00:00 : After Effects CS6 with Particular 00:15 : Background of my short film on third year at Supinfocom (3dsMax, Scanline render) 00:20 : Render exercice with VRay and 3dsMax (CGsphere) 00:23 : Extract of this short film 00:33 : Extract of animation exercice in 3dsMax (for 11 second club) 00:45 : lighting exercice with VRay 00:58 : Animation, cloth and render with VRay of a character of "A la française" movie (3dsMax) 01:25 : Sculpting and texturing in Mudbox
This short was shot with the The "MōVI" - a digital 3-axis gyro-stabilized handheld camera gimbal. The completely silent device weighs under 3.5 pounds bare and can be operated solo, or with the help of a second "gimbal" operator with a joystick to pull off some incredible moves. To read more about it go to: wp.me/pjtZ0-2a4 The BTS Video is at: vimeo.com/63357898
All proceeds from the "Tip Jar" and Vimeo on Demand will benefit the Lollipop theater network lollipoptheater.org/ - a nonprofit organization that arranges showings of first-run movies to children confined to hospitals.
This short was shot ENTIRELY handheld with the MōVI, a Canon EOS 1DC (at 4K) and a Canon 24mm 1.3 Cine Prime (and a Zeiss 18mm CP.2 for the aerial shots.)
Invented by Garrett Brown in the early 70's, the steadicam shot -- or 'steadishot' -- has become one of the most dynamic and exciting forms of cinematography and is one of the most engaging visual techniques in a filmmaker's storytelling arsenal.
I was inspired to make this homage to the art of steadicam cinematography when browsing the database of "top" clips over at http://www.steadishots.org, which are rated by the community. After locating what sources I could from the top 50 or so, I decided to stick with the order presented on the site (accurate as of March 1, 2013).
While I do hope you enjoy my video, there are many other clips that I was not able to source as well as many great clips that have yet to be rated into the "top" ranks, so please head over to http://www.steadishots.org and show your appreciation for the great service they provide.
For a complete list of clips by order of appearance, please visit here: http://www.refocusedmedia.com/the-art-of-steadicam/
Alt-J - Tessellate
The Black Keys - Little Black Submarine
Apparat - Ash/Black Veil
If you’ve ever seen a movie, you’ve seen opening titles of some kind. Opening credits have existed pretty much since the beginning of moving pictures, and they are as varied as the films themselves.
“THE FILM before THE FILM” is a short documentary that traces the evolution of title design through the history of film.
This short film was a research project at the BTK (Berliner Technische Kunsthochschule) that takes a look at pioneers like Saul Bass, Maurice Binder and Kyle Cooper by showing the transitions from early film credits to the inclusion of digital techniques, a resurgence of old-school style, and filmmakers' love of typography in space.