1. Jack Campbell Radiohead, Codex Acoustic Cover

    Lens used 50mm | 1:8 Nikon Lens Series E (£35 ebay) - Guitar live via Sennheiser G3 into Sony. Vocals dubbed due to wind in some spots. Shame as it was great otherwise.

    Edit and grade in FCP.

    Frame grabs for this shoot.
    flickr.com/photos/millerandmiller/sets/72157627068887405/

    Filmed on the Sussex Downs at Ditchling Beacon.
    Sony FS100, Lens Whacking

    Jack Campbell
    youtube.com/user/JackCampbellMusic

    # vimeo.com/26419694 Uploaded 17.9K Plays 34 Comments
  2. Shooting just for fun with a 50mm macro and a 36mm extension tube on the Sony FS100.
    The larvae are from a Drone fly and mosquitos collected in a drinking glass from a pool of stagnant water in the garden.

    Cut & graded in Adobe Premiere CS6. 50/50 Mirror effect used on all clips.

    flickr.com/photos/millerandmiller/7406916398

    Soundtrack from Lady in the Water | The Healing | Lady in the Water

    # vimeo.com/44373399 Uploaded 5,833 Plays 25 Comments
  3. The video to Duotone's new single 'Alphabet' taken from their acclaimed second album 'Ropes' which was released on ECC. duotonemusic.com

    Directed by: Alex Kemp - vimeo.com/directorkemp
    DOP: James Miller - vimeo.com/millerandmiller
    Edited by: Lucy Badger - vimeo.com/lucybadger
    Produced by: Petra Tiziani - vimeo.com/user556267
    Assistant Producer: Alex Olivares
    Art Director: Miles Roberts

    Staring Bert Audubert as our keen 'treasure' detector...

    -----

    Shot on the Sony NEX FS100, mostly using a 50 1.4 Nikkor-S and a 28mm Nikon 2.8. Recored in 50p but conformed in camera to maintain bitrate. Additional Sun provided by an Arri 2K openface.

    Initial edit, cut and supplied in FCP 7. Then frame graded (single tiffs) as batch using Adobe Camera Raw through Photoshop.
    Tiff sequence opened in Adobe premiere and using XML for cut marker points for speed. Secondary grading applied in Premiere using the still using the tiff sequence.

    Final delivery export from Premiere as H.264 under a MP4 wrapper.

    It seems convoluted but normally it would be: Native edit with Premiere. Then those 1st generation files to tiff frames to be graded in Camera Raw, assembled in Premiere with secondary grading where needed then delivery formats. If I had cut this I would have edited native in Adobe Premiere to save one generation loss.

    # vimeo.com/49483370 Uploaded 3,877 Plays 23 Comments

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Benjamin Asher

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