1. Support 'Hardcore' - the spiritual sequel to Bad Motherfucker on Indiegogo.
    indiegogo.com/projects/hardcore-the-first-ever-action-pov-feature-film#home

    # vimeo.com/62092214 Uploaded 22.2M Plays 1,203 Comments
  2. If you’ve ever seen a movie, you’ve seen opening titles of some kind. Opening credits have existed pretty much since the beginning of moving pictures, and they are as varied as the films themselves.
    “THE FILM before THE FILM” is a short documentary that traces the evolution of title design through the history of film.
    This short film was a research project at the BTK (Berliner Technische Kunsthochschule) that takes a look at pioneers like Saul Bass, Maurice Binder and Kyle Cooper by showing the transitions from early film credits to the inclusion of digital techniques, a resurgence of old-school style, and filmmakers' love of typography in space.

    If you have any questions, comments or suggestions contact us at taketeundmaluma.de/contact

    CREDITS:

    Research:
    Nora Thös, Damian Pérez

    Animation & Cut:
    Nora Thös, Damian Pérez

    Text & Translation:
    Nora Thös, Christian Mahler

    Sound & Dubbing:
    Damian Pérez

    Proofreading & Voice:
    Demetrius Papadakis

    Professors:
    Christian Mahler, Daniel Wangen

    Special Thanks to:
    Ian Albinson for his suggestions and corrections.
    Art of the Title for the wide range of opening titles.

    # vimeo.com/60964497 Uploaded 196K Plays 81 Comments
  3. IF created this amped up cops and robbers teaser for Battlefield Hardline for EA. Directors Miguel Lee and Charles Khoury directed two separate shoots simultaneously on the same stage — Miguel's crew was responsible for shooting all the actors, vehicles, weapons, gear, and paraphernalia in a sleek, action-packed fashion. Charles shot at high speeds to capture all the slow-motion epicness of explosions and actual weapons fire including a submachine gun, pump shotgun, and assault rifle.

    Designed & Produced by: Imaginary Forces (IF)
    Directors: Miguel Lee, Charles Khoury
    Executive Producers: Ben Apley, Sarah Roebuck
    Head of Production: Claudina Mercado
    Producers: Chris Ahn, Keith Bryant
    Line Producer: Adam Lawson
    Directors of Photography: Joseph Labisi, Aaron Platt
    Designers: John Kim, Lisa Chen, Katherine Liang, My Tran, Tizu Tarumyan
    Assistant Designer: Wes Yang
    Storyboard Artist: Alejandro Lee
    Animators: John Kim, Miguel Lee, Sam Kim
    Lead Editor: Justine Gerenstein
    Assistant Editors: Michael Radtke, Stacy Auckland, Keith Roberts
    Inferno Artists: Rod Basham, Eric Mason
    Coordinator: Dominick Guglielmo
    Photographer: Ryan Speers
    Production Intern: Paquita Hughes

    Studio: Electronic Arts
    Advertising Agency: FCB/West
    Chief Creative Officer: Eric Springer
    Agency Creative Directors: Tony Vazquez, Colin McRae
    Agency Producer: Jeremy Arth
    Agency Art Directors: Chase Madrid
    Agency Copywriter: Elaine Cox
    Agency Accounts Team: Isaac Clemens, Ben Yu, Chris Remy
    Agency Editors: Ted DePalma, Tim McMahon

    # vimeo.com/97986919 Uploaded 14.8K Plays 8 Comments
  4. VFX, grading for the "The Doll" feature film. Part 1

    # vimeo.com/75551531 Uploaded 13K Plays 10 Comments
  5. Breakdowns and process of making the Modern Workplace title sequence.
    Here's the orig: vimeo.com/109648489
    Lots of 3D projection mapping.

    Also, I did a talk at NAB 2015 for Maxon on this piece.
    cineversity.com/vidplaytut/nab_2015_rewind_michael_rosen
    Enjoy!

    # vimeo.com/109649282 Uploaded 21.8K Plays 39 Comments

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