At the height of the Great Depression, the showman of a renowned circus discovers a man without limbs being exploited at a carnival sideshow, but after an intriguing encounter with the showman he becomes driven to hope against everything he has ever believed.
Directed by: Joshua Weigel; Written by: Joshua Weigel & Rebekah Weigel; Produced by: Joshua Weigel, Rebekah Weigel & Angie Alvarez; Starring: Eduardo Verastegui (Bella, Chasing Papi), Nick Vujicic (Life Without Limbs) & Doug Jones (Pan's Labyrinth, Fantastic Four - Rise of the Silver Surfer, Hellboy)
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This video tutorial shows how to use Maya 2012 and Mental Ray rendering with mia_physicalsun as the lighting source. I first get the file to real world scale, disable the lens shader gamma correction, turn on Maya color management which will gamma correct all my sRGB textures, display my renders in Maya gamma corrected, then render out 32-bit EXR files for linear composite in Nuke.
Pre-production is by far the most important part of the process for not only time-lapse photography but film-making as a whole. By being prepared from the beginning and by having a well laid out plan, production & post-production will ALWAYS go way smoother. There are a few specific areas that I will be investigating as part of the pre-production phase. I will be covering:
What I want to do with this video is give you a few tips that will hopefully help your shooting experience go smoother. To help with this process, I will be producing a new short at the same time and use it as a real world example showcasing my workflow.
For this tutorial, my gear selection was a little different from my other projects because of the location in which I was shooting. Due to the fact that I hiked in to film this, I had to condense my kit. In regards to cameras, I shot on 2xCanon 5D Mark II’s using the 24-105mm 4.0L, 14mm 2.8L, 50mm 1.2L, and the 70-200mm 2.8L II. In regards to sound, I used the RØDE Lavalier for the on camera content and the NTG3 for the SFX / Ambient audio.
In regards to support gear, I used the Manfrotto 055 Carbon Fiber Tripod – 3 Section tripods with Kessler Low Profile Ball Heads & Kwik Release plates to attach the cameras. For the drive lapse shots, I used the Kessler Shuttle Pod Mini, Kessler Stealth & the Shape Mountains.
Special Thanks to Nils Sorensen for this help on this project!!!