1. This is an explanation of the Kuleshov effect, including re-creations of Lev Kuleshov's initial experiments, an explanation of what's at work, and a modern example.

    Narrated by Michael Sullivan
    Edited by Micheal Sullivan
    Music composed and performed by Michael Sullivan

    # vimeo.com/8082147 Uploaded 28.7K Plays 2 Comments
  2. What makes a great story? For legendary filmmaker Ken Burns, the answer is both complicated and personal. In this short documentary about the craft of storytelling, he explains his lifelong mission to wake the dead. Recently featured on The Atlantic. (theatlantic.com/video/archive/2012/05/ken-burns-on-story/257165/)

    Directed by Tom Mason and Sarah Klein
    Music by Ryan Sayward Whittier
    Animation by Elliot Cowan

    Check out the sequel to this piece, George Saunders: On Story: vimeo.com/143732791

    Transcript for Closed Captioning
    Ken Burns On Story Transcription

    You know the common story is one plus one equals two, we get it. But all stories are really, the real genuine stories, are about one and one equaling three. That’s what I’m interested in.

    We live in a rational world where absolutely we’re certain that one and one equals two, and it does. But the things that matter most to us, some people call it love, some people call it God, some people call it reason, is that other thing where the whole is greater than the some of its parts, and that’s the three.
    Oh great story, they are everywhere. There are millions of them! Abraham Lincoln wins the Civil War and then he decides he’s got enough time to go to the theater. That’s a good story. When Thomas Jefferson said we hold these truths to be self-evident, that all men are created equal, he owned a hundred human beings and never saw the hypocrisy, never saw the contradiction, and more important, never saw fit in his lifetime to free any one of them. That’s a good story. You know the stories that I like to tell are always interesting because the good guys have really serious flaws and the villains are very compelling. My interest is always in complicating things.

    Jean Luc Goddard said cinema is truth 24 times a second. Maybe. It’s lying 24 times a second too, all the time, all story is manipulation. Is there acceptable manipulation? You bet. People say oh boy, I was so moved to tears in your film. That’s a good thing? That was, I manipulated that. That’s part of storytelling. I didn’t do it dis-genuinely, I did it sincerely, I am moved by that too, that’s manipulation. Truth is we hope a byproduct of the best of our stories and yet there are many, many different kinds of truths and an emotional truth is something that you have to build.

    I made a film on baseball once and it seemed to me that there was a dilemma for the racist of what to do about Jackie Robinson. If you were a Brooklyn Dodger fan and you were a racist, what do you do when he arrives? You can quit baseball all together, you can change teams, or you can change. And I think that the kind of narrative that I subscribe trusts in the possibility that people could change. I hope it’s a positive version of manipulation, but I do think that we do coalesce around stories that seem transcendent.

    I don’t know why I tell stories about history I mean there’s kind of classic dime-store Ken Burns wolf-at-the door things, my mother had cancer all of my life, she died when I was 11, there wasn’t a moment from when I was aware, two-and-a-half, three, that there was something dreadfully wrong in my life. It might be that what I’m engaged in, in a historical pursuit is a thin layer perhaps thickly disguised waking of the dead, that I try to make Abraham Lincoln and Jackie Robinson and Louis Armstrong come alive and it maybe very obvious and very close to home who I’m actually trying to wake up. We have to keep the wolf from the door, you know, we tell stories to continue ourselves. We all think an exception is going to be made in our case and we’re going to live forever, and being a human is actually arriving at the understanding that that’s not going to be, story is there to just remind us that it’s just okay.

    # vimeo.com/40972394 Uploaded 196K Plays 88 Comments
  3. UPDATE:
    Thanks for all your kind words guys! It's quite overwhelming to see this shared and retweeted all over!

    All sins typographic in nature have been amended, hopefully. Thanks for bearing with it the whole time. :)

    As always, all credit due to the amazing Ira Glass.

    Source audio is from this very seminal video by current.tv:

    http://www.youtube.com/watch?v=BI23U7U2aUY

    Made in three days on Illustrator and After Effects, for Day 6 of the #30daysofcreativity.

    # vimeo.com/24715531 Uploaded 1.5M Plays 202 Comments
  4. Direction - Colin Hesterly | colinhesterly.com

    Character Design - Jacob Smeraglia | jsmeraglia.com

    Design - Erik McGrew | erikmcgrew.com

    Animation - Justin Demetrician | jdemetrician.com

    Animation - Peter Arcara | portfolio.parcara.com

    # vimeo.com/12496923 Uploaded 45.9K Plays 53 Comments
  5. Meet Silsoe Mouse from Upstart Films: a directing duo displaying a voracious apetite for film making and storytelling. Silsoe Mouse comprises a music composer (Pascal Bideau) and a film director (Ben Turner). These "Jack of all trades" bring a viral and creative energy to all the projects they tackle, and enjoy working with comedians, live action as much as creating their own world's and characters using models and CG. Animation & grade to complete this fairytale visual feast was then completed here at The Mill.

    Little Red is their first animation short.

    # vimeo.com/49909474 Uploaded 66K Plays 32 Comments

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