1. "Wave" (also known as "Vou Te Contar" in Portuguese) is a song written by Antonio Carlos Jobim. Recorded as an instrumental on Jobim's 1967 album of the same name, English lyrics were added by Jobim for a November 11, 1969 recording by Frank Sinatra, released on his 1970 album Sinatra & Company [1]. On this recording, Sinatra sung his lowest note, a low E♭
    Antonio Carlos Brasileiro de Almeida Jobim (January 25, 1927 in Rio de Janeiro December 8, 1994 in Brazil), also known as Tom Jobim, was a Grammy Award-winning Brazilian songwriter, composer, arranger, singer, and pianist/guitarist. A primary force behind the creation of the bossa nova style, Jobim is acknowledged as one of the most influential popular composers of the 20th century. His songs have been performed by many singers and instrumentalists within Brazil and internationally.
    Early life and career
    Jobim's musical roots were planted firmly in the work of Pixinguinha, the legendary musician and composer who began modern Brazilian music in the 1930s. Jobim was also influenced by the French composers Claude Debussy and Ravel, and by jazz. Among many themes, his lyrics talked about love, political repression, betrayal, and especially about the natural beauties of Brazil, like the "Mata Atlântica" forest, birds like the Matita Perê, and his home city of Rio de Janeiro.
    Jobim became prominent in Brazil when he teamed up with poet and diplomat Vinicius de Moraes to write the music for the play Orfeu de Conceição (1956). The most popular song from the show was "Se Todos Fossem Iguais A Você" ("Someone to Light Up My Life"). Later, when the play was turned into a film, producer Sacha Gordine did not want to use any of the existing music from the play. Gordine asked de Moraes and Jobim for a new score for the film Black Orpheus (1959). Vinicius was at the time away in Montevideo, Uruguay, working for the Itamaraty (the Brazilian Ministry of Foreign Affairs) and so he and Jobim were only able to write three songs, primarily over the telephone ("A Felicidade", "Frevo",and "O Nosso Amor"). This collaboration proved successful, and Vinicius went on to pen the lyrics to some of Jobim's most popular songs.
    A key event in making Jobim's music known in the English speaking world was his collaboration with the American jazz saxophonist Stan Getz, João Gilberto and Gilberto's wife at the time, Astrud Gilberto, which resulted in two albums, Getz/Gilberto (1963) and Getz/Gilberto Vol. 2 (1964). The release of Getz/Gilberto created a bossa nova craze in the United States, and subsequently internationally.
    Getz had previously recorded Jazz Samba (1962), and Jobim wrote many of the songs on Getz/Gilberto, which became one of the best-selling jazz albums of all time, and turned Astrud Gilberto, who sang on "The Girl from Ipanema" and "Corcovado", into an international sensation.
    At the Grammy Awards of 1964 Getz/Gilberto won the Grammy Award for Album of the Year, Grammy Award for Best Jazz Instrumental Album, Individual or Group and the Grammy Award for Best Engineered Album, Non-Classical. "The Girl from Ipanema" won the award for Grammy Award for Record of the Year.
    Jobim remained musically productive until his 1994 death from heart failure; his last album, Antonio Brasileiro, was released posthumously.[1] He is buried in the Cemitério São João Batista in Rio de Janeiro

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  2. This my version - "What Are You Doing the Rest of Your Life?" is a song with lyrics written by Alan Bergman and Marilyn Bergman and original music written by Michel Legrand for the 1969 film The Happy Ending and was nominated for an Academy Award for Best Original Song.

    Legrand won the 1973 Grammy Award for Best Instrumental Arrangement Accompanying a Vocalist for a version performed by Sarah Vaughan. More than thirty years later, Billy Childs, Gil Goldstein, and Heitor Pereira won the 2006 Grammy Award for the same category for a version performed by Chris Botti and Sting.

    Apart from the award winning versions, the song has been covered by many renowned artists including Frank Sinatra, Dusty Springfield, Johnny Mathis, Julie Andrews, Shirley Bassey, Andy Williams, Barbra Streisand, Alyssa Karas, Bill Evans, Paolo Jannacci and Joe Pass. The only nationally charted version of this song was Jaye P. Morgan's 1970 version on the Beverly Hills label.

