Invented by Garrett Brown in the early 70's, the steadicam shot -- or 'steadishot' -- has become one of the most dynamic and exciting forms of cinematography and is one of the most engaging visual techniques in a filmmaker's storytelling arsenal.
I was inspired to make this homage to the art of steadicam cinematography when browsing the database of "top" clips over at http://www.steadishots.org, which are rated by the community. After locating what sources I could from the top 50 or so, I decided to stick with the order presented on the site (accurate as of March 1, 2013).
While I do hope you enjoy my video, there are many other clips that I was not able to source as well as many great clips that have yet to be rated into the "top" ranks, so please head over to http://www.steadishots.org and show your appreciation for the great service they provide.
For a complete list of clips by order of appearance, please visit here: http://www.refocusedmedia.com/the-art-of-steadicam/
Alt-J - Tessellate
The Black Keys - Little Black Submarine
Apparat - Ash/Black Veil
This is an excerpt from There Will Be Blood (Paul Thomas Anderson, 2007). 11 adult viewers were shown the video and their eye movements recorded using an Eyelink 1000 (SR Research) infra-red camera-based eyetracker. Each dot represents the center of one viewer's gaze. The size of each dot represents the length of time they have held fixation.
“I have a way of filming things and staging them and designing sets. There were times when I thought I should change my approach, but in fact, this is what I like to do. It's sort of like my handwriting as a movie director. And somewhere along the way, I think I've made the decision: I'm going to write in my own handwriting. That's just sort of my way.” – Wes Anderson