In early Fall 2011, I shot some footage with a pre-production model of the Canon EOS C300 for one week in NYC. I created an article and a video for Canon based on my experiences with the camera. The video is meant to poke fun at most camera test videos I've seen over the years. Canon, not thrilled with my sense of humor, does not credit or condone this video, but I think it shows a lot of the camera's strengths.
I believe that Canon made a beautiful camera that is sensible, reliable and portable in a way that I've always dreamed a camera could be. It prioritizes great skin tone and has higher ISO sensitivity than any other camera out there.
I know there's nothing I can say to change the minds of the RED fan club. For the rest of the skeptics, I think once you get your hands on it you'll understand how great this camera really is. Please buy this camera in January and go film some good skin tones in the dark. You'll love it.
Thanks go out to all my friends for helping me with this.
Panasonic 12-35 2.8
Standard Profile, ALL-I
5D Mark III
Canon 24-70mm 2.8 (Version I)
Standard Profile, ALL-I
No color-correction or post sharpening applied. Tried to keep flares under control as much as possible.
A few shots have slightly different compositions. Lighting scenarios for the scenes did not change (the sun was not moving behind clouds).
Each camera was set to 200 ISO for the entire test.
Watch the orginal video “Schiller - Lichtermeer” here from germany:
And internationally here:
The shoot was based on Light Emitting Dudes idea which some of you will already know: vimeo.com/54321299
We shot this 3 weeks ago in Bangkok for about a period of 10 days and edited within one week.
We shot all in RAW, converted it to Pro Res Quicktime and edited it Premiere Pro CS6 on Macbook Pros.
We can say that the two GH3 connected with the new Timelapse function and the ultra-strong low-light capabilities in hand with the Low-Light lenses we used make them very capable for shootings like this.
Since we did not have a lot of light with us, we shot mainly with available light in the night.
If you are interested in working like us you can write us for a workshop at your place or you have a look here for the 2&3 March in Dresden, Germany: sebastian-linda.de/index.php?option=com_content&view=article&id=50&Itemid=54
Voigtlander f/0.95 25mm,
SLR Magic Hyperprime f/1.6 12mm
Panasonic f/4 7-14mm
Canon FD f/1.4 50mm
Canon FD f/2 85mm
Carl Zeiss Planar 85mm
Slide Kamera PRO Slider 1m
HKN-1 Motion Control
Directed by Frank Sauer & Sebastian Linda
Creative Network Multimedia GmbH
Freerunners from TEAM FARANG
This is a shot of the The "MōVI" - a digital 3-axis gyro-stabilized handheld camera gimbal. The completely silent device weighs under 3.5 pounds bare and can be operated solo, or with the help of a second "gimbal" operator with a joystick to pull off some incredible moves. To read more about it go to: wp.me/pjtZ0-2a4 The resulting video from this shoot is at:vimeo.com/62917185 or the BTS: vimeo.com/63357898
To download extra features go to: vimeo.com/ondemand/movi
All proceeds from the "Tip Jar" and Vimeo on Demand will benefit the Lollipop theater network lollipoptheater.org/ - a nonprofit organization that arranges showings of first-run movies to children confined to hospitals.
A compilation of different flight this 2013 summer with the last updated version of our second drone.
It took 5 Days to cover different location and we broke only 2 propellers.
http://www.visionrouge.com for all your video/photography and gear to hire in China.
Go pro shoot in 25p 2.7K in order to resize and avoid the frame on some strong movement.
Basic DJI kit with these upgrade
-> Carbon fiber propeller
-> Propeller cage from DJI (amazing idea, working great for beginner )
-> 200mW 5.8Ghz Video Transmitter powered by the Phantom
-> BEC 5V on board for the Video feed
-> Brushless gimbal from China (contact me for details) With specific dampler
-> Extra 2.4Ghz remote system for gimbal tilt to be soon updated with a 3 rd axis gimbal
-> Preview screen
-> Clover leaf antenna upgrade
Go pro with updated lens (almost no fish eye effect)
Footage almost straight from Gopro Hero3, only speed/size/position adjustment (and masking on licence plate)
Where everyone decide to slow down the footage to avoid the shaking effect and make it more majestic, I went opposite and speed it up! Still acceptable for most of them and not too long to watch
Feel free to contact me for any details, or if you need to download a better version as vimeo compression is quite strong.
We have other drone for picture or photography to hire, based in China, Shanghai