    Info about the composer.
    Michel Legrand (born February 24, 1932 in Paris) is a French musical composer, arranger, conductor, and pianist of Armenian descent.
    Legrand has composed more than two hundred film and television scores, several musicals, and made well over a hundred albums. He has won three Oscars (out of 13 nominations), five Grammys, and has been nominated for an Emmy. He was twenty-two when his first album, I Love Paris, became one of the best-selling instrumental albums ever released. He is a virtuoso jazz and classical pianist and an accomplished arranger and conductor who performs with orchestras all over the world. He studied music at the Paris Conservatoire from 1943-50 (ages 11-20), working with, among others, Nadia Boulanger, the teacher also of many other composers, including Aaron Copland and Philip Glass. Legrand graduated with top honors as both a composer and a pianist.
    Jazz recordings

    In the early 1950s, Legrand was one of the first Europeans to work with jazz innovators such as Dizzy Gillespie and Stan Getz. His jazz-oriented projects, though infrequent, have been almost uniformly outstanding. While on a visit to the U.S. in 1958, Legrand collaborated with such musicians as Miles Davis, John Coltrane, Bill Evans, Phil Woods, Ben Webster, Hank Jones, and Art Farmer in an album of inventive orchestrations of jazz standards titled Legrand Jazz. The following year, back in Paris with bassist Guy Pedersen and percussionist Gus Wallez, he recorded an album of Paris-themed songs arranged for jazz piano trio, titled Paris Jazz Piano. Nearly a decade later he recorded At Shelly's Manne-Hole (1968), a live trio session with bassist Ray Brown and drummer Shelly Manne, in which four of the compositions were improvised on the spot. Legrand also provided an odd scat vocal on "My Funny Valentine." After another decade had elapsed, Legrand returned to jazz and collaboration with Phil Woods on Jazz Le Grand (1979) and After the Rain (1982); then he collaborated with violinist Stephane Grappelli on an album in 1992. Not as well received as his earlier work was a 1994 album for LaserLight titled Michel Plays Legrand. More recently, in 2002, he recorded a masterful solo jazz piano album reworking fourteen of his classic songs, Michel Legrand by Michel Legrand. His jazz piano style is virtuosic and eclectic, drawing upon such influences as Art Tatum, Erroll Garner, Oscar Peterson, and Bill Evans.
    A number of his songs have become jazz standards, covered frequently by other artists, including "What Are You Doing the Rest of Your Life?," "Watch What Happens," "The Summer Knows," and "You Must Believe in Spring."

    # vimeo.com/60823631 Uploaded 1,024 Plays 1 Comment
  3. I apologize, but to avoid some misunderstandings, I am compelled to write some questions for particular listeners who read the title "You are the Sunshine of My Life" and after claiming to hear the original cover of Stevie Wonder. So, here on my channel (Jazz) you will never listen to (copy) cover songs. All the songs here on my channel (Jazz) are either improvised or arranged by me.
    I do this not only because for me to play a cover exactly or rather to copy a cover it is very simple and boring.... but mostly I change the structures of the songs because I love the philosophy of "Jazz", thanks for your attention.
    You can also visit my other new channel:
    There I just start to make some tutorials for Jazz musicians beginners, and more :-)

    Here is a short version of the fabulous song from the Great "Stevie Wonder - You are the Sunshine of My Life"
    I tried in "Funky/Jazz" style.
    I worked this song with Tascam GigaStudio, e.piano, and the fabulous "Larry Seyer Upright Acoustic Bass" The "Acustic Drum" is also from Gigastudio.

    As you can see, with the bass solo I mirrored the video, this to distinguish the two musical instruments, piano and bass.

    More info about Stevie Wonder:

    (born Stevland Hardaway Judkins on May 13, 1950, name later changed to Stevland Hardaway Morris) is an American singer-songwriter, multi-instrumentalist, and record producer. A prominent figure in popular music during the latter half of the 20th century, Wonder has recorded more than thirty top ten hits, won 26 Grammy Awards (a record for a solo artist), plus one for lifetime achievement, won an Academy Award for Best Song and been inducted into both the Rock and Roll and Songwriters halls of fame. He has also been awarded the Polar Music Prize.

