in HD released in November 2011!

    In “Futures” you will see crushed things, completely abstracted … finding together and building up to something we all have seen before … Like our true wishes and desires they shape over time and get clearer … followed by the next longing … Innuendos, artifacts and the rough synchronization add subtle emotions to the uncertain process that build the morbid tableaux of all possible futures …

    # vimeo.com/2669109 Uploaded 34.1K Plays 44 Comments
  3. robertseidel.com/E3.8.0.html

    For the first time in HD released in November 2011!

    E3 (∞, E = eternity, 3 = 3 month) is the first work trying to capture my drawing and painting style into a moving picture. The movie is a 3-month-diary that I created while studying in the UK.

    It captures the beginning, with all its enthusiasm, energy and more or less sub-conscious hope that things develop differently in a new space. Followed by the phase were everything slows down to finally result in a complete breakdown into everyday life. This cycle happens over and over again, in all scales, in all relations … sometimes it can be a cozy, pleasant state … while other times it seems like Don Quixote, fighting against windmills …

    # vimeo.com/2669217 Uploaded 7,094 Plays 14 Comments
  4. The music is "Lines behind Walls" from the album of that name, by Ehren Starks. Licensed by magnatune.com.

    Code/Rendering by Stephen Stagg.

    # vimeo.com/2688140 Uploaded 430 Plays 2 Comments
  5. sound by Le Syndicat
    Report From Earth
    Festin D'Acier 2010

    lesyndicat.perso.sfr.fr/

    visual by césar naves

    noterustas.blogspot.com/

    # vimeo.com/47852543 Uploaded 211 Plays 4 Comments

METROPOLIS

Francesco Maria Cannella

Credo che la violenza sia diventata un punto fermo di una sceneggiatura, ed è presente per una ragione drammaturgica. Non penso che la gente pensa al diavolo con le corna e la coda biforcuta, e quindi non crede alla punizione dopo la morte. Allora mi…


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Credo che la violenza sia diventata un punto fermo di una sceneggiatura, ed è presente per una ragione drammaturgica. Non penso che la gente pensa al diavolo con le corna e la coda biforcuta, e quindi non crede alla punizione dopo la morte. Allora mi sono chiesto a cosa crede la gente, o meglio di che cosa ha paura: del dolore fisico, e il dolore fisico si sprigiona dalla violenza, è questa credo l'unica cosa che la gente realmente teme al giorno d'oggi, e che quindi è diventata una parte ben definita della vita e ovviamente anche della sceneggiatura.

FRITZ LANG

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