    Blind from infancy, Wonder signed with Motown Records as a pre-adolescent at age twelve, and continues to perform and record for the label to this day. He has ten U.S. number-one hits on the pop Charts, 20 U.S. R&B number one hits, and album sales totaling more than 150 million units. Wonder has recorded several critically acclaimed albums and hit singles, and writes and produces songs for many of his label mates and outside artists as well. Wonder plays the piano, synthesizer, harmonica, congas, drums, bongos, organ, melodica, and clavinet. In his early career, he was best known for his harmonica work, but today he is better known for his keyboard skills and vocal ability.

    # vimeo.com/60823630 Uploaded 583 Plays 0 Comments
  4. "You've Changed" is a popular song originally written by Bill Carey and Carl Fischer in 1941. It has been covered by many singers , including:
    Harry James's band with vocals by Dick Haymes (1941)
    Nat King Cole (1947)
    Connie Russell (1954)
    Billie Holiday (1958)
    Julie London (1959)
    Sarah Vaughan (1960)
    Lita Roza (1955)
    Jackie Gleason (1956)
    Frankie Laine (1958)
    The Three Sounds (1964)
    Ella Fitzgerald (1966)
    Nancy Wilson (1967)
    Eydie Gormé (1967)
    Kay Starr (1969)
    Diana Ross, in the 1972 film Lady Sings the Blues (1972)
    Jimmy Roselli (1975)
    Lillian Terry (1982)
    Marie Wilson (1983)
    Lee Torchia (1985)
    Miki Howard (1988)
    Bobby Vinton and George Burns (1992)
    Jeanie Bryson (1993)
    Charly Antolini & Dick Morrissey (1993)
    Kate Hammett-Vaughan (1999)
    George Michael on his album Songs from the Last Century (1999)
    Joni Mitchell on her album Both Sides Now (2000)
    Etta Jones (2001)
    Eva Cassidy on her album Imagine (2002)
    Michael Ball (2003)
    Renée Fleming (2005)
    Nnenna Freelon (2005)

    # vimeo.com/60823628 Uploaded 329 Plays 0 Comments
  5. "The Party's Over" is a popular song composed by Jule Styne with lyrics by Betty Comden and Adolph Green. It was introduced in the 1956 musical comedy Bells Are Ringing by Judy Holliday. Nat King Cole, Smoking Popes and Shirley Bassey recorded popular versions.
    Styne was born in London, England as Julius Kerwin Stein of Jewish immigrants from Ukraine. At the age of eight he moved with his family to Chicago, where at an early age he began taking piano lessons. He proved to be a prodigy and performed with the Chicago, St. Louis, and Detroit Symphonies before he was ten years old.

    Styne attended Chicago Musical College, but before then he had already attracted attention of another teenager, Mike Todd, later a successful film producer, who commissioned him to write a song for a musical act that he was creating. It would be the first of over 1,500 published songs Styne would compose in his career.
    Styne established his own dance band, which brought him to the notice of Hollywood, where he was championed by Frank Sinatra and where he began a collaboration with lyricist Sammy Cahn, with whom he wrote many songs for the movies, including "It's Been a Long, Long Time," "Five Minutes More," and the Oscar-winning "Three Coins in the Fountain." He collaborated on the score for the 1955 musical film My Sister Eileen with Leo Robin.
    In 1947 Styne wrote his first score for a Broadway musical, High Button Shoes with Cahn, and over the next several decades wrote the scores for many Broadway shows, most notably Gentlemen Prefer Blondes, Peter Pan, Bells Are Ringing, Gypsy, Do Re Mi, Funny Girl, Sugar (with a story based on the movie Some Like It Hot, but all new music), and the Tony-winning Hallelujah, Baby!.
    His collaborators included Betty Comden and Adolph Green, Stephen Sondheim, and Bob Merrill, and among the songs in those shows composed by Styne are "I Still Get Jealous," "Diamonds Are a Girl's Best Friend," "Just In Time," "The Party's Over," "Make Someone Happy," "Everything's Coming Up Roses," "Let Me Entertain You," and "People."
    Styne wrote original music for the short-lived, themed amusement park Freedomland U.S.A. which opened on June 19, 1960.
    Styne was elected to the Songwriters Hall of Fame in 1972 and the Theatre Hall of Fame in 1981, and he was a recipient of the Kennedy Center Honors in 1990.

    # vimeo.com/60827247 Uploaded 287 Plays 0 Comments

Alfonso Gugliucci Jazz Piano


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